WALNUT DINING CHAIRS, 1920’s furniture carved flowers PEDESTAL DESK, josef hoffmann bentwood chair CORNER CABINET, large antique bookcases late 18th century

A SET OF TEN QUEEN ANNE STYLE WALNUT DINING CHAIRS, neo baroque furniture comprising ten side chairs, davenport captain desk each yoke form cresting rail above a vasiform splat fl«nlr»»H by rounded stiles above a trapezoidal slip in seat raised on cabriole legs ending in pad feet. (10)

A WILLIAM TV MAHOGANY LINEN PRESS, antique chinese ceramics oval jar with lid flowers and insects
circa 1835, antique chairs and connected table the arched cornice with beaded rim terminating in scrolls above a pair of doors with recessed panels with beaded borders and mounted with twist carved columns, okimono ivory flower opening to sliding shelves; the lower section with beaded waist above two short and two long beaded panelled drawers, 6-legged antique dining table raised on shaped reeded feet H.7ft.8 Vi in.; W. 4 ft. 7 in.; D. 27 in.

A SET OF TWELVE ANTIQUE HI STYLE MA HOGANY DINING CHAIRS, jacobean tudor sideboard comprising: two arm chairs and ten side chairs, antique gothic fold over desk each shield shaped back enclosing a splat pierced with Gothic tracery centering a Prince of Wales plume flanked by shaped arms on reeded supports, slant front pedestal kneehole desk the bow fronted overupholstered seat raised on square molded legs joined by stretchers. (12)

AN ANTIQUE U STYLE LEATHER UPHOL STERED CAMELBACK SETTEE, high end european music stands, inlaid, canadian wooden music stands the serpentine padded back flanked by outscrolled padded sides with paterae carved terminals on supports carved with acorns and oak leaves, antique cherry, mahogany or walnut flat-top office desk the loose cushioned seat raised on cabriole legs carved with leaf carved knees ending in claw and ball feet L. 7 ft. 4 in.

A SET OF EIGHT ANTIQUE HI STYLE MAHOG ANY DINING CHAIRS, gilt wood center table late 19th century, 1930 art deco upholstered chair comprising two arm and six side chairs each serpentine cresting rail carved with a leaf spray above a pierced baluster form splat, circular deep-buttoned ottoman, frame, how to make the outscrolled arms raised on curved supports centering a drop in rectangular seat, lacquer, gold inlaid desk raised on straight chamfered legs joined by plain stretchers. (8)

A VICTORIAN FRUTTWOOD AND EBONY MAR QUETRY INLAID MAHOGANY PEDESTAL DESK, antique painted plates with louis 15th or 16th faces show pictures french third quarter 19th century, antique brass bed with ladies on the spindles the rectangular molded top with leather inset writing surface above three frieze drawers inlaid with Baroque masks and trailing vines; raised on two pedestal supports, arts and crafts oak desk table each with a recessed cabinet door inlaid with a floral spray flanked by fluted pilasters headed by stylized capitals and raised on a conforming molded plinth. H. 31 ‘A in.; W. 6 ft. 2′A in.; D. 29 in.

A FEME AND RARE ANTIQUE I INLAID BURL WALNUT BUREAU CABINET, hinged leaf swedish dining tables circa 1720, nineteenth century drum tables in three parts, antique ruby and pearl necklace with black soldier bust centered the upper section with a molded cornice above a pair of mirrored doors opening to arrangement of twenty four draw ers, bible cupboard each with a letter of the alphabet; the mid-section with crossbanded and sectioned slant front opening to small drawers and pigeon holes and writing surface, display holder wash stand the lower part with a central range of four long drawers flanked by gate flap supports and two ranges of four short drawers; raised on bracket feet, oak claw feet table casters (restorations). H. 7ft. 7 in.; W. 4 ft. 7 ft in • D. 23 ft in.
Provenance: Former Collection Mrs. Derek Haug, bohemian china czechoslovakia sold Chris tie’s London, how do i know how much my oak twist gate leg table is worth March 16, antique silver quilded mirror 1967, brass carriage clock brevet lot 94. Former Collection Hood Museum of Art, antique dresser with sunburst carved sides Dartmouth College, 18thc paint for lit a la polonaise bed Sold Sotheby’s New York sale 5140, french lacquered sideboard with brass base January 21, waterford glasses cut moulded 1984, 3ft wine glass lot 58; see illustration.

AN ANTIQUE MAHOGANY WRITING TABLE, oval pembroke sheraton table third quarter 18th century, art deco porcelain italian the square molded top above a pullout drawer support on legs with sliding leather inset writing surface above a fitted interior, swedish ormolu mounted secretaire on straight molded legs. H. 30 in.; W. 36 121 in.; D. 36 in.

A WILLIAM AND MARY MARQUETRY INLAID WALNUT AND OLIVE WOOD CABINET ON CHEST, hairy paw footed mahogany table circa 1700, 1920 barley twist table the molded cornice above an ogee molded frieze drawer over a pair of cabinet doors, pearl side table each inlaid in various woods with a central oval reserve depicting an urn issuing flowers with floral inlaid spandrels, antique four pedestal drop leaf extension table all on an oyster veneered ground, antique mahogany kidney shaped table the doors opening to small cross banded drawers centering a prospect door, antique one drawer side table with top rail lower section with molded waist above two short and two long graduated and herringbone inlaid drawers, how much are mahogany pearl chairs worth raised on bun feet, art deco inlaid wood furniture (top and bottom associ ated). H. 5 ft. 1 in.; W. 47 in.; D. 21 in.

A REGENCY GELTWOOD AND EBONIZED CON VEX MIRROR, antique-tables.net early 19th century, ceramic producton austria the circular mirror plate within an ebonized slip and leaf tip molded and spherule mounted frame surmounted by a later ebonized spread wing eagle. H. 36 in.; D. 26 in.

A CHINESE BLACK LACQUER PAINTED FOUR FOLD SCREEN, 17th century armada chest 19th century, 1930 chair manufacturer beginning with s each arched panel painted on one side with Chinese figures at various pursuits, country table square mahogany antique 17th century on the other with a continuous scene of birds and flowers, value of a antique silver oblong dish on a black lacquer ground, 5in wood table legs (restoration to decoration). H. 6 ft. 2 in.; W. (of each panel) 14 ft in.

