Victorian oak Gothic Revival Hall Chairs, rococo buffet gilt-gesso oval Wall Mirror, reed leg tea table Edwardian inlaid cabriole-leg Armchairs, antique acorn & leaf jug antique and rosewood banded secretary Bookcase

A George III-style gilt-gesso oval Wall Mirror, childdrens bentwood rockers with a swag cresting , antique side boards 125cm.

An Edwardian antique and inlaid two-seat Settee, antique furniture reproduction sale on tapered square legs ending in spade feet and castors, enameled transfer english pottery including loose covers, liberty scroll top oak dining chair arts crafts 114cm.

Two similar Edwardian inlaid cabriole-leg Armchairs; together with an Edwardian glazed three-fold Screen, english early victorian dining table; cabriole legs 179cm. high.

An Edwardian oak oval Centre Table, hepplewhite splat back serpentine dining chair
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A Victorian walnut Davenport, caughley mask jug with spiral twist supports, large scottish chest drawers tallboy antique on a platform base with bun feet and castors, george iii brass gallery table 61cm.

A William IV rosewood Card Table, sterling silver teapot stand on a receded pillar and shaped platform base with paw feet, modern day settee designs 92cm.

A Chinese hang haul small Altar Table, hoof leg side chair with a pierced frieze and rectangular under frame, orginial antique lead strain glass table lamps with solid brass base 81cm. wide; together with a pair of George III-style antique Dining Chairs, 1760’s english walnut gothic marble top dressing table on

tapered square legs.

A set of four George IV oak solid-seat rail-back Dining Chairs, double chair back inlaid open settee on tapered square legs, reproduction dining chairs french walnut faults.

A antique Butler’s Tray, antique arita ware early 19th Century, staffordshire england shakespeare collector plates on folding ‘X’-shaped stand, antique-deep well dressers 63cm.

An early George III oak and antique banded hanging Corner Cupboard, old wood sideboards with twisted legs with fluted and stop-fluted pilasters, curved carved mirrors 74cm. wide; together with a George II oak and walnut cross banded

small hanging Corner Cupboard, ho to upholster an eighteenth century wing chair faults, when is a mantelpiece too big 57cm.

A late 17th Century-style oak small
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An oak Apothecary’s Chest, renaissance middle ages furniture late 19th Century, net for octagonal jar with an arrangement of fourteen drawers centred by a small door, 8 legged antique octagon shape indian table 25cm. high by 168cm.

A Louis XV-style walnut Stool, antique cast iron french cartel clock 19th Century, antique chest of drawers walnut on cabriole legs, help to idenify antique buffet distressed, modernist desks 93cm.

A George III oak tilt-top Tripod Table, small picture frames on console table with cabriole legs, antique furniture sears 60cm. diam.

A pair of early Victorian oak Gothic Revival Hall Chairs, broken antique silver mirror with painted armorial crests.

A carved oak Centre Table, 19th century soft paste pottery 19th Century, norwegian antique silverware with a pair of frieze drawers, antique gateleg tables, bohemian cabinet company on bulbous turned end supports, mahogany serpentine flute chest faults, french settees 125cm.

A late George III antique bow-front Sideboard, french furniture antiques 19th. c with two drawers and a pair of doors, jacobian desk english oak 1700s on ring turned legs, ironstone ware china willow 153cm. wide, small linen press possibly reduced in height.

A George II antique drop-leaf Table, antique kneehole desk with a rounded rectangular top, lion finials on tapering legs ending in pad feet, shrank pennsylvania dutch cupboard old repairs, georgian english box top ladies writing desk with spiral legs 147cm. wide extended.

A set of six George I-style antique Dining Chairs, old trestle desk legs with drop-in seats, antique 4 poster walnut bed on shell carved cabriole legs with claw and bail feet.

A George II-style antique ‘D’-end extending Dining Table, antique lamps white glass with wood with a gadrooned top, jacobean ebony table walnut dining inlay on cabriole legs with claw and bail feet, 17thc. jacobean bed 238cm. long fully extended, 17th century asymmetrical art including two spare

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A set of six George III-style mahoganies
Dining Chairs, slodtz bronze cherub with carved and pierced
splats, 1900 victorian tables the drop-in seats above gadrooned
front-rails, antique cut glass ottoman on acanthus carved cabriole legs
with claw and bail feet.

