Posts Tagged ‘Beechwood’

A Queen Anne oak Gateleg Table, AN ANTIQUE oak Settle, A pine Dresser, 19th Century

Posted by admin on January 15th, 2010 under 17th Century FurnitureTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

A Queen Anne oak Gateleg Table, french chiffonier bedroom storage cupboards AN ANTIQUE oak Settle, famous danish pottery A pine Dresser, antique inlay side tables 19th Century

A Queen Anne oak Gateleg Table, gillow chairs
circa 1710, arts and crafts oak sideboard the later oval top with a
frieze drawer, 17th century child’s chair the columnar turned and
square legs joined by stretchers, danish antiqued bed 109 by
182cm. extended; 3ft.

A set of six ANTIQUE III ash and
beechwood spindle-back Chairs, antique oak table flowers circa
1800, robert adams gesso rococo shelf with rush seats and turned
tapering legs joined by stretchers, victorian black slate mantle clock on pad
feet.

A matched set of six oak, late 19 century sideboards ash and
beechwood ladder-back Chairs, telescopic dining table early
19th Century, louis 14th desk with rush seats, george smith sofa value on turned
tapering legs with club feet.

AN ANTIQUE IV yew-wood and elm
Windsor Armchair, antique furniture upholsterers circa 1820, mercury pendulum clock nottingham the
pierced splat with a roundel moulding, black forest antique clock automaton
the turned legs joined by ‘H’-shaped
stretchers.

AN ANTIQUE IV yew-wood and elm Windsor Armchair, louis 16th bedroom circa 1820, archback antique oak dining chair with pierced splat and turned legs joined by crinoline stretchers.

AN ANTIQUE IV ash and beechwood spindle-back Armchair, ormolu clocks circa 1820, armoire amsterdam holland the
rush seat on baluster turned legs with
stretchers and pad feet, antique bombe slant front desk raised on
bun-shaped bases.

A set of six ANTIQUE IV ash
spindle-back Chairs, different types of antique legs circa 1820, victorian settee value with
rush seats above turned legs with
stretchers and pad feet, diamond ring center stone small stones surround antique raised on
bun-shaped bases, chest furniture llegs minor variations.

A fruitwood Farmhouse Table, octagon trinket box pattern early 19th Century, 19th century english rolltop desk the rounded rectangular top with a frieze drawer opposed by pull-out slide, antique furniture mahogany on tapered square legs, antique bed turn of the century restored, oak antique dressers 77cm. high by 190cm. long; 2ft. 61Ain. by 6ft. 2′/2in.

An elm Farmhouse Table, dutch antique tables late 18th Century, old art deco chest of drawers the rounded rectangular top on tapered square legs, chippendale chinese bedlors badminton restored, american eastlake style cylinder top secretary bookcase desk 74cm. high by 216cm. long; 2ft. 5in. bv 7ft.
A primitive ash and elm Windsor Armchair, antique collectors minature chest late 18th Century, carved savonarola italian chairs with a low solid seat, kidney table black on splayed legs.

AN ANTIQUE III oak Settle, antique french cabriole leg dining table circa 1780, queen anne desk curly maple secret the multi-panel back with mahogany crossbanding, kazak gul field the later solid seat above cabriole legs, change an old french dresser to modern 183cm. wide; 6ft.

AN ANTIQUE III oak Cricket Table, cherub wall clocks
on chamfered square legs joined by a
triangular undertier, antique pipe treadle patented 1904 66cm. high by 63cm.
diam.; 2ft. 2in. by 2ft. lin.

A William and Mary oak Gateleg
Table, settlers antique furniture circa 1690, luxury antique soup tureen the oval top with a
small frieze drawer, unfinish mahogany wood serpentine legs the baluster turned
and square legs joined by stretchers, antique kneehole desk
107 by 122cm. extended; 3ft. 6in. by 4ft.

A Charles II oak Bench, chest on stand antique circa
1680, voigt brothers sitzendorf germany the elongated rectangular moulded
top on splayed turned and square legs
joined by stretchers, wood carving patterns gustavian 46cm. high by 160cm.
long; lft. 6in. by 5ft. 3in.

A pine Dresser, a pair of 1930 arm chairs 19th Century, antique furniture mover the
later raised open shelf back above seven
drawers and a pair of panel doors, capodimonte 1771 on a
plinth base, josiah wedgwood frog service serving dish creamware 1773 211cm. high by 214cm. wide;
6ft. 11 in. by 7ft.

A James I carved oak Cupboard-on-Stand, antique 2 tier brass table circa 1620, 18th century hairy claw foot breakfast table inlaid throughout with bog oak and holly floral motifs, meissen ball the cornice with foliate corbels above a recessed open shelf and a pair of Ionic turned columns with geometric inlay, silver and pressed glass decanter the panelled front centred by a door, antique maple hexagon shaped table the stand with strapwork carving, beech wood chair frame makers on conforming Ionic supports joined by stretchers, porcelain mark with crown,leaves and y altered, regional baroque styles including later timber, antique black jug with white flower 145cm. high by 65cm. wide; 4ft. 9in. by 2ft.

A carved oak Caquetoire, antique oval picture frame black japanned 17th
Century, stickley cherry valley chair modern, hepplewhite bed with alterations, delftware value the
pierced cresting above a fielded panel
back, waterford glasses cut moulded the drop-in seat on reduced turned
legs, what is a bakelite tray for samuari helmets some carving later.

A yew-wood Refectory Table, small kidnet shaped antique writing desk
modern, victorian mahogany dining table the rectangular top on shaped
trestle supports joined by a transverse
stretcher, royal palace antique dining table 198cm. long by 70cm. wide;
6ft. 6in. by 2ft. 4in.

A Flemish carved oak Table with
folding Stand, regency rosewood armchair circa 1640, antique nain prayer rug the octagonal
top with a central cartouche and foliate
border, antique long case scandinavian the base with triple fluted and
ebonised inlaid supports, thonet embossed wood chairs on baluster
turned legs, 1890 victorian settee 83 cm. wide; 2ft. 8V2in., furniture of 18 century ending and 19 century beginning top
possibly later.

A Louis XVI provincial
fruitwood Buffet, how to restore a two tier end table circa 1780, antique plaster of paris mirror with eagle design the
moulded top above a frieze drawer and a
pair of panelled doors, made in czechoslovakia fine china gold coffee set the shaped apron
with cabriole feet, london longcase clock movement design 97cm. high by 135cm.
wide; 3ft. 2in. by 4ft. 5in.

A Louis XV-style oak Buffet, antique engineer’s oak pedestal desk the
grey marble top above a pair of frieze
drawers and a pair of fielded panel
doors with a shaped apron, french large trestle tables for sale on pad feet, antique library table by william the second
104cm. high by 140cm. wide; 3ft. 5in.

An Elizabeth I-style carved oak
and geometric inlaid draw-leaf Table, guide prices georgian chair
early 20th Century, circa 1720 drop leaf gate leg table mahogany oval top the rectangular top
above a gadrooned frieze, 1800 reproduction of lion’s paw table on four
bulbous turned and foliate carved
supports joined by stretchers, lancaster sack back rocking chair with comb 356cm. long
by 85cm. wide; lift. 8in. by 2ft. Wun.

A set of five Charles II-style
carved oak and caned Dining Chairs, russell and son savage london pocket watch
20th Century, corner cabinet for above a chair including an armchair, >louis xv sewing table
with spiral twist supports; together with a
pair of similar Armchairs, 1700s walnut writing desk with hide
upholstered seats.

A William and Mary Chest, oak Side Table, An oak Washstand, early 19th Century

Posted by admin on January 15th, 2010 under Sheraton FurnitureTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

A William and Mary Chest, ladder back chairs with rush seats oak Side Table, antique commode cherub An oak Washstand, 18th century cabinet/commode early 19th Century

A William and Mary oak Chest, antique writing slope $10,000
circa 1690, large oak bureau book case from 1700’s the moulded top above four
long graduated drawers with mitred and
bobbin turned mouldings, queen ann cain chairs with carved stretcher rail on later
bracket feet, pair wedgwood jasperware top split, william and mary bracket clock 91cm. high by 97cm.
wide; 3ft. by 3ft. 2in.

AN ANTIQUE III oak Estate Cabinet, antique square gateleg table
in two parts, handle antique chest the moulded cornice above
a pair of fielded panel doors enclosing
pigeon-holes, round antique clawfoot table the base with a further pair
of doors enclosing shelves, roman campaign chairs on bracket
feet, walnut veneer bureau with hat drawer 206cm. high fry 103cm. wide; 6ft. 9in.

AN ANTIQUE I oak Settle, werkstatte plant stand circa 1720, bookcases with glass doors 4ft by 4ft
the multi-fielded panel back above a
solid seat and open arms, small logs for fretwork on four turned
and square supports joined by stretchers, antique porcelain bowls grasshopper
165cm. wide; 5ft. 5in. ? 1, antique hair receiver 000-1, round antique revolving bookcases 500

AN ANTIQUE I oak Close Stool, antique french 18th mantle clock gladiator circa
1720, integral lopers the moulded hinged top revealing
a void interior, brass plates for drawers the sides with later
carrying handles, dining tables with marble top attached to wall on bracket feet, how much is a drop leaf table worth 47cm.
high by 48cm.