A PAIR OF ANTIQUE IH STYLE CARVED GELTWOOD MIRRORS, sweet sugar baskets each oval mirror plate within a conforming guilloche carved and beaded frame. H. 42 in.; W. 41 ft in. (2)

AN ANTIQUE HI MAHOGANY DUMBWAITER, antique silversmith markings early 19th century, revolving bookcase with three graduated tiers each with a reeded edge and supported on a ringturned standard raised on a tripod base ending in brass casters. H. 4 ft.; D. (of largest tier) 28 ft in.

AN ANTIQUE HI MAHOGANY CORNER CABINET, antique dressing tables late 18th century, technical drawing plates the triangular molded cornice with canted corners above a conforming case fitted with a glazed door with geometric mullions opening to shelves over a molded waist above a panelled door opening to shelves and raised on later bracket feet, 1930’s egyptian style brass and marble table lamp made in czecho-slovakia (feet replaced, danish spoons with twisted stems losses). H. 6ft. 6 ft in.; W. 33 ft in.; D. 19 in.

AN ANTIQUE II MAHOGANY BACHELORS CHEST, sterling egg cruet circa 1750, jacobean stretcher the rectangular hinged top folding forward over a case fitted with two short and three long graduated cockbeaded drawers raised on bracket feet, black claw foot coffee table (re placements to rear feet). H. 31 ‘A in.; W. 32 ‘At in.; D. (open) 29 in.

AN ANTIQUE HI MAHOGANY BUREAU BOOK CASE, half tester canopy only circa 1800, duncan fife trestle table the rectangular dentil molded cornice above two glazed doors with diamond shaped muUions opening to adjustable shelves over a slant front enclosing six drawers and six pigeonholes above a later carved prospect door all above a case fitted with four long graduated cockbeaded drawers raised on bracket feet, hexagonal antique wall clocks (minor repairs). H.6ft.9 in.; W. 38 in.; D. 21 3A in, 6 ft queen anne coffee table

A WILLIAM IV MAHOGANY WBSE COOLER, antique trestle table oak with pine top
circa 1835, antique claw foot double pedestal table the panelled domed hinged top opening to a well above a tapering panelled case raised on reeded lobed feet, the influence of the neoclassical style on casters. H. 22 ‘A in.; W. 22 ‘A in.; D. 20 ‘A in.

AN ANTIQUE HI MAHOGANY CHEST OF DRAW ERS, kidney shaped oak dressing table circa 1775, federal chest the rectangular top above a brushing slide and a case fitted with two short and three long graduated drawers raised on later bracket feet, french display cupboard open shelves (replaced feet, antique clocks 1877 restora tions to top). H. 37 in.; W. 39 in.; D. 20 ‘A in.

AN ANTIQUE HI MAHOGANY CHEST ON CHEST, bentwood side chair poland last quarter 18th century, antique tables extending lion brass feet in two parts: the upper section with molded cornice above two short and three long graduated cockbeaded drawers flanked by canted and fluted stiles; the lower section with molded waist above five long graduated cockbeaded drawers raised on ogee bracket feet. H. 6 ft. 5 in.; W. 42 in.; D. 20 in.

A REGENCY INLAID MAHOGANY CLERK’S DESK, victorian chair dwg circa 1800, demi lune maggiolini the rectangular top above a baize lined slant front lifting to reveal a well and an arrangement of four small drawers above one long drawer and one sham drawer, antique chair strained oak rush seat the sides fitted with two small drawers raised on square tapering legs joined by stretchers. H. 37 ‘A in.; W. 24 ‘A in.; D. 193Ain.

A REGENCY MAHOGANY CANED TUB CHAIR, antique furniture weiman circa 1820, german buffet with cabinet the concave back with an arching cresting rail continuing to scrolled arms on curved supports centering a later slip-in seat raised on sabre legs.

INLAID SATIN-WOOD DINING CHAIRS, thomas hope anique early 20th century, ebony hair receiver FRONTED CHEST ON CHEST, german porcelain figural 1920- 1930 ANTIQUE WALNUT SIDE CHAIRS, dumb waiter were used when mid-18th century

AN ANTIQUE I STYLE WALNUT SETTEE, grand canopy bed from 1775 partially composed of 18th century elements, white french dinning room table the shaped rectangular upholstered back with outscrolled arms terminating in scrolled handholds raised on curved supports, 1920 english leather desk chair centering a serpentine fronted drop-in seat above die seat rail carved with shells, rosewood barometer raised on shell-carved cabriole legs ending in claw and ball feet. L. 4 ft. 10 in.

AN ANTIQUE H MAHOGANY TEA TABLE, hewned dining tables and wrought iron bases and chairs the rectangular molded top with reentrant corners above a shaped frieze; raised on shell-carved cabriole legs ending in acanthus-carved trifid feet, rosbach table water brass ashtray (alterations). H. 28 ‘A in.; W. 32 in.; D. 22 in.

AN ANTIQUE H STYLE PARCEL-GILT WALNUT STOOL, antique desks1800 1920 19th century, early ironstone serpentine jug the rectangular drop-in seat within a molded frame; raised on squared cabriole legs carved at the knees with acanthus and ending in squared feet. H. 16 in.; W. 20 ‘A in.; D. 15 ‘A in.

AN ANTIQUE LEATHER-UPHOLSTERED MA HOGANY TUB CHAIR, curule plan circa 1800, tolix bistro table the rounded back continuing to form the sides centering a shaped overuphol stered seat; raised on straight tapering legs ending in brass feet on casters.

AN ANTIQUE HI CARVED GELTWOOD MIRROR, antique wood frame sofa four legs
last quarter 18th century, antique card table felt leather the oval mirror plate with double rope-form border flanked by elaborate floral and foliate sprays forming a crest and crossed at the base tied with ribbons, myott staffordshire makers mark (losses). H. 4 ft. 1 ft in.; W. 33 in

AN ANTIQUE DH INLAID MAHOGANY DEMILUNE SIDEBOARD, maria bohemian china completed last quarter 18th century, female bust antique stockholm the cross banded top above a conforming case fitted with a long drawer above another drawer with recessed false tambour, antique scrolled half brass curtain rails flanked by a deep drawer and cabinet door at each side; raised on straight tapering legs ending in spade feet. H. 37 in.; W. 5 ft. 6 in.; D. 27 ft in.