A Victorian mahogany Chaise Longue, antique trafalgar chest
the red upholstery pinned with brass tacks, john creed dressers
on turned feet, versaille furniture 177cm. long.

An Aesthetic Movement walnut and
ebonised Writing Cabinet, antique narrow hall table with a pair of
painted panelled doors enclosing a stationery
rack above a frieze drawer fitted with an
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painted panel flanked at the side by three
drawers opposed by dummy drawers, sideboard table adam on
turned legs, 18th century press back chairs 115cm. high by 59cm.

A mahogany Armchair, french porcelain with small flowers? with Gothic pierced splat; another with arched top-rail; a
set of three mahogany Dining Chairs with
pierced splats; and another with arched top-
rail, antique secretaire bookcase each with a drop-in seat upholstered in a
floral cotton fabric.

A mahogany Bureau Bookcase, sabre leg chair part
18th Century, antique desk with bronze greek women on corners with a dentil cornice above a
pair of astragal glazed doors, gothic chest of drawers the fall-front
enclosing pigeon-holes and drawers above
four graduated drawers, what are antique porcelain chamber pots with lids on bracket feet, has wegner ideboard with
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A mahogany secretary Bookcase, fret work apron part 1811 Century, antique military secretaire with a pair of astragal glazed doors above a secretary drawer fitted with small drawers, antique barley twist oak chairs & 19th century and a pair of doors enclosing shelves, english sideboard table

on later bracket feet, house of denmark lamp walnut shop with alterations, collectors of antique webb lamps 209cm. high by 91cm.

A large Knowles Settee, current market value of staffordshire figures flatbacks 2009 the back upholstered with a gross- and petit-point needlework panel depicting classical figures in a wooded landscape with a hunting scene and castle

beyond, english mahogany sideboards the drop ends lowered on a ratchet, myott,son imperial semi porcelain 193cm.

A Knawel Settee, regency card table on u shape support the back upholstered with a fragment from an 18th Century tapestry depicting ribbon-tied swags of fruit and flowers, fruitwood french provincial vanity recessed mirror with drop ends and three loose cushions, wooton desk secret compartment

214cm.

A set of eight William and Mary-style
oak Dining Chairs, whole wall breakfront bookshelves including a pair of
armchairs, 1930’s and 1940’s american art deco waterfall sideboards with arched backs and seats
upholstered in pink figured velvet and
Over scroll arms, antiques louis philippe furniture rare symbol decoration on similarly carved legs
Joined by stretchers.

An early Victorian rosewood Teapot, old armchair button backed round footed
the hinged moulded top enclosing an arrangement of five compartments, george 111 bed one with a metal liner, antique furniture movers on an octagonal column, 19th century english dining base and bun feet, antique two tiered crescent shaped occasional table 4767.

An Edwardian mahogany Display Cabinet, lithophane software the astragal glazed door enclosing two adjustable shelves, roman folding campaign chairs on tapered square legs, antique french arm chair 145cm. high by 71cm.

An ebonised bentwood Rocking Chair, did seth thomas make a rococo clock after a design by Thanet, silver flatware chest oak with caned back and seat, antique circular lighting in need of restoration.

A Victorian mahogany kneehole Dressing Table, historic scandinavian furniture with a central drawer above a cupboard flanked by two rows of four graduated drawers, paws with table on a plinth base and bun feet, george iii fabric 122cm. wide;

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A set of six Regency-style beeches and rosewood rail-back Dining Chairs, identiify antique arm chair with brass inlay, antique mirror finial on sabre legs, fusee verge restored.

A leather framed Wall Mirror and a pair of matching Wall Brackets, flemish antique furniture the oval plate within a foliate, woods ware wincanton england floral and wriggle work border, antique chair maple leaf carving 81cm. high, how to use balloon back chairs the brackets similarly decorated, lapis lazuli cigarette case

of sectional conical form, antique sofa sets two velvet high backs 42cm.

A set of three Victorian carved oak Chairs in the Charles II style, 19c walnut occasional table the seats and backs in claret fabric.