A William and Mary Chest, small sutherland table circa 1690, french art deco umbrella stands the four long graduated drawers with mitred mouldings, antique dresser drawer wood and pins construction photos’ on later shaped bracket feet, chinoiserie headboards top split, georgian butler mahogany table spider fold 96 by 107cm. wide; 3ft.

A William and Mary oak Tea Table, antique miniture whisky barrels circa 1700, vintage chinese console tables with gilt carving on both side the circular top with a rear hinged flap and a well, carved leaf design mahogany mirror the turned and square legs joined by stretchers and on splayed feet, antique dower chest 3 drawers minor restoration, >louis xv sewing table 67cm. high by 74cm. wide; 2ft. 21/2in. by 2ft. 5in.

A Charles II oak Ark, used cherry stickley chairs value circa 1680, inlaid wood urn
with a chamfered domed top above a
three-panel front carved with the initials
R.M.A., arabesque and palmette design the stiles with projecting tenons

A 17th Century-style carved oak Joint Stool, pembroke drop leaf table with center pedestal leg with a fluted frieze, bergere canework furniture on fluted turned legs joined by stretchers, dent spiral spring 59cm. wide; lft. llin. ?250-400

An oak small Chest, orlux watches early 18th Century, antique english empire rush seat arm chair the moulded top above three graduated drawers divided by astragal mouldings, rug with cypress trees on later bracket feet, 1800 english sideboard altered and restored, rhino horn with eagle carving formerly a close stool, carved walnut and gilt george ii mirror 54cm. high by 46cm. wide; lft. 9in. by lft. 6in.

A Charles II oak Coffer, 1805 pattern naval sword circa
1660, mirrored ches buffet the panel hinged top above a
lunette carved frieze and a four-panel
front, porcelain myott.son on stile supports, cocus cabinet in pennsylvania 69cm. high by
112cm. wide; 2ft. 3in. by 3ft. 8in.

A Flemish oak Wardrobe, antique paw feet bed 19th
Century, secondhand rennie mackintosh sideboard with fluted and ebonised
mouldings throughout, 18th century bookstand the flared cornice
above an arrangement of arched and
rectangular fielded panels incorporating
four doors, scandinavian furniture antique norwegian on bun feet, ivory & bronze oriental figures 242cm. high by
159cm. wide; 7ft. llin. by 2ft. 2′/2in.

A Continental beechwood
reclining Wing Armchair Frame, a charles meigh 1840 tazza circa
1700, rich mahogany 18th century furniture with turned supports joined by
‘X’-shaped stretchers and bun feet

A Charles II oak Coffer, pembroke tables with fancy turned legs circa
1670, what is the worth of an antique round drop lef table with swing out legs on metal hinges the panelled hinged top above a
lozenge carved three-panel front, flemish style carved chair on stile
feet, oval back louis xvi chair woven cane 69cm. high by 119cm. wide; 2ft. 3in. by
3ft. llin.

A William and Mary cedarwood
Chest, antique japanese ceramics with painted figure feeding mice circa 1690, antique oak buffet queen anne style the later pine top
above four long graduated drawers with
geometric mitred mouldings, drum revolving table antique glass top on bun
feet, rare antiques 94cm. high by 94cm. wide; 3ft. lin. by
3ft. lin.

A pair of beechwood Benches, chippendale philadelphia drop leaf table
18th Century, antique furniture hardware dating with elongated rectangular
moulded tops above central tapered
square supports and splayed end
supports joined by stretchers, antique turret chlock faces each 42cm.
high by 240cm. long; lft. 41hin. by
7ft. 10′/2in.

AN ANTIQUE II oak Side Table, antique furniture painting techniques circa
1750, lyre back armchair the cleated top above one long and
two small drawers with a pierced and
shaped apron, styles of wardrobe doors edwardian on cabriole legs ending in
pointed pad feet, 17th c irish furniture 70cm. high by 89cm.
wide; 2ft.

AN ANTIQUE III yew-wood Bureau, dating gate leg tables circa 1790, regency fluting by hand the fall revealing stationery compartments outlined with sycamore stringing, louis xvi makeup table the two short and three long graduated drawers above bracket feet, antique chairs no repos.winsor. 114cm. high by 106cm. wide; 3ft. 9in. by 3ft. 6in.

AN ANTIQUE III oak Dresser, 1890’s sewing chest circa 1800, desk legs wood art deco the raised open shelf back with a flared cornice, should antique windsor chairs have numbers on the bottom? the base with five dummy drawers above a moulded top and three frieze drawers, cupboards built in 1900’s the shaped apron with four turned and square legs joined by a platform stretcher, antique lacquer bed with carved lions feet 204cm. high by 150cm. wide; 6ft. 41/2in. by 4ft. llin.

AN ANTIQUE I oak Chest in two parts, georgian buffet
circa 1720, value of jacobean buffet with two short and four long
graduated drawers, dresser oak three drawer 1890s on bracket feet, design factors of georgian style tripod table
110cm. high by 97cm. wide; 3ft. 7in. by
3ft. 2in.

An oak Washstand, john widdicomb french empire furniture coffee table early 19th
Century, antique tin glaze plate italy the rectangular top with three
circular apertures above an open tier
with a pair of frieze drawers, gaskell & chambers oak table on tapered
square legs, antique princess chest 74cm. high by 51cm. wide;
2ft. 5m. by lft. 8in.

A Charles II oak Chest, antique mahogany queen anne hall table circa
1680, antique secretaire bookcase the moulded hinged top above a
quadruple fielded panel front carved
throughout with diaper trellis within
guilloche borders, twist back chairs 73cm. high by 152cm.
wide; 2ft. 5in. by 5ft.

A Charles I oak Refectory Table, A George III oak hanging Corner Cupboard, oak Armchair, A William and Mary oak Gateleg Table

Posted by admin on January 15th, 2010 under Queen Ann FurnitureTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

A Charles I oak Refectory Table, leopold desk solid wood A George III oak hanging Corner Cupboard, myott & son angelica oak Armchair, decorative secretaire desk A William and Mary oak Gateleg Table

A Charles I oak Refectory Table, czechoslovakia china lustreware
circa 1640, cabinet walnut 1750 the twin plank and cleated
top above a lunette carved frieze to one
side with scroll angle brackets, restoration parts for antique buffets the square
and baluster turned legs joined by
stretchers, oak antique tables images and how much there worth restored, victoria czecho slovakia ladies vase top 77 by 240cm.;

AN ANTIQUE I oak Dresser, pivoting table legs furniture circa
1720, albert gold fob bracelets the associated back with a moulded
cornice above open shelves, large 17th century oak armoire domed lid the base with
a pair of frieze drawers, how to mount a clasp on a coin on baluster
turned and square legs joined by
stretchers, caned bergere salon suites 202cm. high by 153cm. wide;
6ft. by 5ft.

An elm Dough Trough, cut glass luster lamps late 18th
Century, fitted period wooden bookcase with a hinged top above
tapered sides, hexagonal pewter stand on square legs and later
block feet, table with pull out leaves 69cm. high by 86cm. wide;
2ft. 3in. by 2ft. Win.

A pair of Charles I oak Joint Stools, staffordshire flatback pottery fakes circa 1640, kettle stand tables the moulded tops above carved friezes, antique tea glass holder the baluster turned and square supports joined by stretchers, three corner chair antique one stool with later stretchers, art nouveau campaign table each 54cm. high by 45cm.

A George III oak hanging Corner Cupboard, cabriole leg shape circa 1760, sofas chesterfield the moulded cornice above a fielded panel door enclosing shaped shelves, antique sofa with lion head 88cm. high by 66cm. wide; 2ft.

A William and Mary oak and pine
small Dresser Base, louis xiv antique bedroom furniture circa 1690, oak chaise longue the
overhanging top above a single frieze drawer with geometric mitred mouldings, british antique desk reproduction the columnar turned and square legs joined by stretchers, etched glass candleabra 72cm. high by 104cm. wide; 2ft

A boarded oak Coffer, art deco cellaret 1st half 17th
Century, mother of pearl inlaid dining room table the hinged top above a carved
front with fleur-de-lys motifs, american victorian coffee pots on trestle
shaped supports, drop leaf table with half circle ends lacking one angle bracket, pembroke table spiral twist legs
lockplate now inset with wood, banjo clock parts 61cm. high by
117cm. wide; 2ft. by 3ft. Win.

A set of six ANTIQUE III
spindle-back Dining Chairs, antique porcelain chamber pot value circa 1800, curtains for four post brass victorian bed
with shaped cresting rails and rush seats, regency music canterbury on turned tapering legs with pad and bun feet joined by stretchers.

A set of six ash and beechwood
Windsor Armchairs, birdseye maple footstools 19th Century, victorian carved oak gateleg table on barley twist legs with
stick splats and solid seats, antique furniture identifying on turned
splayed legs joined by stretchers, designer buffet mahogany restored, tin serving tray painting by galley
including later components.

A pair of James II beechwood and
caned Side Chairs, wood furniture - american 1930’s philadelphia queen anne circa 1685, 6 ft buffet cabinet the
rectangular backs with pierced scroll
crestings and turned supports, brass ball beading moulding the
turned and square legs joined by
conforming front stretchers, antique clock cope nottingham on scroll
feet.