A SET OF SIX ANTIQUE WALNUT SIDE CHAERS, 18th century spanish vargueno photo mid-18th century, 1700’s antique wooden settee with arms each rectangular upholstered back with serpentine cresting rail above an overupholstered bowfronted seat; raised on cabriole legs ending in claw and ball feet.
Provenance: Sold Parke-Bemet Galleries, cupids gold leaves square powder compact December 13-15, romanesque furniture 1945, antique chest of drawers on tall legs Lot 515; illustrated in the catalogue.

AN ANTIQUE DH INLAID MAHOGANY SERPEN TINE-FRONTED SIDEBOARD, small oak settle Scottish, antique english renaissance beds circa 1800, chest of shallow specimen drawers the rectangular superstructure inlaid with drapery swags and stylized flowerheads, antique octagonal dining table the serpentine-fronted top with line-inlaid borders above three frieze drawers flanked by two cellarette drawers; raised on square tapering legs ending in block feet, antique cigarette stand (inlay of a later date). H. 42 in.; W.7ft.3 in.; D. 25 ‘A in.

AN ANTIQUE HI INLAID MAHOGANY SDDE-BOARD, antique 1930’s oak dinning room furniture last quarter 18th century, 1840’s slant-top secretary desk the rectangular crossban ded top with line-inlaid border above a plain frieze fitted with a long drawer flanked by two deep drawers; raised on straight tapering legs ending in spade feet, 1930s jacobean revival furniture (repairs to one leg). H. 34 V2 in.; W.5ft.6 in.; D. 24 ‘/z in.

A REGENCY BRASS INLAID MAHOGANY TILT TOP TABLE, upholstered dining chairs with arms first quarter 19th century, edwardian circular bevelled edge hand mirror the circular top inlaid with a double band of brass stringing enclosing stars, persian carpet phoenix animal motif tilting above a ringtumed standard, silver dressing table vinaigrettes on tripod brass inlaid legs ending in brass paw casters. H. 28 V2 in.; D. 38 in.

AN ANTIQUE m INLAID MAHOGANY BREAK FAST TABLE, louis xvi table round antique painting the rectangular molded top with line-inlaid border tilting above a columnar-turned standard, horn snuff cans and lids raised on four downswept legs ending in brass feet xm casters, ferrara transfer wedgwood etruria brown (top and bottom associated). H. 28 in.; W. 4 ft.; 3 in.; D. 36 in.

A CHINESE PADOUKWOOD PEDESTAL DESK, italian provincial chair age the rectangular mitred top over two pedestals each with two short drawers on beaded rectangular legs joined by fretwork stretchers. H. 34 in.; L. 5 ft. 6 in.; D. 25 ‘A in.

A PAIR OF EARLY VICTORIAN MAHOGANY PEDESTALS, antique three drawer dresser with swing mirrorinlaid walnut mid 19th century, narrow end table each rectangular domed top above a bolection molded frieze drawer above a door inset with a convex flaring panel with reeded top and gadrooned base flanked by freestanding columns, antique carved eagle mahogany chair the door opening to drawer above sliding shelves, dining room furniture - german made 1940’s raised on a molded plinth, original francesco piranesi artwork 1790 (altered). H. 44 in.; W. 19 in.; D. 27 in.

A SET OF SEX EDWARDIAN INLAID SATIN-WOOD DINING CHAIRS, how do i clean and restore an antique marble top on a bureau? early 20th century, turn of century oval mirror gesso floral frame comprising six side chairs each rectangular crossbanded cresting above an open back inset with a pierced rectangular splat inset with quarter veneered roundels above a serpentine fronted slip-in seat and banded seatrail, antique coin plated pair gravy ladles 1809 raised on square tapering string inlaid legs ending in spade feet. (6)

A WILLIAM IV MAHOGANY CELLARETTE, antique minton enameled gilded plates circa 1830, velvet dressing tables from the 1600’s the rectangular domed and panelled hinged top opening to a well above a tapered case with spiral carved stiles continuing to cast paw feet. H. 23 ‘/z in.; W. 29 in.; D. 23 in.

AN ANTIQUE I MAHOGANY LINEN PRESS, rare indian brass trays octagonal late 18th century, 1800’s furniture by philadelphia chippendale cabinet makers in two parts: the upper with rectangular dentil molded cornice above a pair of panelled doors opening to shelves; the lower section with molded waist above a short and two long cockbeaded drawers, antique clock shaped like violin raised on bracket feet, dwarf revolving carved edwardian bookcase (replacements). H. 6 ft.; W.4ft.3 Vi in.; D. 26 in.

AN ANTIQUE I MAHOGANY TILT TOP TRI POD TABLE, different types of feet and legs in victorian period late 18th century, antique furniture hinges the circular top tilting above a ringtumed uniform standard, bookcase pillar raised on cabriole legs ending in pad feet. H. 27 3A in.; D. 29 lA in.

A SET OF TEN ANTIQUE HI STYLE MAHOG ANY DINING CHAIRS, 18th centuray mahogany buffets comprising two armchairs and eight side chairs, chichi rug each open shield shaped back with pierced beakerform splat carved with an urn within a beaded oval flanked by molded arms on shaped supports, regency farm table the bow fronted overupholstered seat raised on square tapering .legs ending in spade feet. (10)

AN ANTIQUE MAHOGANY CHEST ON CHEST, bedside commode stained oak 3 drawer circa 1780, sharman d neillclocks in two parts: the upper section with outset dentil molded cornice above a blind fret carved frieze over two short and three long cockbeaded drawers flanked by canted fretwork carved stiles, the bauhaus style in today’s contemporary designs the lower section with molded waist above three long graduated cockbeaded drawers raised on ogee bracket feet. H. 6ft.; W. 45 ft in.; D. 23 ft in.

AN ANTIQUE I MAHOGANY BOW FRONTED CHEST ON CHEST, 19th century silver sugar tongs in two parts: the upper section with swan’s neck cresting centering an urn above a blind fret carved frieze over two short and three long graduated cockbeaded drawers flanked by canted fret carved stiles; the lower section with molded waist above three long graduated cockbeaded drawers raised on bracket feet. H. 6 ft. 3 in.; W. 43 in.; D. 19 in.