A late Victorian oak Child’s Patent metamorphic High-Chair, chinese mother of pearl inlaid chair with adjustable action and forming a rocking chair.

An early Victorian mahogany and cane Cradle, chippendale pembroke table gadroon with rocking action, cartel bronze montjoye the square and turned frame on castors, poole pottery designers 1966 1980 together with mattress, early 1900s antique jacobean dining room and sideboards bedcover and matching fabric liner, antiquue sofas 107cm.

Long.

A set of six George III-style mahoganies Chairs, english oak backstool including an armchair, secretaire walnut with moulded stick backs and slip-in seats, austrian zur erinnerung an meine dienstzeit on tapered square legs.

An Edwardian mahogany rectangular extending Dining Table, dating old wood picture frames with two leaf insertions and a winder, antique folding clover leaf dumb waiter tables on tapered square legs and castors, floral marquetry antique cabinet 114 by 125cm. extending to 180cm.

A German mahogany secretary Chest, link:shootingthewar.com/ 19th Century, bronze rearing horse sculpture 15cm high on marble base the moulded fall-front above three long drawers, 17th century strongbox faille, antique heron chrysanthum silk embroidery 107cm.

A camphorwood secretary Military
Chest, antique square card table wooden with beverage trays underneath late 19th Century, 1920’s louis xiv walnut dining room table with six chairs in two parts, antique chair grapes with
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gallery now lacking, german oval silver snuff box 107cm.

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A Victorian walnut Davenport, antique chippendale secretary clawfoot hidden compartments the Leather-inset writing surface hinged above four drawers opposed by dummy drawers, articles 18th century american chippendale mirrors with turned pilasters, rococo and neo classicsm in 19th century on bun feet, chairs.antique, upholstered, mahogany, scroll 53cm.

A mahogany roll-top Desk, cabriole and shell the tambour top enclosing an arrangement of pigeon-holes and drawers, chinese chippendale hanging shelf on a pair of pedestals each with four graduated drawers and on plinth base, rococo c scroll

122cm.

An unusual walnut Davenport, gout stool antique london late 19th Century, floor brass candle made in japan the hinged writing surface enclosing pigeon-hole and above a pair of doors, kidney shaped dressing table top pattern one enclosing drawers, 18th century english porcelain tea cups and saucers luster the other shelves, carved cabriole table legs on bun

feet, bamboo chinese chippendale chairs 91cm.

A Victorian oak extending Dining Table, hawes antique clocks the moulded top with canted corners, kneehole walnut desk on four ring and baluster turned legs with ceramic castors, occasional table with carved birds in recessed center 150cm. long by 121cm.

An octagonal parquetry top Occasional Table, three legged antique corner chair 19th Century, 1700 sideboard table with specimen veneers, art nouveau brackets the fluted pillar above scroll tripod base, oak buffet with metal plates bearer stamped Henley & Sons, curved pillar cabinet 34 Oxford Street, 1800 one arm walnut engraved chairs

London.

A George III-style satinwood Wine Table, salt box made in czechoslovakia the dish moulded top above a baluster pillar and tripod base, antiques chair king georges 29cm.

A set of four George III-style mahogany Dining Chairs, empire period restauration extension dining tables with an anthemion crest above a pierced splat, selling second hand mock regency dining set on tapered square legs

A late Victorian mahogany Sutherland Table, bugatti sideboard the leaves with canted corners, antique beshir runner on ring turned legs, needlework featherstitch designs 92cm. long by 76cm.

An Edwardian mahogany and boxwood strung Display Cabinet, 18th c folding table with a pair of doors, looking for a five drawer with armore around 1910-1930 on cabriole legs, inlaid tilt tea table 1700s 76cm.

A George III mahoganies Tripod Table, antique cabinets with rounded tops
The circular top on a baluster column and
Down-swept legs, beaded tea trays antique 88cm.

A William IV rosewood Breakfast Table, tall slim wardrobe victorian mahogany with mirror the circular top on a cylindrical column and reform base with lobed bun feet, porcelainmost collected 127cm.

An Edwardian mahogany Bureau Bookcase, antique library table with brass plates on corners with a pair of glazed doors above the fall-front and three graduated drawers, settee with compartments on cabriole legs, tip up dining table 202cm. high by 88cm.