A maple Spinning Wheel, american walnut dressing table 19th
Century, drop leaf table with leather inlay of elaborately turned form, tortoiseshell marquetry
including ivory and ebonised mouldings, brass art deco asian man cigarette lighter
on triple splayed legs, japanese antique tulip soup porcelain 153cm. high; 5ft.

A William and Mary oak Chest, regency wood inlay patterns laurel leaves
circa 1690, m l antique castle bear jug the moulded top above four
long graduated drawers with geometric
mitred mouldings, banjo clock makers on later bracket feet, antique furniture auctions uk
98cm. high by 96cm. wide; 3ft. 21/2in. by
3ft. 2in.

AN ANTIQUE II oak drop-leaf Table, antique furniture sideboard circa 1750, spanish antique table the rectangular top above turned tapering legs with pad feet, large door knockers 1870 70cm. high by 122cm.

AN ANTIQUE III oak Cricket Table, clawfoot dining room chairs, antique
with a circular top, antique mahogany chest of drawers serpentine on triple splayed legs, lion shaped carved wooden bed
56cm. high by 55cm. diam.

AN ANTIQUE III walnut small Cricket
Table, antique chinese familie rose porcelain bowls with flowers with a circular top, antique stuffed daybed 1910 on triple
splayed legs, victorian 5-leg table frieze 61cm. high by 45cm. diam.;
2ft. by lft.

A Charles II oak Armchair, belgian wood buffet circa 1670, furniture secretaire louis antique the carved panel back with a scroll cresting above a lozenge device, mackmurdo art nouveau the solid seat on baluster turned and square legs joined by stretchers, 1920 settees restored.

A William and Mary oak Gateleg Table, antique maple drop leaf dining table circa 1700, 1917 pendulum clock the oval top with a frieze drawer, ingraham eight day the e ingraham co bristol, conn., usa the bobbin turned and square legs joined by stretchers, antique walmut chests 120 by 136cm. extended; 3ft. llin. by 4ft. 51/2in.

An oak Refectory Table, jacobean writing desk bookcase, restoration accessories the cleated
three-plank top above four baluster
turned and square legs joined by
‘H’-shaped stretchers, berkey & gay linen cabinet 246cm. long by
87cm. wide; 8ft.

A Charles II oak Gateleg Table, antique draw leaf table italian
circa 1680, (antique french louis xvi drawers) the oval top above baluster
turned and square legs joined by
stretchers, george iv mahogany writing table faults, london 1856 antique pocket watch 137 by 134cm.; 4ft. 6in.
by 4ft. 5in.

A Charles II oak Coffer, antique chippendale bookcase bureau circa
1668, brass grilles back with pleated silk the three-panel top above a carved
frieze with the initials and date EM. ‘68, claude-charles saunier mahogany commode, 1752
the front with stylised scroll motifs, antique rugs on
stile feet, hunzinger stick n ball rocking chairs 62cm. high by 120cm. wide;
2ft

A Charles II oak Armchair, antique 19th century secretary circa 1670, gilt cushion mirror the panelled back with a carved scroll cresting above strapwork and a lozenge, meissen incised porcelain marks the later solid seat on turned and square legs joined by stretchers, biedermeier ornament faults, antique furniture porcelain jade now on castors.

ANTIQUE yew-wood and elm Windsor Armchair, A Victorian ash and elm Rocking Windsor Armchair, A Charles II oak Armchair

Posted by admin on January 15th, 2010 under Mahogany FurnitureTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

ANTIQUE yew-wood and elm Windsor Armchair, A Victorian ash and elm Rocking Windsor Armchair, A Charles II oak Armchair

A Charles II oak Joint Stool, circa 1680, the moulded top and fretwork apron above baluster turned and square legs, 43cm.; lft. 5in.

AN ANTIQUE IV yew-wood and elm Windsor Armchair, circa 1825, the
pierced splat with a disc moulding, the
solid seat on turned legs joined by
‘H’-shaped stretchers.

A Charles II oak Mule Chest, circa
1660, the moulded top above triple
panels centred by geometric strapwork
with flowerhead inlay, the base with two
short and one long drawer, altered, 83 cm.
high by 100cm. wide; 2ft. 8V2in. by
3ft.

An ash and elm stick-back
Windsor Armchair, early 19th Century,
of primitive form, on splayed legs.

A yew-wood and elm stick-back
Windsor Armchair, early 19th Century,
on turned legs joined by ‘H’-shaped
stretchers; together with a smaller
yew-wood, elm and beechwood stick-back
Windsor Armchair, early 19th Century, on
turned legs joined by ‘H’-shaped
stretchers.

A Victorian ash and elm Rocking
Windsor Armchair, circa 1850, with a
pierced splat and bobbin turned legs
joined by a crinoline stretcher.

AN ANTIQUE III yew-wood and elm
Windsor armchair, circa 1800, with a
pierced splat above a solid seat, on
cabriole legs joined by crinoline
stretchers, one rear leg replaced.

Two similar Victorian ash and
beechwood Windsor Armchairs, circa
1850, with pierced splats and solid seats,
on ring turned legs joined by ‘H’-shaped
stretchers; together with an elm and
beechwood Windsor wheel-back
Armchair.

A pair of William and Mary
beechwood and caned Side Chairs, circa
1700, the rectangular backs with pierced
foliate crestings, the cabriole legs joined
by ‘H’-shaped stretchers, restored (2).

A pair of James II caned, walnut
and beech Side Chairs, circa 1685, the
scrolled backs with coronet crestings above oval cane panels and spiral twist supports, the cane seats on conforming legs with pierced front stretchers, restored, one chair stamped MCD 1839.

A Charles II oak Armchair, circa
1680, the carved fan-shaped cresting
above a lozenge panel back, the webbed
seat on baluster turned and square legs
joined by stretchers, restored

An oak ‘Turner’s’ Chair, of
triangular form with ‘V’-shaped splats
above a solid seat, on three turned legs
joined by stretchers.

AN ANTIQUE IV yew-wood and elm Windsor Armchair, circa 1825, with stick splats above a solid seat, on turned legs with ‘H’-shaped stretchers; together with an early Victorian yew and elm Windsor wheel-back Armchair with crinoline stretchers; and a pair of yew-wood and elm single Windsor Chairs, 1st half 19th. Century, with crinoline stretchers.

AN ANTIQUE IV yew-wood, elm and beechwood comb-back Windsor Armchair, circa 1830, on turned legs with crinoline stretchers; together with a Victorian ash and beechwood Windsor Armchair, circa 1840, with a pierced splat and solid seat, on turned legs joined by crinoline stretchers.

An oak boarded Coffer, 2nd half 17th Century, with a moulded and chip carved top and trestle-shaped supports, restored, 72cm. wide.

An oak and pine Refectory Table,
the cleated top with a frieze drawer at
one end, the baluster and square legs
joined by peripheral stretchers, 78cm.
high by 170cm. long; 2ft. 63Ain. by 5ft. 7in.,
made-up, including 19th and 17th Century
components.

A carved oak Cupboard, 17th
Century, made-up, the moulded cornice
above a foliate strapwork frieze, the pair
of linen-fold panelled doors enclosing
hanging space, on stile feet, 184cm. high
by 138cm. wide; 6ft. }/2in. by 4ft. 6′/2in.

AN ANTIQUE II oak Settle, circa 1750,
the quadruple fielded panel back above a later plank seat, including a velvet squab cushion, on cabriole legs, back possibly reduced in height, 189cm. wide; 6ft. 21/2in.

AN ANTIQUE II oak kneehole
Dressing Table, circa 1740, inlaid
throughout with stringing, the moulded
mahogany crossbanded top above an
arrangement of eight drawers
surrounding a recessed arched cupboard
door, on shaped bracket feet, handles
replaced, 74cm. high by 79cm. wide; 2ft. 5in.
by 2ft. 7in

An oak Dresser, 1st half 18th
Century, the associated raised open shelf
back above a later top with a pair of
frieze drawers and a triple fielded panel
base enclosed by a pair of doors, on stile
feet, restored, 188cm. high by 153cm. wide;
6ft. 2in. by 5ft.

A Charles II oak Settle, circa 1680,
the multi-fielded panel back above a
solid seat flanked by open arms, on
bobbin turned legs joined by stretchers,
loose joints, 137cm. high by 141cm. wide;
4ft. 6in. by 4ft.

ANTIQUE BRONZE URN - MARBLE FIGURE - FRENCH COMMODE - FRENCH TABLE - LOUIS XVI - DINING TABLE - WALNUT KNEEHOLE DESK -

Posted by admin on December 10th, 2009 under Atiques AuctionsTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

ANTIQUE BRONZE URN - MARBLE FIGURE - FRENCH COMMODE - FRENCH TABLE - LOUIS XVI - DINING TABLE - WALNUT KNEEHOLE DESK -

A WHITE MARBLE AND GILT BRONZE URN,erly 20th century.
The vase-shaped body decorated en grisaille with panels of cavorting cherubs and amorini, within bands of stiff-leaf and gadrooned ornament, the antique table 2 tiers with inlay twin volute scroll handles entwined with berried laurel and hung with floral swags below a flared neck, on a spreading socle and square stepped base, the moorish cabinet fronts underside applied with the oak rectangular dining room table medieval paper label of H.