AN ANTIQUE I MAHOGANY GAMES TABLE, upholstered chairs victorian the serpentine hinged top with paterae carved edge opening to a baize lined playing surface above a conforrning frieze raised on molded square tapering legs carved at the top with pendant bellflowers, girandoles designs ending in block feet. H. 28 ft in.; W. 35 in.; D. 35 (open) 35 in.

BREAKFAST TABLE, late chippendale neoclassical table SATINWOOD GAMES TABLE, 16th century oak refectory table MAHOGANY TWO TIERED SIDE TABLE

A VICTORIAN MAHOGANY DINING TABLE, porcelain boards or trestle tables mid 19th century, imperial mahogany end table leather top the rectangular molded top extending to receive five leaves above a plain frieze with beaded skirt raised on molded cabriole legs with scroll and acanthus carved knees and brackets, antique three legged chairs ending in scrolling toes; with a central faceted pedestal to support the leaves, british made chest of drawers on casters. H. 29 112 in.; W. 5 ft.; L. (with leaves) 17 ft. 8 in. Together with a matching sideboard fitted for five leaves. (2)
Provenance: Obelisk Park, old kidney shaped desks Black Rock Ireland, antique ebonized dining table with wheat or barley by descent from Marcus Goodbody to Robert Goodbody to Thomas Goodbody to Harold Goodbody.

A VICTORIAN MAHOGANY PEDESTAL PART NER’S DESK, cheap 14/2in by 18cm picture frames mid 19th century, gothic period refectory table the rectangular molded top with gilt tooled leather inset writing surface above a frieze fitted with three panel carved drawers on either side, 18th century antique cabinet with drawers raised on two pedestals, edwardian bow fronted mahogany display/china cabinet each fitted with three drawers on one side, early 1900 antique library display case opposed by a panelled cabinet door on the other, antique painting on porcelain framed with fluted stiles, english upholstered chairs raised on a molded plinth. H. 30 in.; W. 5 ft.; D. 41 in.

AN ANTIQUE INLAID WALNUT CHEST ON CHEST, 1930s gate leg tables second quarter 18th century, edwardian black inlaid card tables in two parts the overhanging cornice above three small and three long draw ers; the lower section with three long drawers raised on later bracket feet. H. 6ft. 1 in.; W. 42 in.; D. 22 in.

A REGENCY MAHOGANY TILT TOP BREAKFAST TABLE the oval crossbanded top tilting above a turned standard raised- on a tripod base of downswept legs ending in pad feel. H. 27 ‘A in.; L. 41 114 in.; W. 30 >A in.

A PAIR OF CHIPPENDALE STYLE MAHOGANY SIDE CHAIRS, carved cabriole legs the rectangular backrest with a serpen tine cresting rail over a pierced splat of acanthus leaves, dresser drawer drop handles C-scrolls and other foliage within S-scrolled foliage carved and pierced stiles over a trapezoidal seat with a carved seat rail raised on cabriole legs ending in scrolled toes. (2)

A PAIR OF VICTORIAN WALNUT DEMILUNE OPEN CABINETS, english gothic revival cabinet religious each D-shaped top above two adjustable shelves supported by ebonized turned freestanding stiles and raised on a D-shaped plinth. H. 37 in.; W. 36 in.; D. 17 3A in.

AN ANTIQUE JH STYLE INLAID MAHOGANY SIDEBOARD, wood table folds into sideboard the rectangular serpentine fronted top above a conforming case fitted with two long drawers flanked by two cupboard doors raised on square tapering legs ending in block feet. H. 36 in; L.4ft.8 in.; D. 22 ft in.

AN ANTIQUE HI STYLE INLAID MAHOGANY SIDEBOARD, antique furniture anchorage the rectangular top with a serpentine front over a conforming case the central section fitted with a long drawer above a pair of cabinet doors and two short doors flanked on either side by a drawer above a cabinet door, antique brass copper dog collar all inlaid with stringing and fanned motifs and raised on bell-flower and string inlaid square legs ending in cuffs. H. 39 ‘/2 in.; L. 6 ft. 1 in.; D. 23 ft in.

AN ANTIQUE H TULEPWOOD AND ROSEWOOD INLAID SATINWOOD GAMES TABLE, bronze barbedienne circa 1790, antique four drawer desk hepplewhite fold down writing desk the rectangular crossbanded top with canted corners opening to a gilt tooled leather inset playing surface above a panel inlaid frieze and similar sides and corners raised on string inlaid square tapering legs, sliding under cabinets or under * cabinet (restorations to top and veneer). H. 29 in.; W. (open) 35 ft in.; L. 36 in.

AN ANTIQUE HI MAHOGANY SPIDER GATELEG TABLE, renaissance middle ages furniture the rectangular top with two leaves at either side each with reentrant corners and raised block and ringturned supports, antique octagon dinning table & chairs (restorations). H. 27 in.; W. 39 in.; D. 27 in.

AN ANTIQUE JH YEWWOOD AND FRUTTWOOD INLAID CYLINDER FRONT BUREAU, antique scandinavian carved chair with face the rectangular crossbanded top above a reeded tambour opening to a sliding leather inset writing surface and six short drawers and five

A VICTORIAN PAPIER MACHE TRAY ON LATER STAND, 18th century louis china cabinet mid 19th century, barley twist table & chairs the dished top with a scalloped edge raised on a conforming base on an ebonized stand on bamboo turned supports joined by an X-form stretcher. H. 21 3A in.; L. 31 in.; D. 23 ft in.

A REGENCY MAHOGANY TWO TIERED SIDE TABLE, rococo costume 1720 to 1785 first quarter 19th century, victoria china 22 carat gold czechoslovakia the rectangular top with four bulbous tamed finials at the corners over a frieze drawer raised on toned supports above a medial shelf and apron drawer raised an turned legs ending in brass casters. //. 29 in.; W. 21 D. 17 1/2 in. Together AN ANTIQUE DI style mahogany oral tray table. (2)

AN ANTIQUE GDLTWOOD MIRROR, [post reply> furniture britain third quar ter 18th century, heintz vase for r h macy die later shaped mirror plate within elabo rately carved borders of acanthus leaves, antique pearlized oval shaped compact C-scrolls and other foliage surmounted by a large C-scroll and folaite pierced cresting. H. 4 ft. 3 in.; W. 27 ‘At in.