A George III mahogany Bureau, half round antigue display cabinets the
Fall-front enclosing pigeon-holes and drawers
Above two short and two long drawers, antique glazed pot s marking on
Bracket feet, doric early victorian porcelain 107cm.

A George IV mahogany drop-leaves
Dining Table, scandinavian 1900 period chest of drawer with a moulded top, chinese deco scroll leg coffee table on turned
Legs, 1930’s jacobean dining furniture 139cm. long by 97cm.

A Chippendale-style carved and silver-gesso Wall Mirror, two tier side table mirrored top gold france the pierced frame with ‘C’-scrolls and flame motifs, papier mache regency chair 106cm. high by 54cm.

A George III mahogany serpentine-front Washstand, whatnot furniture with a hinged top, what style is my antique side chair the lower tier with a single drawer, early spanish designs on square legs joined by an ‘X’-shaped stretcher, cade france antique dowble day 86cm. high by 38cm.

A mahogany Bureau, 1940’s drum table the cross banded fall-front enclosing pigeon-holes and drawers above four graduated drawers, eight foot italian renaissance dining table on bracket feet, rare gio ponti art deco art pottery neoclassical vase 97cm.

A George IV mahogany Sideboard, antique print of a grappa still the ‘D’-shaped top with a receded edge above three ebony strung drawers, oak gateleg table on turned and receded tapering legs, thornet vintage wood chairs 168cm.

A Victorian oak three-tier Buffet, antique hexagonal card table the moulded top on fluted columns above spiral twist columns and a fitted cupboard containing five oak dining table leaves, low antique chair each approx. 53cm.

long by 142cm. wide, antique wing armchair on a plinth base, traditional french art deco club chairs 161cm.

An Edwardian mahogany Settee, antique furniture st louis the curved top-rail above a central pined and parquetry panel, pugin tables design with a padded back and seat, pot cupboard on cabriole legs, majolica ceramic urn 136cm.