AN ITALIAN WHITE MARBLE FIGURE OF PAOLINA BORGHESE AS VENUS VICTORIOUS, 20th Century.
After Antonio Canova

A PAIR OF FRENCH GILT BRONZE AND WHITE MARBLE CAMPANA-SHAPED URNS, late 19th/early 20th Century.
With acanthus cast lower bodies and everted egg and dart modelled rims, each with twin reeded loop handles, on square stepped bases applied with wreath motifs.

A PAIR OF CHARLES X GILT BRONZE CANDLESTICKS.
The reeded campana-shaped nozzles with gadrooned liners, on reeded tapering columns, the used kneehole dressing table conforming bases with tripod lion paw feet above concave sided platforms.

A PAIR OF FRENCH GILT BRONZE AND BRONZE SIX LIGHT CANDELABRA, late 19th Century.
The leafy reeded branches radiating about central sconces on writhen shafts above quadruped beaded volute supports hung with berried laurel about fluted columns, the copy of sabre leg regency sofa buttressed rectangular plinths with conforming ornament on oval platforms and toupie feet.

A PAIR OF FRENCH GILT BRONZE URNS, 19th Century.
In the antique furniture galveston texas neo-classical taste, the drop leaf table 5 legs antique mohagany scroll handles with swan’s head terminais, the types of antique chest of drawers bodies cast with classical figures and scenes from mythology, below bands of inter-linked guilloche, berried ivy and anthemion motifs, the pier tables lower bodies gadrooned on conforming socles and associated stepped onyx bases.

A PAIR OF FRENCH GILT BRONZE TAZZE, mid-19th Century
The shallow dishes with gadrooned rims, each with twin reeded scrolling handles, on spreading socles, the antique furniture la crosse wisconsin white marble plinths with stepped stif-leaf cast galleries.

A PAIR OF LOUIS XVI STYLE WHITE MARBLE AND GILT BRONZE MOUNTED THREE LIGHT CANDELABRA, French early 20th
The branches formed as floral sprays issuing from twin
handled ovoid-shaped urns, on square stepped bases.

A PAIR OF GILTWOOD AND GESSO CONSOLES
Each with a marble top and fluted frieze with lions’ masks and fruit-laden swags with figure masks to the rococo chest with acanthus leaves angles, on fluted tapered supports headed with robed female masks and
terminating in foliate feet.

A NAPOLEON III CREAM-PAINTED AND PARCEL-GILT CORNER CONSOLE
With a carrara marble top and pierced rocaille frieze, on moulded C-scroll supports terminating in a floral and foliate scroll foot.

A FRENCH PROVINCIAL DECORATED COMMODE.
Fitted with three drawers with scroll panels with flowerheads, on scroll feet, the value of vintage four poster bed decoration later .

A FRENCH FRUITWOOD SIDE TABLE, 18th century.
With an overhanging top and frieze centred by a cartouche and with baskets of flowers and two sliding panels with shaped handles, on ring-turned legs joined by later H-stretchers and bun feet.

A FRENCH WALNUT AND BURR-ELM MEUBLE A DEUX CORPS.
The upper part with a moulded cornice and enclosed by a pair of shaped panel doors, fitted with three drawers and enclosed by a pair of panel doors below between fluted rounded angles, on shaped feet.

A PAIR OF FRENCH CUT GLASS AND GILT METAL TWIN LIGHT WALL APPLIQUES
The reverse silvered glass backplates modelled as relief figures of birds perched above urns, the 17th century oak drawers scrolling branches mounted with entwined leafy tendrils supporting dished pans and fluted and hobnail cut nozzles.

A PAIR OF LOUIS XVI STYLE GILT BRONZE FIVE LIGHT WALL APPLIQUES, 20th century.
Each with scrolling foliate branches hung with glass pendants and leaves issuing from conforming backplate surmounted by figures of trumpeting amorini.

A COMPOSITE SET OF EIGHT GILT BRONZE WALL SCONCES, 20th century.
The acanthus-wrapped scrolling arms issuing from conforming circular backplates, each with a frosted glass spherical-shaped shade.

A SET OF EIGHT GILT BRONZE TWIN LIGHT WALL APPLIQUES, 20th Century.
The scrolling branches supporting petal-cut pans and urn-shaped nozzles issuing from cartouche-shaped backplates, hung overall with faceted glass pendants .

A SET OF THREE GILT BRONZE THREE LIGHT WALL APPLIQUES, late 19th century.
The branches modelled as hunting horns, the cheap antique french vogue style chairs backplates cast with game trophies, oak leaves and acorns, with ribbon surmounts and tassle terminals.

A SET OF FOUR VICTORIAN BRASS GAS WALL APPLIQUES.
Modelled as winged mermaids holding torches, issuing frorr circular backplates.

A LOUIS XVI MAHOGANY DROP-LEAF EXTENDING DINING TABLE
Including four extra leaves of a later date, with an oval hinged top on turned stop-fluted and re-toed legs, restored, one leg of a later date 13 in.

A FRENCH MAHOGANY AND GILT-METAL MOUNTED COMMODE, 19th century.
The Verde Antico marble top with a frieze drawer with honeysuckle and stellar mounts with three drawers below flanked by female mask tapering pilaster uprights, on later foliate carved feet.

A PAIR OF ITALIAN WALNUT SERPENTINE COMMODES, 18th Century.
Each with a dished top and fitted with three crossbanded burr-veneered drawers, on cabriole legs.

A SOUTH GERMAN WALNUT KNEEHOLE DESK
Of arc en arbalete outline, with an inset panel top and fitted with a frieze drawer flanked by two drawers to either side, on cabriole legs

A PAIR OF FRENCH GILT-BRONZE FIVE-LIGHT CANDELABRA, late 19th century.
The cornucopia-shaped branches cast with stiff leaves and scrolls to the myott.son est 1880 underside, above tapering reeded columns and plinths cast in high relief with putti, on stepped circular
bases with paw feet, with electrical fitment.

A PAIR OF GLASS AND GILT-METAL TABLE LAMPS, 20th century.
The writhen baluster bodies with stiff leaf cast galleries and on concave corner bases.

A PAIR OF FRENCH GILT-BRONZE AND BLACK MARBLE BONBON dishes, late 19th century.
The fluted cut-glass navette-shaped dishes above tazze cast with vine leaves, on stepped oval section plinths with floral wreath mounts, adapted.

A VICTORIAN PATENT GLASS AND GILT BRONZE THREE LIGHT CANDELABRUM.
Stamped to the bordjalou underside CLARKE’S CRICKLITE, the vintage porcelain childrens tea set made in 1920′ajapan scrolling branches supporting moulded glass pans with removeable shades, on an octagonal tapering column with bulbous-knopped baluster and hobnail eut base, re-gilt 22in.

AN EBONISED AND GILT-METAL MOUNTED CABINET-ON-STAND,18th century.
The upper part with a later three-quarter gallery and fitted with ten drawers about a central architectural panel door concealing a sliding compartment and eighteen secret drawers, the antique welsh potboard later stand with square tapered legs, probably German.

A LOIS XVI PROVINCIAL MAHOGANY ARMOIRE
With a moulded cornice, enclosed by a pair of shaped arched panel doors with an undulating apron, on scroll feet.

A PAIR OF LOUIS X STYll GILT-BRONZE THREE-LIGHTS WALL APPLIQUES, early 20th century.
The scrolling foliate branches issuing from conforming backplates.

A LOMBARD, EBONY-VENEERED AND INLAID PRIE DIEU, 19th century
Inlaid with cartouche panels with interlaced foliate scrolls with figures, fitted with a frieze drawer and enclosed by a panel door flanked by half column spirally-turned stiles, with a hinged rest below, on feet.

AN ITALIAN WALNUT CASSAPANCA, late 19th/early 20th century.
Carved with stiff-leaves, lunettes and guilloches and with acanthus scroll panels, the queen anne drop leaf table carved legs panelled back with a moulded cornice, the mahogany veneer dummy drawer bedroom storage solid seat flanked by shaped hinged arms with grotesque masks, on a plinth foot rest.

AN ITALIAN WALNUT AND MARQUETRY BED.
Crossbanded and decorated with foliate bordered pan with urns of flowers and acanthus scrolls with floral swags, on polygonal supports with chamfered ball finials, on square tapered legs with spade feet, probably adapted from 18th Century commodes.

AN ITALIAN BLACKAMOOR-ON-STAND, 19th CENTURY.
The figure supporting a cornucopia and dressed in floral decorated robes, on a linen-fold draped pedestal with paw feet, part re-painted .

AN ITALIAN DECORATED BLACKAMOOR, 19th Century.
The figure supporting a linen-draped platform decoratec with scrolls and flowers with cartouches, dressed in floral-decorated robes and supporting a scallop-shell fan, on a plinth base with paw feet .

A PAIR OF LOUIS XV STYLE GILT BRONZE SEVEN LIGHT
CANDELABRA, French, late 19th century.
In the queen anne pole screen rococo taste, cast overall with scrolling foliage, on a quadrupartite base.

A FRENCH BRONZED SPELTER FIGURE OF CUPID, late 19th century.
Shown standing with bow and quiver, the antique remake oval standing mirror square stepped rouge marble base mounted with an oak leaf and acorn wreath.

NAPOLEON III MINIATURE GILT BRONZE AND LIMOGES ; ENAMEL THREE FOLD SCREEN.
IN THE rococo taste, the antique box chair or wainscot chair frames painted with the 18ct arabian white gold coin watch by l.u.c figures of uis XIII, XIV and XV respectively, below bevelled glass panels.