AN EDWARDIAN SATINWOOD INLAID DEMILUNE SIDE CABINET, led wood art inlay the D-shaped top above a conform ing case fitted with a frieze drawer above a cabinet door opening to sliding shelves, find identifying characteristics of duncan phyfe dining table the door and sides inlaid with a central octagonal reserve inset with a scrolling acanthus flower centered by a winged putto interspersed by panel inlaid stiles and raised on square tapering legs ending in shaped feet H. 35 in.;W. 4 ft.; D. 21 in.

AN ANTIQUE STYLE SATINWOOD INLAID MAHOGANY TWO PEDESTAL DINING TABLE, mahogany james condliff of liverpool the
rectangular crossbanded top above a reeded edge over two urn form standards each on four downs wept legs ending in brass paw casters, regency pole screen value? (one leaf). H. 27 ft in.; L. (without leaf) 5 ft. 5 in.; W. 42 in.

AN ANTIQUE SATINWOOD INLAID MAHOG ANY SIDEBOARD, french secretaire cock circa 1790, antique staffordshire porcelain marks the rectangular string inlaid top with a bowfronted center section above a case fitted with a fireize drawer above an arched recessed silver -drawer and flanked on either side by two deep drawers, antique circular oak table/glass ball claw foot each with wide crossbanding, damask leaf recessed pillar all raised on square tapering legs ending in block feet, charles ii trefid teaspoon (inlay of a later date). H. 36 ft in.; L. 5 ft.; D. 23 ?4 in.

A LATE REGENCY INLAID MAHOGANY SOFA TABLE, ornate carriage lamp with retriever head the rectangular molded top with reshaped leaves at either side raised on a trestle composed of four string inlaid downswept legs ending in bulbous turned feet and joined by a pierced flat stretcher, william iv caned back library chair (alterations to top). H. 28 ft in.; L. 4 ft. 1 in.; D. 23 ft in.

AN ANTIQUE INLAID MAHOGANY BOOK CASE CABINET, mahogany crossbanded in satinwood in three parts, indigo tabrize pattern with a shaped cornice centered by a plaque inlaid with a flower filled urn and surmounted by a fan form ornament, thonet rocking chair t/19th c/antiques flanked by two urn form finials above similar inlaid oval reserves above two glazed cabinet doors opening to adjustable shelves; the lower part with three long drawers above a shaped skirt centered by an inlaid fan on splayed feet. H. 7 ft. 9 in.; W. 39 ft in.; D. 17 ft in.

AN ANTIQUE STYLE MAHOGANY SIDE BOARD, cabinet seaweed marquetry the serpentine top with crossbanded edge above a conforming case fitted with a long drawer flanked by a deep cellarette drawer and cupboard door, enamelled oriental jar lotus, water, fret raised on straight tapering legs ending in spade feet. H. 36 in.; W. 6 ft.; D. 26 in.

AN ANTIQUE I INLAID BURL WALNUT KNEE-HOLE DESK, victorian settee carving circa 1710, 1920-1940 writers desk the rectangular molded top with quater-veneered panels and featherbanding above an arrange ment of several cockbeaded drawers with featherbanded borders surrounding by a recessed kneehole fitted with a cabinet door opening to a shelf; raised on a conforming plinth on shaped bracket feet, oak draw refectory table (restorations). H. 29 in.; W. 30 ‘A in.; D. 18 in.

AN ANTIQUE MAHOGANY TEA TABLE, dining chair with leaf wood carving design possi bly Dutch, 1900 century cherub armchair photos the shaped rectangular top with a molded edge above a shaped frieze; raised on scroll-carved cabriole legs ending in claw and ball feet, liege armoire for sale (alterations). H. 28 in.; W. 30 in.; D. 24 in.

CIRCULAR BREAK FAST TABLE, tara brooch 1920 TWO-PEDESTAL DINING TABLE, saxony pottery LADDERBACK SIDE CHAIRS

A REGENCY MAHOGANY SIDE CABINET, antique chair with ball feet circa 1825, henry iv bosio seal the rectangular crossbanded top with a breakfront over two short and one long frieze drawer above three grill and cloth inset cupboard doors opening to sliding drawers raised on panelled block feet, louis xv xvi style gilt kingwood bedstead (interior refitted). H. 37 in.; W. 5 ft. 1 in.; D. 18 in.

AN EARLY VICTORIAN MAHOGANY TWO PED ESTAL SIDEBOARD, sovereign watch aquamarine bracelet mid 19th century, william birch arts and craft tub chair the rectangular top with a carved shaped splashrail above three bolection molded frieze drawers raised on two pedestals each with a cupboard door opening to a fitted interior with shelves on molded plinths. H. 37 in.; L. 5 ft. 6 in.

A WILLIAM TV ROSEWOOD CIRCULAR BREAK FAST TABLE, original french louis xv serpentine desk the circular molded top above a faceted standard with an acanthus carved base on a triangular plinth raised on claw and ball feet. H. 33 3A in.; D. 5 ft. 4 in.

A VICTORIAN PART EBONIZED GILTWOOD OVERMANTLE MIRROR, myott son and co second quarter 19th century, antique chair with curved seat the tri-part mirrored plate surrounded by a rectangular tablet mounted with leaves on a textured ground, rosewood octagonal work table within circular border carved with leaves. H. 31 V2 in.; W. 5 ft. 3 in.

AN ANTIQUE m SATINWOOD INLAID MAHOGANY BOOKCASE CABINET, silver automata bells circa1800 last quarter 18th century, makers of regency ironstone the overhanging dentil molded cornice over a pair of glazed doors opening to shelves, restoring antique chair beech elm colour the lower part with molded waist over two panel-inset cabinet doors inlaid with harewood and satin wood fans and paterae raised on bracket feet. H. 7 ft. 6 ft in.; W. 4 ft. 1 ft in.; D. 16 in.

AN ANTIQUE H INLAID WALNUT CHEST OF DRAWERS, walnut matched doors 2 shelves 1 drawer late 19th century second quarter 18th century, antique victorian settee sofa couch the rectangular quarter-veneered top within line inlaid and crossbanded bor ders above two short and three long drawers, josef danhauser auction results each veneered with burl walnut panels within line and crossbanded borders; raised on shaped bracket feet, half tester bed drapes 1820’s (restorations). H. 39 ft in.; W. 42 in.; D. 21 in.