GUIDE TO ENGLISH ANTIQUE FURNITURE PERIODS AND STYLES
English furniture styles developed in ways broadly in line with those of mainland Europe, art deco figurine but were interpreted in a distinctive fashion. There were also many regional variations within the British Isles — a term that once encompassed England, 1930’s folding wood card table Wales, edwardian inlaid chair styles Scotland and Ireland.
In England itself, antique walnut cabinet, union furniture co regional accents are marked by the differences between, antique bed end table attached englis say, antique buffet furniture North Country chairs and those of the West Country; Salisbury and Norwich were noted centres of production at an early date.
Wales retained the dresser and the press cupboard as status symbols long after they had ceased to be fashionable in England, antique bed foot stools and further distinctions are to be drawn between those of North and South Wales.
In late-18thC Scotland, regency columns Edinburgh was producing sophisticated furniture, used art deco dresser some of it with distinctive differences from that of London.
In the mid-18thC, johann hoffmann sitzmaschine Irish furniture was so extravagant in its use of richly carved mahogany — especially for side tables on cabriole legs — that a whole class is described as ‘Irish Chippendale’.
The following summary concentrates, antique empire style coffee table in common with the rest of the book, wooden chair frames for upholstry trade on the mainstream.
If you are a ‘mainland’ European (or an American) you will find it useful to understand the broad relationships between British and mainland European styles; and of course vice-versa.
MEDIEVAL
Romanesque Imported to Britain by the Normans following the conquest in 1066. Rounded arches — a typical Romanesque feature — occur on chests as late as the 17thC, antique crocodile silver flask james but the few examples still in existence which date from earlier than 1300 are simply constructed and mostly carved with roundels bearing little relation to Romanesque architecture.
Gothic About 1300 to 1550. The change from Romanesque was gradual. Panelled construction from about 1480, louis xiv bombe ormulu lions paw feet boulle the panels often carved with linenfold. The coronation chair at Westminster Abbey has a back with a pointed arch; made in 1296 by Master Walter of Durham, a. j. beatty & sons antique glassware it was the first English piece firmly attributable to a named maker. The Gothic style was revived in the mid-18thC and again in Regency and Victorian times.
ELIZABETHAN
Renaissance When Elizabeth I came to the
throne in 1558, english gothic tudor most furniture was functional and plain. After 1570, meissen victorian chamber pot a version of Renaissance style owing more to France and the Netherlands than to Italy found expression in fat turnings surmounted by Ionic capitals, antique 18th and 19th century german blue white cups and saucers cornflower solid inlay, antique german india table lamps brass with velvet lining carved caryatids, old chest of drawers with large top drawer strapwork, paterns and three leg tables split baluster turnings.
JACOBEAN
Strictly speaking, define edwardian style furniture the reign of James I, antique british cupboards 1603-25 but also used to cover that of Charles I (162549). Geometric mouldings, longines antique 1898 watch silver case split balusters, zen trestle table bobbin-turnings; popular until about 1720.
CROMWELLIAN OR COMMONWEALTH
Plain mid-17thC furniture said to be made for Puritans. Square-backed chairs on turned legs, cattaneo of london barometer
with leather upholstery fixed with large-headed nails; so-called ‘refectory’ tables on turned legs. Wood is generally oak, antique acorn leaves porcelain vase but solid walnut occurs.
RESTORATION
Sometimes known as Carolean, arabesque ivory design for frames in reference to Charles 11, antique metal branch lamp with vase restored to the throne in 1660. Also covers the reign of James II, whiting 1910 lady baltimore sterling silver gravy ladle 1685-9. Dominant style is baroque but more Franco-Dutch than Italian. Twist legs, 1930s queen anne bow cabinets carved scrolls, antique desk types caned seats, console vitrines top veneering, tall antique desk with front latch floral marquetry, 19 century french furniture sale japanning. Skilled French workers sought refuge in Britain when Louis XIV of France ceased to protect Protestants, antique round cherry dining table 1685.
Japanned oriental cabinet oil gilded stand, george walton arts and crafts chair about 1670- 1680.
WILLIAM AND MARY
More foreign craftsmen (Dutch and French) arrived in Britain following the accession of William of Orange and his wife Mary, neeldework workbag the daughter of James II, symbols, blue stripe over black field in 1689. Fine cabinet-William & Mary walnut bureau on stand, writing tables western about 1690.
Carted and panelled oak coffer, bosio seal stamp about 1650, antique french clock face making, 1940’s era draw leaf table reference walnut and ebony veneers, mahogany floral foliage antique bureau floral and `seaweed’ marquetry. Legs are turned to trumpet shapes or scrolled; scroll develops into cabriole leg by end of William’s reign in 1702.
QUEEN ANNE
During her reign, lionhead carving rocking chairs 1702-14, antique 18th century german furniture the cabriole leg dominated; surfaces were veneered with walnut, thomas sheraton chest but marquetry became less evident. English craftsmen, antique claw foot dresser having acquired foreign skills, wooden hasps adapted these to their own style.
Queen Anne walnut ta Ilboy, 1770 antique blanket chest lock 1710-1720.
EARLY GEROGIAN
George I and early years of George II until about 1730; mainly a continuation of the Queen Anne style, concealment marble in europe but rather heavier. Clawand-ball feet became the fashionable termination of the cabriole leg. Architect William Kent designed Italianate baroque furniture as a dramatic contrast to cool Palladian interiors.
MID-GEORGIAN

George 11, serpentine antique white sideboard 1730-60 and the first years of George 111. Mahogany replaced walnut as the fashionable wood. In 1754, chamberlain and co porcelain marks Chippendale’s designs appear; Ince and Mayhew’s, french rococo round end table 1759-62. Ribbon-back chairs, anglo indian furniture ornate gilt mirrors and console tables expressed the English interpretation of rococo. Some designs closely followed French (Louis XV) fashions. Chinoiseries popular. Gothic style revived.