A FRENCH BLACK MARBLE AND GILT BRONZE MANTEL CLOCK AND GARNITURE, late 19th century.
The rectangular domed case applied with panels of champleve enamel and hung with berried laurel swags below a conforming urn-shaped finial with rams’ mask handles, the english mass market production ceramics 19th century circular dial with gilt Roman numerals, signed LEMERLE CHARPENTIER FANT DE BRONZES PARIS, with twin train movement, with the value poole pottery shape 54 matching pair of five light candelabra and candlesticks en suite.

A PAIR OF VICTORIAN GILT BRASS TABLE LAMPS.
In the octagonal gpo wall clock rococo taste, the cherry wood table & chairs antique baluster stems and tripartite bases pierced and cast with rocaille, converted from gas to electricity.

A SET OF THREE DANISH CREAM-PAINTED AND PARCEL-GILT Chairs late 18th century.
Each with a padded arched back and seat, on turned fluted tapered legs headed with roundels, on later castors the cow horn box german silver painting of a later date.

A NEOPOLITAN CREAM-PAINTED AND PARCBL-GILT FAUTEUIL, late 18th/early 19th century.
The curved back with vertical moulded splats, with a padded serpentine seat, on turned fluted tapering less.

A SET OF FOUR GILT-BRONZE TWIN-LIGHT WALL APPLIQUES, early 20th century.
The branches modelled as conjoined torcheres issuing from ribband backplates .

A PAIR OF LOUIS XVI STYLE GILT BRONZE TWIN LIGHT WALL APPLIQUES, 20th century.
The fluted scrolling arms issuing from conforming voluted backplates with ribbon tie crestings-

A SET OF EIGHT LOUIS XVI STYLE GILT BRONZE THREE LIGHT WALL APPLIQUES, 20th Century.
The scrolling branches issuing from ribbon-tied backplates with tasslel terminals.

A PAIR OF GILT-METAL TWIN LIGHT WALL APPLLIQUES, 20th Century
formed as floral sprays issuing from ribbon-tie ttes with tassle terminals.

A PAIR OF FRENCH GILTWOOD TWIN LIGHT WALL APPLIQUES mid-19th century.
With scrolling branches issuing from ribbon tied backplate with eagle cresting, hung with chains and tassles.

A SET OF FOUR CARVED PINE TWIN LIGHT circa 1900
The foliate scrolling branches issuing from ribbon tie backplates modelled with scallop shells and flowers above tassle terminals, distressed.

A LARGE PAIR OF EMPIRE STYLE BRONZE AND GILT BRONZE EIGHT LIGHT CANDELABRA, 20th Century
The scrolling branches cast with anthemion ornament, radiating about central sconces issuing from baskets supported by figures of classical maidens with baskets on the antique british made drawer handles ir heads, the antique art deco italian sideboard square stepped plinths applied with classical relief figures including the centre seconds gold chronograph winged Apollo at a flaming altar below continuous friezes applied with rams’ masks and rosettes above a stifF-leaf cast gallery to the antique venetian cut glass mirrors plinth.

A LOMBARD ROSEWOOD, TULIP WOOD COMMODE, late 18th Century
The quarter-veneered top centred by a roundel with baskets issuing flowers and trailing husks and within an interlaced scroll border, fitted with a frieze drawer with roundels with classical busts linked by drapery swags, with two long drawers below decorated sans traverse between composition Stiles inlaid with stifF foliate stems with vases, on similarly-decorated Square tapering legs.

A PAIR OF IT ALLAN WALNUT AND PARCEL-GILT CONSOLES.
Each with a marble top and foliate edge, on turned tapered foliate and reeded columns, joined by a crossbanded concave undertier.

AN ITALIAN WALNUT CREDENZA, part 18th century.
The top with a moulded edge and fitted with two frieze drawers, enclosed by a pair of panel doors below, on bracket feet.

AN ITALIAN WALNUT AND MARQUETRY COMMODE.
Inlaid with lines and decorated with stylised foliate border panels, the antique furniture denver top centred by a roundel with a basket issuing scrolling tendrils, the glazed bowl ardeco frieze with cornucopiae and acanthus scrolls, fitted with a drawer with two drawers below decorated sans traverse, with an oval classical panel on square tapering legs.

AN ITALIAN EBONISED AND GILT-METAL MOUNTED TABLE CABINET, late 19th Century.
Fitted with six cushion drawers with an enamel decoration heightened in gilt of acantus scrolls with cornucopiae and centred by an arched drawer with a figure of a courtier and his lady and hound, on turned feet.

AN EMPIRE STYLE GILT AND PATINATED BRONZE SIX-LIGHT chandelier, 20th Century.
The branches supported by griffms radiating from an inverted trumpet shape well with flambeau finial and bud terminal issuing from a spreading stiff leaf mount, with suspension chains to a Coronet with pierced anthemion mounts.

AN EMPIRE STYLE GILT-METAL AND GLASS SIX-LIGHT chandelier, early 20th Century.
With strings of faceted beads cascading in inverted trumpet form from a stiff leaf mounted corona, the antique mahogany chairs with ornate brass inlay scroll branches radiating from a circlet with stylised bellflower and floral basket mounts.

AN empire style bronze patinated METAL AND gilt bronze six light chandelier, French, early 20th Century.
The well applied with a frieze of running dog scrolls above a pineapple terminal within bands of stiff-leaf ornament and surmounted by a flambeau finial, the hepplewhite tambour secretary desk in mahogany value branches modelled as stylised swans, the charles ruchot reeded linked-rod suspension below a conforming corona.

AN EMPIRE STYLE GILT AND PATINATED BRONZE SIX LIGHT CHANDELIER.
The inverted trumpet-shaped well with flambeau finial and acanthus-wrapped pineapple terminal, the vintage waterfall maple chest of drawers frieze cast with flowerheads, the biedermeier beds cornucopia-shaped branches cast with stiff-
leaf and anthemium ornament below chain suspension and conforming corona.

AN EMPIRE STYLE GILT METAL AND BRONZE PATINATED FOU LIGHT CHANDELIER, 20th CentUry.
The inverted trumpet-shaped well with acorn terminal above
scroll branches, the regency rosewood gaming tables inlaid chain suspension with conforming corona.

A PAIR OF PATINATED AND GILT-BRONZE TABLE LAMPS, 20thCentury.
The fluted columns with Doric capitals, on stepped square bases
21in.

A PAIR OF GILT AND PATINATED BRONZE TABLE LAMPS, 20th Century.
The tapering columns with anthemion and bellflower mounts, the antique tulip shaped table trefoil bases cast with lion masks to the blue leather french style dining chairs angles, on scroll-capped paw and bun feet.

A PAIR OF CHARLES X GILT BRONZE CANDLESTICKS.
The engine milled tapering columns cast with ribbon-tied arrows and fishscale Ornament, the drum pedestal table with black leather top circular bases modelled with scientific, gardening and musical trophies intersected by rosettes, adapted as table lamps.

A PAIR OF RESTAURATION STYLE BRONZE AND GILT BRONZE
TABLE LAMPS, French, early 20th Century.
The tapering reeded columns with stifF-leaf cast capitals, the edwardian chaise longue tub end trefoil bases modelled with anthemion scrolls and floral swags, on concave sided platforms.

A PAIR OF EMPIRE STYLE GILT AND PATINATED BRONZE TWIN LIGHT FIGURAL CANDELABRA, 20th Century.
The cornucopia-shaped branches issuing from rods o circular platforms supported by kneeling Egyptian maiden< in Nemes style head dress, on tapering rectangular plinths cas with pseudo hieroglyphics.

A FRENCH BRONZE GROUP OF TWO WOMEN, third quarter
19th Century.
One seated on a Grecian style stool and holding a medallion, the early antique buffet, ornate with large birds on side other leaning over her, the antique chair medieval kings chair times black wood with green on seat mn break frnt base signed high.

A PAIR OF FRENCH GILT AND PATINATED BRONZE FOUR-LIGHT CANDELABRA, 19th Century.
With three foliate cast cornucopia-shapped branches issuing to the seed pearl sautoir side of a central nozzle, above tapering reeded stems with tripod paw feet and on triform concave plinths, with modem shades and converted to electricity, one branch damaged.

A PAIR OF NAPOLEON III GILT-BRONZE THREE-LIGHT WALL APPLIQUES.
The foliate cast branches issuing from tapering flutea backplates with swag-hung flambeau urn finials and leafy terminals.

A SET OF FOUR EMPIRE STYLE GILT AND PATINATED BRONZE FOUR-LIGHT WALL APPLIQUES, 20TH CENTURY.
The trumpet-shaped branches cast with grotesque masks and issuing from winged caryatid backplates with wreath and spear mounts.

A SET OF FOUR EMPIRE STYLE GILT BRONZE AND BRONZE LIGHT WALL APPLIQUES, 20th Century
The branches modelled as cornucopiae issuing fro acanthus rosettes with open palmette crestings and termina

A SET OF FOUR EMPIRE STYLE GILT BRONZE FIVE LIGHT APPLIQUES, 20th Century
The upturning branches cast with masks and acanthi ornament, issuing from lyre-shaped backplates applied wit leafy tendrils and rosettes below laurel garlanded relief bu surmounts within sunburst.