QUEEN ANNE MAHOGANY SIDE CHABRS, blog antique watches each having a shaped crest with rounded stiles centering a shaped splat above a slip seat, narrow antique bed the shaped skirt continuing to C scroll carved cabriole legs ending in pad feet, thomas white english clockmaker (one with slight repair to seat rail). (2)

A CHINESE PARTIAL GILT BLACK AND GREEN LACQUER CABINET ON LATER STAND, william hutton & sons sugar tongs fiddle pattern early 18th century, francois-regnault nitot gold hooped earrings the rectangular case fitted with etched glass mounts and decorated with exotic landscapes, antique chair, cane bottom, open back the interior fitted with small drawers similarly painted. H. (over all) 4 ft. 6 ‘A in.; W. 35 ‘A in.

A PAIR OF ANTIQUE D3 GDLTWOOD ARM-CHAIRS, antique shallow water motor history circa 1775, french bed teesters in the French taste; each cartouche-shaped upholstered back within a molded surround headed by flowers; the outscrolled padded arms raised on voluted supports centering a serpentine fronted seat with a rail carved to match the cresting; raised on cabriole legs headed by flowers and ending in pointed pad feet, what were the antique baby beds in italy. (gilding restored).

AN ANTIQUE HI STYLE MAHOGANY SERPEN TINE FRONTED CHEST OF DRAWERS, 19th century austrian pottery figurines the serpentine top above a conforming case fitted with four long graduated cockbeaded drawers, how much is a mother of pearl coffee set worth raised on bracket feet. H. 34 ‘A in.; W. 37 in.

A SET OF TWELVE ANTIQUE STYLE MAHOGANY DINING CHAIRS, origin antique three tier table comprising of two arm and ten side chairs each arm with a hoop shaped backrest above a pierced foliate carved beaker form splat continuing to scrolled arms on similar supports above a dipped bow fronted seat raised on square tapering legs. (12)

AN ANTIQUE m STYLE MAHOGANY TWO-PEDESTAL DINING TABLE, half moon pedestal desk-biedermeier the rectangular top with rounded corners and a reeded edge above two turned pedestals raised on downswept reeded legs ending in brass paw casters. H. 30 ft in.; L. 9ft.; W. 4 ft.

A VICTORIAN PAINTED FAUX BAMBOO BED STEAD, wood filling pigments mid 19th century, satinwood and parquetry centre table, second half 19th c table the rectangular head and footboard inset with a bamboo turned horizontal post with scrolled sides, theodore alexander furniyure the whole painted in tones of brown on a yellow ground. L. 6ft. 4 in.; W. 40 in.

A VICTORIAN STYLE NEEDLEWORK UPHOL STERED OTTOMAN, antique cupboard with inlaid painted cupboards the 19th century, neoclassical italian sofas needlework in tones of gold, plaster of paris designs china green, antique mother of pearl cabinet red and blue on a maroon ground in a strapwork pattern filled with cartouches raised on circular turned legs. H. 14 ft in.; W. 40 in.; D. 31 in.

A CONTINENTAL FAUX BOIS PAINTED HANG ING CUPBOARD, webber furniture antiques welsh dresser 19th century, american primitive dining table pull out ends the shaped rectangular body with open shelves and serpentine cresting painted with pilasters headed by herm figures above a shaped skirt painted with arabesques. H. 36 in.; W. 23 in.; D. 9 in.

A LOUIS PHILIPPE STENCILLED TOLE WASH BASIN, chamber pot cupbaord night table circa 1860, my antique dining chair has a woven backrest and carved legs what year is it the rectangular hinged lid decorated with a city-scape within foliate borders opening to a recessed well; raised on turned supports centering a fitted top above a case fitted with a drawer above a door; raised on a shaped plinth on bracket feet; decorated all over with monuments and militia in tones of black on a green ground. D. 15 ‘/z in.

A REGENCY BRASS INLAID ROSEWOOD AND PARCEL GDLT BREAKFAST TABLE, vintage kidney shaped no arms sofa the circular rose wood veneered top with brass stringing and foliate carved parcel gilt rim tilting above a triangular concave flaring standard mounted with gilded acanthus leaves and spherules, victorian sideboards examples raised on a conforming plinth on ebonized and gilded flower carved paw feet, barley twist leg small tables (restored). H. 29 in.; W. 4 ft. 6 in.

A PATR OF REGENCY STYLE PARCEL GTLT EAGLE FORM CONSOLE TABLES, olerys french pottery each rectangular rust and white marble top above a white painted and parcel gilt frieze carved with a Greek key motif, inlaid chair monk raised on realisti cally worked gilt eagle form supports raised on mahogany parcel plinths. H. 37 in.; W. 46 in.; D. 21 ‘At in. (2)

AN ANTIQUE I GILTWOOD MIRROR, rolex princess gold vintage rectangular the rectan gular mirror plate within a ribbon and paterae carved border; the crest carved in relief with scrolling foliage and trelliswork headed by a shell-form finial, antique bureau bookcase 18thc the skirt carved with shells. H. 41 in.; W. 25 in.

A SET OF TWELVE ANTIQUE HJ MAHOGANY LADDERBACK SIDE CHAIRS, wooden knobs fix old dresser third quarter 18th century, antiques ladle with pearl hand each shaped rectangular back with pierced serpentine horizon tal splats, antique lamps with doll busts the overupholstered- rectangular seats raised on square legs joined by stretchers. (12)

AN ANTIQUE STYLE PARCEL-GILT WALNUT TRUMEAU, german antique fold-up game table 18th century, antique furniture consignment the shaped rectangular plate within a gilt border of stylized leaves below an earlier painting depicting peasants and livestock in a wooded land scape, antique furniture fort smith arkansas the whole within serpentine borders crved with foliage and pendant bellftowers. H. 4 ft. 3 ‘A in.; W.4ft.4 in.

AN ANTIQUE I WALNUT CONCERTINA ACTION GAMES TABLE, aberchrome fitch the hinged shaped top with outset rounded corners opening to a leather inset playing surface with money wells above a plain frieze raised on C-scroll carved cabriole legs ending in pad feet. H. 27 ‘At in.; W. (open) 373Ain.

CHIPPENDALE, THOMAS - CLASSIC STYLE - CLOCK CASES - CORNUCOPIA SOFA - COFFEE TABLE - CHOP INLAY

CHINTZ. Inexpensive thin cotton cloth, fast printed with designs of flowers, etc., in a number of colors and usually glazed. It Is useful for minor draping and slip Covers.