LATE GEORGIAN
The George III period lasted from 1765 to 1800, porcelain neoclassical french vases but the term is sometimes extended back to 1730. First came the neo-classical style led by Adam – vertical lines, antique cachepot chinoiserie ovals, british united clock co wooden mantle circles, lichte-wallendorf white vase columns, small crown gold brooch with ruby and emerald urns, history of hardware english antique cabinet door hinges dating age disciplined carving, louis majorelle chair gilding and painting related to the Louis XVI style. Designs by Hepplewhite appear 1788, rockingham rhinoceros finials those of Sheraton 1791-4, art deco tambour front cupboard london providing a domestic, small george 111 dining table middle-class version of neo-classicism.
Gilded side-table in the style of William Kent, russian imperial malaquite furniture about 1750.
Mid-Georgian Chippendale-style mahogany chair, 80 year old round oak claw table antique about 1750.
Sotheby , antique card table with cabriole legs carved knees Late-Georgian Hepplewhite-style mahogany chair, jacobean antigue furniture about 1780.
REGENCY AND GEORGE IV
About 1800-30. Sometimes included with Late Georgian. Furniture has much in common with French Empire style. Greek, trestle table pullout Roman and Egyptian models used — sabre legs on chairs, advantage and disadvantage of tudor ( arches) lion monopodia, early sevres pottery sphinx mounts. Thomas Hope and George Smith head the list of designers, how to clean inlaid brass antique some featuring a second Gothic revival; also Chinese and Indian styles.
Regency rosewood secretaire, czecho slovakia identification marks in French Empire style, glass mould design about 1820.
WILLIAM IV AND EARLY VICTORIAN
Much furniture made 1830-50 was still neoclassical, period for bentwood chair? but heavier than Regency; some affinity with Charles X (French Restauration), billiet and roblin paris Biedermeier in Austria and Germany. Parallel with this are the Gothic revival led by Pugin and the rococo revival by commercial manufacturers making balloon-back chairs, english r. w. winfield brass bed asymmetrical chaises longues on cabriole legs. Increasing use of machines.
MID-VICTORIAN
The Great Exhibition at Crystal Palace, 1935 bing dining tables 1851, english style mirrors brought Continental exhibitors to London, triple stand for small decoration stimulating an eclectic taste for revivals of almost all historic styles, cupboard arches and imitated in poorer quality, painted display cabinet mass-produced furniture. Massive dining and bedroom suites; but parlour pieces more elegant, mahogany chest screw press with some sofas and chairs fringed and deep-buttoned in Napoleon III style. There were serious attempts at reviving medieval craftsmanship by reformers, small pices of glass for decoration such as Morris, carolean chair leg Burgess, antique ormolu candlesticks Talbert.
Godwin experimented with Japanese concepts.
Mid-Victorian rococo-style mahogany extending table, fretwork style bookcases about 1860.
LATE VICTORIAN, burled mahonogy veneer ART NOUVEAU AND EDWARDIAN
Heavy Victorian styles persisted until about 1910, desk with brass handles from the 30s along with reproductions of English, antique buffet chippendale French and Italian historic types, 1920’s queen anne revival dining chairs but the Arts and Crafts Movement, art deco secretary led by Mackintosh, voigt brothers figurines Ashbee, oak refectory tables carpenter Baillie Scott and Voysey introduced new ideas in sympathy with some aspects of European art nouveau, table-dining; victorian, oak, circular, 5 leaves, columnar standard, splayed legs, paw feet to which are often married commercial products that are partly an offshoot of the Edwardian revival of Sheraton styles in mahogany with inlaid decoration.
Oak buffet by M.N. Baillie :Scott, antique chair types barley sugar eclesiastic about 1897.
MODERNIST AND ART DECO
The period between the two world wars, swan neck cornice secretary marked by genuine desire for greater simplicity and honest, antique louis xv candelabra 1750 economically made furniture of the type produced by Heal and Russell, antique porcelain drop leaf table but in competition with mass-produced junk on the one hand and finely made but expensive products on the other. The term Art Deco — like most stylistic labels — was unknown at the time the furniture was being made. It derives from the 1925 Arts Decoratifs exhibition in Paris, antique metal tripod tray table and only came to be applied to the style in the 1960s.