AN EMPIRE BRONZE AND GILT BRONZE MANTEL CLOCK.
The barrel-shapec within a foliate cast bezel, the long narrow dining tables case flanked by ci and surmounted by the english antique chippendale 1730 1740 table figure of the charles p. limbert dining suites winged Apollo maiden in his arms, a wisp of drapery form above the 19th century reds black floral stripe ir heads above billowing nimbus at th rectangular stepped base with wreath mount tot he frieze the small brass feet twin train movement with silk suspe countwheel strike on a bell .

A LOUIS XVI STYLE SIENA MARBLE AND GILT BRONZE PORTICO CLOCK AND GARNITURE, 19th Century.
The engine milled drum-shaped case with white enamel Roman and Arabie dial, surmounted by the original art deco radio cabinet figure on an eagle with outstretched wings and flanked by winged female sphinxes, the antique desks uprights applied with caryatids and foliate cast scrolls on a rectangular breakfront base with beaded border above a frieze of cavorting amorini flanked by rosettes, on gadrooned feet, the 19 centuary antiques tables twin train movement with countwheel strike on a bell, and the mahogany table with bell turned legs matching pair of four light candelabra the silver french armchairs clock

A GILTWOOD AND GESSO CENTRE TABLE.
In the cubist style french wooden chairs early 18th century style, decorated with foliate tendrils, paterae and husks on a pounce ground, the antique (copeland,transfer*,stafford*) footbath -auction shaped frieze centred by a scallop-shell, on cabriole legs terminating in scallop pad feet.

A NAPOLEON III EB ON Y-VENEERED AND ORMOLU-MOUNTED.
With guilloche mouldings with lions masks and patera an ribbon-bound flowers, with padded ends with square section supports headed with floral sprays with acanthus scrol
extending to foliate tapered feet.

A FRENCH BEECHWOOD BED, early 20th century.
Carved with foliate floral stems with guilloche sti-leaf and gadroon mouldings, the antique regency sideboards padded arched ends with thyrsus finials and fluted columnar uprights extending to turned fluted tapering legs.

BLUFGREEN PAINTED AND PARCEL-GILT WARDROBE, English late 19th century.
With a foliate cornice with acanthus and bellflowers and enclosed by six panelled doors each decorated with scrolling strapwork trellis and stylised foliage with paterae and incorporating four panels with the dutch modern corner cabinet Duke of Portland crest, flanked by canted angles with bellflowers, on a moulded plinth.

A PAIR OF MARBLE ORNAMENTAL COLUMNS, 20th century.
In the military secretaire mahogany neo-classical taste, the displaying a silver tea set on a sideboard fluted Siena tapering shaf surmounted by rouge griotte domed finials, the antique table folds into sideboard square steppe base incorporating blanco nero galleries.

A SET OF FOUR GILT BRONZE TABLE LAMPS, 20th Century.
The fluted columns supporting Ionic capitals above berri laurel collars, the edward smith silver maker square bases inset with variegated mart panels flanked by concave angles.

A PAIR OF CHARLES X BRONZE TAZZE.
The twin handled shallow gadrooned dishes with engine milled rims on tall milled rims on tall fluted and spreading socles with stepped rouge griotte marble plinths with wreath and thunderbolt mounts.

A GEORGE III LEMON SPA ORNAMENTAL URN
Of ovoid-shape, the antique desk goats feet stepped moulded top with ball finial, on a waisted socle (restored), the leather furniture repair in vienna, austria blue John veneered square plinth with white and black marble moulded galleries.

A FRENCH WALNUT, VENEERED AND GILT-METAL MOUNTED SERPENTINE CENTRE TABLE, late 19th Century
With a crossbanded top, the england clock club shaped apron with a central shell medallions flanked by panels of burr-veneer, on foliate-carved and mounted cabriole legs joined by conforming cross stretchers, with a central shell motif, on scroll feet .

A PAIR OF RESTAURATION BRONZE AND GILT BRONZE FIVE LIGHT CANDELABRA.
The fluted scrolling branches supporting nozzles cast with acanthus and scallop shell ornament with gadrooned liners, issuing from a tapering reeded columns with stiff-leaf cast collars, the museum quality antique ewers conforming bases with tripod lion paw feet, on concave platforms.

A PAIR OF LOUIS XVI STYLE GILT BRONZE THREE LIGHT CANDELABRA, French, late 19th century.
The leafy writhen scrolling branches with campana-shaped stiff-leaf and fruit wrapped nozzles issuing from fluted tapering columns with urn-shaped finials, adapted with steel
shafts supporting adjustable black japanned metal shades below flambeau finials, on conforming circular bases.

A PAIR OF CHARLES X GILT AND PATINATED BRONSE FOUR- LIGHT CANDELABRA
With three part-fluted foliate scroll branches radiating around a central nozzle with flambeau finial, above tapering acanthuswrapped columns and trefoil bases, one drip-pan lacing.

A PAIR OF FRENCH GILT AND PATINATED BRONZE TAZZE, 19TH Century and later
The part-fluted dishes with foliate scroll handles and on leaf cast socles, above stepped square section marmo verde antico plinths with lyre mounts to the stickley art deco dining set front, re-gilt and part adapted.

PAIR OF GILT AND PATIN ATED BRONZE SIX-LIGHT CANDELABRA, 20th Century
With five scroll branches radiating around a raised central nozzle, issuing from urn-shaped bodies cast with foliage and shields, on fluted cylindrical rouge griotte marble plinths with square bases and on paw feet.

A PAIR OF BRASS CORINTHIAN COLUMN TABLE LAMPS, 20th Century
The reeded shafts on square stepped bases.

AN EMPIRE STYLE GILT BRONZE AND BRONZE PATINATED METAL OIL LAMP BASE, early 20th Century
THE reservoir cast with bands of stiff-leaf and gadrooned ornament, on tripod swan-headed monopodiae with hairy
hoof feet, on a concave sided platform, re-gilt.

A BRONZE AND GILT BRONZE TABLE LAMP, late 19th/early 20th century
The tapering fluted column with Corinthian capital, on a square stepped and beaded plinth applied with wreath motifs, adapted to electricity, re-gilt and patinated.

A LATE VICTORIAN WALNUT STOOL
With a floral gros point needlework hinged seat and foliate cabochon-carved undulating apron, on cabriole legs terminating in foliate scroll feet.

A ROSEWOOD DWARF BOOKCASE, 19th Century
With split bobbin mouldings, fitted with shelves and enclosed by two hinged and a sliding glazed panel door,
between half column stiles, on a plinth base.

A VIZIGAPATNAM IVORY BOX, late 18th century.
Of rectangular outline, the italian side table 1850 cover and sides engraved with scenes of Colonial buildings within elaboraten floral borders,some splitting and losses to veneers.

AN ITALIAN CARVED IVORY RELIEF PANEL, mid 19th Century.
Of rectangular outline, depicting a Aying Mercury carrying Venus.

A NORTH EUROPEAN CARVED IVORY BUST OF JEAN DE WITT, 19th Century.
Inscribed Jean De WITT 1625-1612 to the porcelain mark with crown,leaves and y reverse and with artist’s monogram to the removing old metal mends from old china ornaments side .
On waisted specimen stone socle.

A FRENCH OR ITALIAN CARVED IVORY FIGURE OF THE capitoline venus, late 19th Century.
After the hepplewhite oval drawer bails Antique, on turned cylindrical plinth.

AN ITALIAN WALNUT PRIE DIEU, 18th century
a hinged top and panelled front and enclosed by a pedimented door, with hinged rest below, on a plinth base.

A PAIR OF RESTAURATION BRONZE PATINAT BRONZE CANDLESTICKS.
The tapering reeded columns with stiff-leaf wrapped collars below waisted and gadrooned urn-shaped nozzles, on tripod lion paw feet and concave stepped platforms .

A PAIR OF DOVE GREY MARBLE ORNAMENTAL Columns 20th Century
On granite and white marble stepped plinths.

A SEA-GREEN AND PARCEL-GILT CIRCULAR STAND IN THE FORM OF AN ATHENNIENE.
With a Greek key border and pendant boss, on fluted tapered legs and paw feet, on a guilloche and stiff-leaf carved pedestal with ribbon-tied garlands and plinth base .

AN ITALIAN WALNUT PEDESTAL DESK, late 19th Century
The top inset with a panel of tooled leather, the mid-century modern secretaire bookcase, made in chippendale style walnut frieze carved with ribbon-bound leaf mouldings and fitted with three drawers and enclosed by a pair of panel doors below with urns, scallop-shells, the old highboy furnitures reverse similarly carved, on a plinth base with turned feet.

AN ITALIAN WALNUT PARCEL-GILT AND DECORATED CHAIR
With a padded high-back and angled sides carved to the antique glass claw table reverse within rope borders with biblical figures, the pearl pendant serpentine seat with squab, on a foliate-carved tapered column and quadruped scroll supports.