CHIP CARVING. Simple carved ornament executed with chisel or gouge in medieval and provincial furniture.

CHIPPENDALE, THOMAS (1718-1779). Most famous English cabinetmaker whose style dominated mid-18th Century English furniture design. His designs show complete mastery and understanding of joinery and material, notably mahogany, his favorite wood. His business was most successful, his productions for wealthy patrons commanded extremely high prices. Much of his work was executed from designs by architects, such as Robert Adam, but he was a master designer in his own right. Indeed most of the bun leg wood carved baroque style called Chippendale derives from his printed work rather than from the antique inlaid hanging corner cupboards few authenticated pieces of furniture.
Chippendale published his book “The Gentleman and Cabinet-Maker’s Director” in 1754. Other editions followed in 1759 and 1762. Europe had seen publications on design for two hundred years but never before one so specialized on furniture, so thorough a catalogue of the 19th centrury study desk prevailing types and styles. Its influence spread everywhere; the vintage wooden box commode continent and the rosewood spider legged two tier table colonies used it as a guide to style, design and construction. Hence the wooden antique spindle daybed freedom with which so much furniture of this school is labelled Chippendale. Chippendale himself
executed few of the double caned back oval tub chair se designs. Most were in the antique burgundy indigo blue oriental rugs late Baroque-Rococo manner, adaptations of Louis XV and Georgian shapes with bits of Chinese and Gothic detail.
As a designer Chippendale was open to every changing whim or influence. With little personal conviction he adapted, amalgamated, modified every caprice of style. But he did this
with such mastery that almost uniformly his designs hold together, artistically and structurally. He added style and distinction to whatever he borrowed. His furniture is solid yet graceful; it looks and is firm, at no sacrifice of grace or refinement.
Chippendale’s early work shows a refinement of the old english veneered buffet solid Georgian style, richly decorated and rather heavy, using a rich claw-and-ball foot, complex Rococo scrolls with the antique library table with claw legs and medalion columns typical natural forms. He later borrowed freely from Chambers Chinese designs and also took over literally the klok vicenti prevailing French shapes. Chairs of Chippendale design are most characteristic, particularly the swan neck sofa types in which the wedgwood porcelain griffin solid splat is made lighter by being pierced into graceful openwork convolutions of ribbons and scrolls. Bookcases and
cabinets are remarkably well-pro-portioned; sideboards and chests, cabinets, tables show the silver plated candelabra and table centre pieces same mastery.
Chippendale died in 1779. His son succeeded to the revolving bookshelf antique best partnership with Thomas Haig which lasted until 1822.

CHOP INLAY. Primitive form of inlaying by fitting pieces into the plaster of paris gate designs surface of solid boards.

CHURN MOULDING. Zigzag moulding occurring in Norman architecture.

CHURRIGUERESQUE. Spanish Baroque style, I7th Century, so cailed after the antique venetian glass mirror with red architect Churriguera.

CINQUECENTO. Italian period 1500-1600. The High Renaissance.

CINQUEFOIL. Gothic foliated Ornament of fife points, used in some furniture of the antique furniture kit reproduction Gothic revivais.

CIPRIANI, GIOVANNI, 1727-1785. Florentine artist who worked in England, painting the antique mahogany drop leaf table decoration of many houses and public buildings. His style inspired much of the meissen dot period fantasy bird painted decoration of furniture of the antique wall bookcase open period.

CIRRCASSIAN WALNUT. Extravagantly figured walnut of southeastern Europe, with irregular dark stripings on a light yellow ground.

CISELEUR (French). Engraver or maker of metal ornaments.

CLASSIC. The ancient styles of Greece and Rome, called Classic or Classic antiquity, were the sheraton inlaid chair english inspiration of the antique brass claw foot twisted wood table Renaissance. The Middle Ages had descended so low in the antique furniture vanity scale of culture that the mid-victorian tilt top loo tables early Humanists, looking backward over twenty centuries saw in ancient history a Golden Age of art, literature, philosophy and government. The antique, often confused and misunderstood, inspired all the bookcase pediment profiles arts; Classicism alone was beautiful. The Romanesque and Gothic of the massive lyre leg claw foot mahogany library table past six centuries were regarded as crude, barbarie. The
ancient ruins were excavated and studied for the italian antique mirror shapes secrets of classic beauty. Architecture, painting, and sculpture were freshly inspired in imitation of antiquity. Furniture followed; the william and mary period stools shapes and ornaments were taken directly from ancient architecture since no furniture remained from of old. This mistaken use of architectural details identifies Renaissance furniture, and all subsequent styles in which architectural sources are so used are called classic revivais. Such are the italian inlaid chair backs antique great periods of the brass serving table antique late 18th and early
19th centuries. The classic style of Louis XVI was principally derived from the longwy limited pieces archeological studies of Herculaneum and Pompeii. This inspired the lyre or eagle splat antique tea table style of the antique circular gateleg center table Brothers Adam in England, and it became the classic bookcase design fluted pillars fashionable gentleman’s duty to extend the buffet commode researches into antiquity. Italy and the cabriole side tables Mediterranean islands, Northern Africa and Greece were dug over for ruins. These inspired the pre-1920’s wooden dressers publication of splendid folios, which in turn became source books for furniture designers. After the liege armoire for sale Adam and the 18th century french furniture louis chair Louis XVI styles came
Hepplewhite, Sheraton and the asian furniture copies french directoire Directory, animated by the antique french provincial arm chair shell rush seat spindles Greco-Roman discoveries. About the anquite leather punch turn of the antique remake oval standing mirror icth Century the antique knife tray research into antiquity was extended to Egypt and Greece. These inspired the typists desk antique Empire style and its many off-shootsRegency, Biedermeier and the impressed on the base of the vase are the numbers 1773 local Empire versions of Italy, Spain, Sweden, Russia, and America. See Adam,
England, France, Italy.

CLAVICHORD. Early keyboard musical instrument, the 1940’s era french style coffee tables with inlaid flower design forerunner of the insect bronze lamp modern piano.

CLAW-AND-BALL. Foot carved in the auction of napoleon 111 ormolu mounted rouge marble urns with satyr mask handles form of a bird’s foot gripping a ball. Its earliest form in Chinese bronzes shows a dragon claw holding a jewel; the antique furniture made in echo england cabriole leg terminating in the antique tripod table legs bail and claw was a favorite motive in Chippendale’s earlier work, but it ceased to be fashionable after 1765.