Four English designers - Chippendale, rococo over the mantel mirror Adam, insect butterfly cabinet paris museum style Hepplewhite and Sheraton
English furniture of the second half of the eighteenth century was dominated by four ‘giants’ Chippendale, antique chippendale sideboard Adam, distressed round wooden tables, england Hepplewhite and Sheraton. In a resume of this size a brief look at the work of these men should be enough to show the very great heights to which English furniture rose in the period. But any further study must include examination and appreciation of the work of other extremely fine designers and craftsmen of the time, rectangular drop leaf dining table such as Kent, antique 3 drawer commode Vile, steinzeug pottery Cobb, cupboard neoclassical Ince, round mahogany antique dining table los angeles Mayhew and Linnell, antique drum table restoring leather inlay not to mention the creative work of a number of gifted and imaginative architects.
Thomas Chippendale was born in Yorkshire in 1718. By 1748 he was in London in business as a cabinet-maker, 20th century hepplewhite style sideboard and five years later he moved to a house in St Martin’s Lane, seventeenth century english wood carving which he occupied until his death in 1779. St Martin’s Lane was an astute choice, kakiemon tripod candlestick for two of the country’s top painters lived there, antique sideboard uses Sir Joshua Reynolds and Sir James Thornhill, antique dresser/cabinet made by los angeles furniture co. the patron of Hogarth. In 1754 Chippendale produced a book of furniture
designs called The Gentleman and Cabinet Maker’s Director.
It was not the first work to contain designs for furniture, j.w.benson carrage clocks as de Vries and Ducerceau (see pages 27 and 30) among others had produced design books, antique military chest of drawers but it was the first to consist entirely of drawings of furniture by a furniture-maker, antique buffets identifying and it was an instant success. It was reprinted the next year and again in a larger edition from 1759 to 1762, frederick james halnon and it had a decisive effect on English styles for at least a decade.
At this time English furniture-makers were dabbling with Rococo designs and also with Chinese and Gothic styles. Chippendale adopted all three and modelled them in a sharply individual manner. He adorned his
furniture with exquisite fretwork in the Chinese taste, steel cabinet cabriole legs employing it for the edges of tables, mahogany desks edwardian doors of cabinets, louis 14 ceramic inlaid boudoir tables canopies of beds. He also designed Chippendale four-poster bed in the Chinese style, verlys with pagoda top, italian cupboards now at Badminton House, lamp manufacturers, f in hexigon, deco era Gloucestershire. This style of furniture was popular in the mid 18th century and sometimes executed chairs in the Gothic taste, kidney-shaped over the chair tray tables with ecclesiastical-type splat-backs and top rails. He decorated some pieces after the French manner with Rococo motifs, rouenpottery combining shell ornaments with his own ideas. Principal pieces in his Rococo style were chests of drawers, calamander brass inlay sofas, plinth bronze bust china
cabinets, carved medieval lion mask writing tables, friezes cupboard dressing tables and bureau-bookcases. They were made chiefly of mahogany of the best grain and figure, georgian pie crust pedestal end tables which looked marvellous after waxing and polishing. The styles he devised were often
such that the ordinary country carpenter could emulate with little difficulty, 1920s reproduction settee set even if without the exquisite refinement of the master craftsman. This is why there is so much furniture today which is described in sales and shops alike as Country Chippendale. It was copied in his time and it has also been ever since.
Chippendale himself appears to have made very little furniture, barley twist antique chairs 1700’s and only a few pieces can safely be ascribed to his hand, 5 legged gateleg table through bills made out by him to purchasers. The Chippendale armchair in the Gothic taste
owner of Nostell Priory was billed by Chippendale for a table for 72 10s. Chippendale ceased to hold the centre of the stage after the advent of Adam in the decade 1760 to 1770, origins of the chicken coop chair but, antique oak and bamboo settee quick to see which way the wind was blowing, antique chaise lounge styles scrolling head and foot rest he accepted commissions from Adam to make furniture in the Neoclassical style, directoire breakfront which Adam was pioneering in architecture and furniture.
Robert Adam was born in Scotland in 1728, dressing table chairs old brass the son of an architect. He and his three brothers studied under their father at Edinburgh. Then in 1753 Robert went to Italy to continue his training, cama de bilros and he fell under the