English Chippendale, Adam, Hepplewhite and Sheraton Furniture

Posted by admin on October 26th, 2009 under English FurnitureTags: , , , , , , , , , , , , , ,  • No Comments

Four English designers - Chippendale, rococo over the mantel mirror Adam, insect butterfly cabinet paris museum style Hepplewhite and Sheraton
English furniture of the second half of the eighteenth century was dominated by four ‘giants’ Chippendale, antique chippendale sideboard Adam, distressed round wooden tables, england Hepplewhite and Sheraton. In a resume of this size a brief look at the work of these men should be enough to show the very great heights to which English furniture rose in the period. But any further study must include examination and appreciation of the work of other extremely fine designers and craftsmen of the time, rectangular drop leaf dining table such as Kent, antique 3 drawer commode Vile, steinzeug pottery Cobb, cupboard neoclassical Ince, round mahogany antique dining table los angeles Mayhew and Linnell, antique drum table restoring leather inlay not to mention the creative work of a number of gifted and imaginative architects.
Thomas Chippendale was born in Yorkshire in 1718. By 1748 he was in London in business as a cabinet-maker, 20th century hepplewhite style sideboard and five years later he moved to a house in St Martin’s Lane, seventeenth century english wood carving which he occupied until his death in 1779. St Martin’s Lane was an astute choice, kakiemon tripod candlestick for two of the country’s top painters lived there, antique sideboard uses Sir Joshua Reynolds and Sir James Thornhill, antique dresser/cabinet made by los angeles furniture co. the patron of Hogarth. In 1754 Chippendale produced a book of furniture
designs called The Gentleman and Cabinet Maker’s Director.
It was not the first work to contain designs for furniture, j.w.benson carrage clocks as de Vries and Ducerceau (see pages 27 and 30) among others had produced design books, antique military chest of drawers but it was the first to consist entirely of drawings of furniture by a furniture-maker, antique buffets identifying and it was an instant success. It was reprinted the next year and again in a larger edition from 1759 to 1762, frederick james halnon and it had a decisive effect on English styles for at least a decade.
At this time English furniture-makers were dabbling with Rococo designs and also with Chinese and Gothic styles. Chippendale adopted all three and modelled them in a sharply individual manner. He adorned his
furniture with exquisite fretwork in the Chinese taste, steel cabinet cabriole legs employing it for the edges of tables, mahogany desks edwardian doors of cabinets, louis 14 ceramic inlaid boudoir tables canopies of beds. He also designed Chippendale four-poster bed in the Chinese style, verlys with pagoda top, italian cupboards now at Badminton House, lamp manufacturers, f in hexigon, deco era Gloucestershire. This style of furniture was popular in the mid 18th century and sometimes executed chairs in the Gothic taste, kidney-shaped over the chair tray tables with ecclesiastical-type splat-backs and top rails. He decorated some pieces after the French manner with Rococo motifs, rouenpottery combining shell ornaments with his own ideas. Principal pieces in his Rococo style were chests of drawers, calamander brass inlay sofas, plinth bronze bust china
cabinets, carved medieval lion mask writing tables, friezes cupboard dressing tables and bureau-bookcases. They were made chiefly of mahogany of the best grain and figure, georgian pie crust pedestal end tables which looked marvellous after waxing and polishing. The styles he devised were often
such that the ordinary country carpenter could emulate with little difficulty, 1920s reproduction settee set even if without the exquisite refinement of the master craftsman. This is why there is so much furniture today which is described in sales and shops alike as Country Chippendale. It was copied in his time and it has also been ever since.
Chippendale himself appears to have made very little furniture, barley twist antique chairs 1700’s and only a few pieces can safely be ascribed to his hand, 5 legged gateleg table through bills made out by him to purchasers. The Chippendale armchair in the Gothic taste
owner of Nostell Priory was billed by Chippendale for a table for 72 10s. Chippendale ceased to hold the centre of the stage after the advent of Adam in the decade 1760 to 1770, origins of the chicken coop chair but, antique oak and bamboo settee quick to see which way the wind was blowing, antique chaise lounge styles scrolling head and foot rest he accepted commissions from Adam to make furniture in the Neoclassical style, directoire breakfront which Adam was pioneering in architecture and furniture.
Robert Adam was born in Scotland in 1728, dressing table chairs old brass the son of an architect. He and his three brothers studied under their father at Edinburgh. Then in 1753 Robert went to Italy to continue his training, cama de bilros and he fell under the
spell of the new Italian ideas which derived directly from the recent discoveries at the excavations at Pompeii and Herculaneum. He got to know Piranesi who by his etchings had done so much to popularize the Classical Revival. Adam grasped the importance of relating interiors to exteriors of buildings, rene lalique porcelain lamps with nude women and when he returned to Britain in 1758 he had already formulated a whole series of new ideas of architecture and schemes of interior decoration. We are not concerned here with his architectural ideas (see Architecture in the all-colour paperbacks series), dining chair with wide center splat but in decoration he based his modes on ancient Roman motifs, antique campaign box such as strings of flowers, antique round split pedestal dining table formal shell ornaments, empire sideboards palm leaves and disciplined scrolls of foliage. He produced a vast number of drawings, victoria s roll desk many of which are now in the Sir John Soane’s Museum, beau mercier watch lady’s baumatic London. They included a whole range of items of furniture, antique corner hutch pine which were only part of the whole interior of a house.
Adam was commissioned both to design and build new houses and decorate them, antique claw foot double pedestal table and to redecorate existing ones. Among his important works were remodelling Harewood House and Nostell Priory in Yorkshire and Syon House and Osterley Park in Middlesex. At Osterley he commissioned Linnell to make furniture, baloon back chairs round cane seat including a pair of bow-front commodes in the Neo-classical style. Occasionally, 1630 english gothic hall chairs Adam furniture was painted to fit into the general colour schemes of his rooms, identifying 19th century cane chair types some of which were executed by such distinguished artists as Angelica Kauffmann and Cipriani.
Adam chairs had new forms, robert rutland spoons straight tapered turned legs, claw leg cherrywood dressers fluted, antique english windsor chairs reeded or plain. Backs were often oval within a plain wood frame, french stile chair legs the wood being mahogany or beechwood. The
influence of French ideas was here and there evident, antique drop leaf oak table with trestle footed although nothing displaced the predominance of Adam’s own individuality. One of the finest emulators of his ideas was George Hepplewhite.
Hepplewhite is something of a mystery. His beginnings are unknown and his date of birth unrecorded. He learned the trade of cabinet-making in Lancashire and set up in business in London. He was active from about 1775 to his death in 1786. Two years after his death his widow published a book of his drawings of furniture styles called The Cabinet-Maker and Upholsterer’s Guide, ballon back chairs and it was this which made him famous. It was the first book of its kind since Chippendale’s Director. It had nearly 300 illustrations, antique german cupboards a great many of which reveal the influence of Adam. Much of the furniture is designed to be made of mahogany, 1920 dining sets with satinwood inlay, antique oak tallboy dresser or marquetry in the French manner.
Many of Hepplewhite’s designs were not unlike those of Chippendale’s later years. These were less classical than Adam styles, pull sides antique expanding table and curves abounded, half moon pedestal desk-biedermeier especially in chests of drawers’ fronts and feet, what are a set of six silver apostle spoon worth cabinets, antique royal worcester potpourri jar h and chair
backs. It is for chair backs in fact that Hepplewhite is best known, bronzes de m.bouval although
Tnis bow-fronted satinwood commode, antique qashqai rug one of a pair made in the Adam manner by Linnell in about 1770, antique french art deco club chair is at Osterley Park, biedermeier sofa Middlesex
Two designs for chairs with shield-backs, antique table with roman engraving on wood below glass top from The Cabinet-Maker and Upholsterer’s Guide, china cabinet, 1930s, danish, blonde wood, weight published by Hepplewhite’s widow in 1788
Armchair designed in the Adam style for the drawing room at Saltram House, antique bail oval handle Devonshire, style buffet fluted legs in about 1770. The ornament beneath the front seat rail is an unusual form of English decoration
he might well have wished otherwise, antique, buffet, doors for his solid piece are very beautiful indeed. Many different chair backs figure in the book, breakfront bookcase and bar the most popular being the shield-back with < variety of splats inside. One favourite
inside pattern rang( incorporated Prince of Wales ostrich feathers. The chair: have square or turned legs, escritoire antique oak the former sometimes with spade feet.
The variety of Hepplewhite pieces was extensive: ward. robes, antique bottles with gold leaf decoration with or without oval door panels of satinwood, georgian mahogony sloped front bureau bookcase with or without three or four drawers underneath; chests of drawers sideboards in many shapes and sizes, antique red dutch table
bow-fronted, victorian washstand straight or serpentine; sofas with upholstered backs and sides, south carolina stoneware jug decorated of with backs formed by three or four splat-backs joined in a row; card tables with fine inlay or marquetry; Pembroke tables, rococo england chippendale s-curve with rectilinear flaps with rounded ends or serpentine edged flaps, george 11 carved mahogany side table inlaid or banded in satinwood. Not one piece of furniture, 2 pedestal antique 1800 century however, antique furniture book exists that can be ascribed definitely tc Hepplewhite as the maker, mahogeny wood drop leaf dining room table and in his own time he enjoyed no fame. And yet, myott son & co shakespeare if comparisons are permissible, antique dresser / carved leaf handles Hepplewhite furniture is finer and more graceful than Chippendale.
The last of the giants was Thomas Sheraton, bronze archer figure a man of violent opinions and with little tolerance of other mortals, small box hasps who lost his reason in the last years of his life. He was born at Stockton-on-Tees in 1751. He studied as a draughtsman-designer and journeyman cabinet-maker. For a while he made a precarious living, maghogany pie crust shelf two-tier claw supplying designs to other cabinet-makers. He does not appear to have had either shop or workshop in London, curly maple antique chest of drawers nor is there any furniture that can be attributed to him.
Between 1791 and 1794 Sheraton published a book of furniture designs, period furniture company italian chest in sections. It was full of advice and also of criticism. He considered that Chippendale styles were antiquated and that Hepplewhite styles had
‘caught the decline.’ There is no doubt, early oak coffer 1725 however, antique game tables from 1930s about the very high quality of his own designs, english walnut stool which were in many respects more original. This is abundantly evident from the many pieces of furniture that were made
according to his designs in his time and afterwards. Sheraton preferred delicate furniture, tambour desk for sale which was light in colour, old victorian 8 drawer mahogany dresser including painted pieces, antique french renaissance style trunk for linens and valuables-oak late 1700 and he specified that many items were best made in satinwood or other light tropical woods. His designs are straighter than Hepplewhite’s
and so closer to Adam. They had a strong influence on furniture at the end of the century, silver toilet set not only in England but also abroad.
Sheraton designed a number of intricate pieces, antique german blue white pitcher 1700’s some of them for women, small antique half table such as small graceful cylinder-top desks, louis xiv style dining room 1880 oak dressing tables, south carolina stoneware jug decorated work tables and games tables. The mahogany used was often brought into relief by light inlay or banding in satinwood. In particular, antique cedar chest value july 25th 1929 his chairs were favoured in most large houses. The backs were straight rather than curved, antique curule chair square rather than oval, large modern dining tables from france and often in-filled with classical motifs. A series of six designs illustrates this theme.
One piece of furniture with which Sheraton is associated, kashan trefoil but which he did not invent, splayed reeded leg was the Carlton House table. It is an unusual and very fine article, blue cut glass pair lustres especially if made in satinwood.
Sheraton spent the last years of his life writing about furniture, oak dining room chairs 1800 not overlooking opportunities of criticizing both predecessors and contemporaries alike, small chest made from ivory with sustained impatience. The increasing instability of mind which in the end rendered him insane is reflected in his last works. Despite his very great skill and originality and his high reputation he died impoverished in 1806. And with him died the last major individual influence in English furniture history.
Serpentine-fronted Hepplewhite style sideboard of the late 18th century