CLEAT. Strip of wood fastened to a flat surface to brace or strengthen9 or to prevent warping.

CLOCKS, CLOCK CASES. Wood cases appeared late in the antique cushioned chair britain 17A Century, earlier docks being encased in brass or metal. The tall clock, now called grandfathers was a development of the antique table that swivels and folds in half Louis XIV style where it attained great magnificence. Carolean English oak cases remain from about 1680; walnut soon took the antique furniture auctions lead and in the french walnut Queen Anne style the danish furniture picture Chinoiserie lacquered cabinet is common. Clock cases in England tended toward narrowness and smaller size ; on the gold clock cheapside antique Continent clocks in Rococo style had bombe cases, often
monumental in size and heavily ornamented. Decoratively carved and painted clock cases are found in most peasant styles, German, French, and Swiss styles being most familiar.
Wooden clock cases flourished in America. Fine mahogany tall cases were made in Boston about 1725 by Bagnell. The Willards helped New England maintain leadership in clock production for most of the georgian period chairs 18th Century. About 1800 Simon Willard designed the gate leg drop leaf table uk banjo clock. Shelf clocks of Sheraton character were made by Eli Terry. These types were developed by Seth Thomas and other New Englanders to the find the italian best factory which produce chest and china buffet extent that clock-making was a major industry with many makers known for decorative cases.

CLOTHES PRESS. Wardrobe : cabinet for storing clothes, with or without drawers.

CLOTH-OF-ESTATE. Medieval decorative cloth draped over the wooton lid support throne or chair of persons of exalted rank.

CLOVEN FOOT. Table- or chair-leg ending in the antique side tables form of an animals cleft foot, English and Continental work, chiefly i8th Century.

CLUB FOOT. Stubby foot of a furniture leg resembling the secret compartment box head of a club, the short back chair antique vintage leg swelling out to a knot with a thick flat base; 18th Century.

CLUSTERED COLUMNS. Three or more small wooden columns clustered together to form a single support used as bedposts, table legs, chair legs, etc., in 18th Century work, particularly by Chippendale and Ince in the rectangular antique venetian mirror ir work showing Gothic influence.

COASTER. English tray fitted with small rollers, used for circulating food and bottles on a dining table, 18th Century. They took many fanciful forms, such as cannon or kegs, but the clock faces how they are made later ones were simple cylindrical shapes handsomely chased or engraved.

COCKBEAD, COCKED BEADING. Small half-round projecting moulding applied to the louis majorelle cabinet 1900 description edges of drawers. First appears in English work after 1730, and American work somewhat later.
Sheraton and many French designers sometimes used Strips of brass for this purpose.

COCKLE SHELL. See Shell Motive.

COCK’S HE AD HINGE. Hinges with the charles catteau signature leaves cut to resemble the how to remove a glued on hasp shape of a cock’s head. They occur in wide variety in English cabinets of the durham silver candlesticks 16th, I7th and 18th centuries, in both brass and iron. See Hardware.

COCOBOLO Dark purple-brown wood from Bengal and Burma, very dense and heavy.

COFFEE TABLE. Low, wide table now used before a sofa or couch. There is no historical precedent, but the antique furniture jackson mississippi shape permits the pure silver candlesticks adaptation of low tables or bench forms of every style.

COFFER. Chest which served as seat, table, trunk or for storage of valuables; one of the antiques davenports earliest forms of furniture in Europe, when the rh macy & co collectible bowls unsettled conditions made it imperative that furniture and contents be readily transported together.

COFFERED PANEL. Deeply sunk panel.

COIN. 18th Century English corner cupboard. The French word for corner, corrupted in England to signify its furnishing.

COLLAR. Horizontal moulding on a leg.

COLLARED TOE. Foot with a wide band.

COLONIAL. American period from the use of brass inlay in staircase 19th century earliest Settlements to the card table english 17th century Revolution. Improperly applied to most American furniture up to 1850.
Other Colonial types developed from current styles in the antique art deco cherry wood dressing table mother countries wherever explorers and colonists extended the french sewing table made in yew spheres of England, France, Spain, Germany, Holland and Scandinavia. For example, South Africa has a distinct English style; the pivot top antique gate leg table Spanish roots in South and Central America produced a brilliant provincial Churrigueresque.

COLONNETTE. Miniature columns used ornamentally on furniture.
COLUMN. In architecture, a pillar or post, usually round and associated with pedestal, base, capital and entablature to form an ‘order’ or conventional style. (See Orders.) Its use in furniture consists of the tilt top tables value ornamental treatment to simulate an accepted style of a pedestal or supporting member, or as a purely ornamental feature applied to a case or similar structure to suggest support.

COMB BACK. Windsor chair back in which several spindles extend above the pair of art deco armchairs main back, resembling an old fashioned high comb. American, i8th Century.

CORNUCOPIA. The horn of plenty, overflowing with fruits and flowers. A motive in decoration of many styles from the carved victorian settee antique Renaissance to the ornate scroll scroll cartouche decor present.

CORNUCOPIA SOFA. American Empire type with carved cornucopia designs on arms, back and legs.

COROMANDEL. Bombay ebony from the meissen sewing old Coromandel coast; blackish rosewood in texture, with light stripes.

COTTONWOOD. Soft textured light wood of poplar family; use in furniture confined to plywood cores.

COUCH. Sofa which has a half-back and head-end only. See Sofa, Restbed.

COUNTER-BOULLE. Brass groundwork with tortoise-shell inlay. Contre-partie.

COUNTERS. Originally tables or chests whose top surface are marked off for either measuring or counting, originating in Flanders in the cherub and flower-decorated rococo-style porcelain dressing mirror 15 th century.

COUNTERSINK. Conical boring in wood to receive a screw head so that the antique bisque figurines manufacturers surface of the hoffmann furniture austria screw is lower than the antique dresser with mirror and side drawers wood surface. H COURT CUPBOARD. English buffet form of Tudor origin, probably suggested by Italian or French Credence forms. Generally a double-bodied cabinet, richly carved and used to hold plate and eating utensils, wine, etc. Highest development in early Jacobean times. Similar forms appear in American work.