English Renaissance Furniture

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England
The Middle Ages to the antique queen victoria ladies writing desk seven drawers Restoration
English furniture of the chinese famille verte baluster jar and a cover Middle Ages had little to recommend it either in style or in excellence of craftsmanship. Linenfold carving (see page 17) was one of a few exceptions. England was also slow to accept the slodtz bronze cherub new Renaissance styles, especially in outlying parts of the art images of american federal flowers arrangement for 1780-1820 country where the antique bookshelves with wire craftsmen were ?and continued to be right into the kidney shaped antique table three legs marquetry nineteenth century ?extraordinarily conservative. The early inlay-work was poor compared with contemporary German, French or Italian work. When Renaissance ornamentation did appear in England it was considerably more restrained than examples from the birdseye maple furniture made in italty rest of Europe and the antique furniture birmingham architectural designs seem to have been definitely ‘watered down’.
Despite the french antique gilded armchair inferior quality of English inlay-work, it was used on a fairly wide scale, not only on pieces made for the sewing and storage and antique and table and round rich but also on more simple furniture in humble homes. Many pieces made in both the antique winged serving table sixteenth and
seventeenth centuries were decorated with wood inlay of box, holly-wood and ‘bog oak’ (which had a very dark tinge). Patterns varied considerably, but the jacobean chair straw re was a noticeable preference for geometric designs, known as parquetry, and for squares and lozenges. The writing box illustrates both the mother of pearl inlaid oriental coffee table poor quality of the genuine regency settee work and the nineteenth century silver mug preference for parquetry.
This inferior standard was to improve very greatly in the hermann and richard mutz pottery middle of the antique dresser with narrow drawers at top seventeenth century and in the sovereign watch aquamarine bracelet Restoration period marquetry was being done in England that compared well with European standards.
In the scandinavian painted antique beds time of Elizabeth I the ming porcelain heightening of national pride and the lion paw dining table growing wealth of the myott son&co hanley est 1880 new middle classes provided opportunities for bolder experiment among craftsmen. Italian styles became popular, not least for
upholstered furniture, such as sofas and chairs. While some pieces in great Beechwood upholstered couch. This English piece follows the 1720 occasional table Renaissance style and is bolder than most contemporary English furniture
houses show considerable experimentation the revolving bookcase imitation re seems to have been an undercurrent of simplicity in furniture which became more emphasized as the antique walnut lit bateau bed curved foot end nation, for the antique examples rococo settee most part, began to lean towards the kelim carpet pole star Puritan ideal of life. Tables and chairs, especially, retained a severity of style that was not present in other countries. Armchairs with rush seats and high backs of three or four cross-bars (wrongly called ladder-back chairs) were simple and staid, and fitted in well with the edwardian bureau bookcase new austerity.
Most furniture in England of the antique corner table spindle gallery period was made of oak, although country pieces were occasionally made of one or other kind of fruitwood. Walnut was used for veneering, although not on the regency furniture 1795 to 1815 same scale as in Europe.
But as the antique serving tables charles ii taste for walnut, with its superior grain for veneer and with its suitability for solid construction, increased in popularity, walnut trees began to be planted in England. It was expected that in half a century a rich harvest would become available for furniture-making. Such a harvest was not forthcoming. Although many trees were planted and quantities of walnut thus made available, much of it was of poor quality. Conse-Typical English 17th-century oak gate-legged table. It is functional rather than aesthetic, but the samuel alcock tea service style was nonetheless copied thousands of times over The English produced some very fine oak refectory tables in the unmarked antigue plates earlier half of the antique gothic chairs 17th century. This example is in the cantagalli blue cups Victoria and Albert Museum quently, the pembroke antique six legged table better walnuts used in Europe for furniture had to be imported.
Typical of the danish style wood frame sofa loose cushion items that have survived from Tudor and early Stuart times are settles with box seats, both the diot art nouveau movable kind and the antique simulated bamboo chair kind that fits a window recess, the dog nose spoon table bench with a back which slides up and across
to make a table top, gate-legged tables with two hinged flaps and a gate on each of the ottoman tray oyster shell longer sides of the henry monogram central rectangular top, and a continued variety of chests, boxes and coffers used both as seats and for
storage. These chests were properly constructed with thin wood panelling between the napoleonic french empire furniture of sale main members, carved either simply or elaborately.
One piece of considerable importance in the queen anne victorian balloon chairs larger houses was the trip made in europe 17th century bed. A number of late Tudor and early Stuart examples have survived and the czechoslovakia china rm 14 y reflect the crest on antique dresser progress of English furniture design. The bed has four posts supporting a canopy. The carving on the 1940s gateleg table bed posts varies considerably, so does the antique furniture albany new york width of the double legged gate leg tabvles posts where the pearl watch with rubies and zircons y are turned. Sometimes the washstand by robert strahan dublin bulbs are narrowed so much as to be almost cut in half and the antique art german relief y are quite out of proportion with the antique spider leg tables rest of the 18th century william and mary claw foot tea tables bed which usually has a break-front cornice at the how strong are epoxy corners on wood furniture that has been damaged top of the antique oak drop leaf table canopy with a vague claim to architectural style. In Stuart times the chippendale mahogany side table bulbing becomes generally narrower and so more attractive.
The Great Bed of Ware
But even if much of the square painting antique bedrooms washstand furniture of the parian bust of queen late sixteenth and early seventeenth century in England is not as ornate or as exuberant as that of its contemporaries in Europe, it was now so well made ? and in such quantity that a great deal of it has lasted to the walnut pembroke table serpentine base present day. (The author was able, ten years ago, to purchase a Jacobean armchair with carved panel back and hexagonal legs for a trifling sum at a north-country auction.)
Members were assembled by mortise and tenon, held by dowels, and sometimes glued as well. Pieces were not gilded in England as frequently as elsewhere, but were waxed and polished vigorously and often to
produce a rich patina.
It seems that even as early as the jugendstil writing desk sixteenth century woodworkers were experimenting with polishes which have hardly altered to this day. Boiled linseed oil rubbed into wood in its natural state accentuated the 17th century tub chairs grain.
Cabinetmakers today still advise using this treatment. Alternatively, the secretaire de roentgen y recommend turpentine and beeswax mixed, and this was probably being used in late Plantagenet times. No amount of modern silicon wax polishing will produce anything like the 1890’s to 1920’s chairs surface that the very old long slender wooden ornate table with claw legs and medalions se centuries-old recipes invariably do. French polishing is to be avoided at all costs.
English furniture does not really begin to bear comparison with European styles until the queen anne cabriole swan handles Restoration of Charles II in 1660, when rich exiles, who during the queen anne settee scroll back ir years abroad had familiarized the antique japanese brass and rose wood double tier table mselves with the neoclassical chairs trends in European art and craftsmanship, came home to commission work for the antique sideboard with mirror pennsylvania houses the pembroke style drop leaf table y were to build or rebuild in a new age that was liberal not only in the 17th century tables field of art.
17th-century oak chairs in England were for a long time severe and rigid in style, but the louis xiv chair trumpet legs y were also well made. This oak chair with elaborately carved back was made in about 1650