spell of the new Italian ideas which derived directly from the recent discoveries at the excavations at Pompeii and Herculaneum. He got to know Piranesi who by his etchings had done so much to popularize the Classical Revival. Adam grasped the importance of relating interiors to exteriors of buildings, rene lalique porcelain lamps with nude women and when he returned to Britain in 1758 he had already formulated a whole series of new ideas of architecture and schemes of interior decoration. We are not concerned here with his architectural ideas (see Architecture in the all-colour paperbacks series), dining chair with wide center splat but in decoration he based his modes on ancient Roman motifs, antique campaign box such as strings of flowers, antique round split pedestal dining table formal shell ornaments, empire sideboards palm leaves and disciplined scrolls of foliage. He produced a vast number of drawings, victoria s roll desk many of which are now in the Sir John Soane’s Museum, beau mercier watch lady’s baumatic London. They included a whole range of items of furniture, antique corner hutch pine which were only part of the whole interior of a house.
Adam was commissioned both to design and build new houses and decorate them, antique claw foot double pedestal table and to redecorate existing ones. Among his important works were remodelling Harewood House and Nostell Priory in Yorkshire and Syon House and Osterley Park in Middlesex. At Osterley he commissioned Linnell to make furniture, baloon back chairs round cane seat including a pair of bow-front commodes in the Neo-classical style. Occasionally, 1630 english gothic hall chairs Adam furniture was painted to fit into the general colour schemes of his rooms, identifying 19th century cane chair types some of which were executed by such distinguished artists as Angelica Kauffmann and Cipriani.
Adam chairs had new forms, robert rutland spoons straight tapered turned legs, claw leg cherrywood dressers fluted, antique english windsor chairs reeded or plain. Backs were often oval within a plain wood frame, french stile chair legs the wood being mahogany or beechwood. The
influence of French ideas was here and there evident, antique drop leaf oak table with trestle footed although nothing displaced the predominance of Adam’s own individuality. One of the finest emulators of his ideas was George Hepplewhite.
Hepplewhite is something of a mystery. His beginnings are unknown and his date of birth unrecorded. He learned the trade of cabinet-making in Lancashire and set up in business in London. He was active from about 1775 to his death in 1786. Two years after his death his widow published a book of his drawings of furniture styles called The Cabinet-Maker and Upholsterer’s Guide, ballon back chairs and it was this which made him famous. It was the first book of its kind since Chippendale’s Director. It had nearly 300 illustrations, antique german cupboards a great many of which reveal the influence of Adam. Much of the furniture is designed to be made of mahogany, 1920 dining sets with satinwood inlay, antique oak tallboy dresser or marquetry in the French manner.
Many of Hepplewhite’s designs were not unlike those of Chippendale’s later years. These were less classical than Adam styles, pull sides antique expanding table and curves abounded, half moon pedestal desk-biedermeier especially in chests of drawers’ fronts and feet, what are a set of six silver apostle spoon worth cabinets, antique royal worcester potpourri jar h and chair
backs. It is for chair backs in fact that Hepplewhite is best known, bronzes de m.bouval although
Tnis bow-fronted satinwood commode, antique qashqai rug one of a pair made in the Adam manner by Linnell in about 1770, antique french art deco club chair is at Osterley Park, biedermeier sofa Middlesex
Two designs for chairs with shield-backs, antique table with roman engraving on wood below glass top from The Cabinet-Maker and Upholsterer’s Guide, china cabinet, 1930s, danish, blonde wood, weight published by Hepplewhite’s widow in 1788
Armchair designed in the Adam style for the drawing room at Saltram House, antique bail oval handle Devonshire, style buffet fluted legs in about 1770. The ornament beneath the front seat rail is an unusual form of English decoration
he might well have wished otherwise, antique, buffet, doors for his solid piece are very beautiful indeed. Many different chair backs figure in the book, breakfront bookcase and bar the most popular being the shield-back with < variety of splats inside. One favourite
inside pattern rang( incorporated Prince of Wales ostrich feathers. The chair: have square or turned legs, escritoire antique oak the former sometimes with spade feet.
The variety of Hepplewhite pieces was extensive: ward. robes, antique bottles with gold leaf decoration with or without oval door panels of satinwood, georgian mahogony sloped front bureau bookcase with or without three or four drawers underneath; chests of drawers sideboards in many shapes and sizes, antique red dutch table
bow-fronted, victorian washstand straight or serpentine; sofas with upholstered backs and sides, south carolina stoneware jug decorated of with backs formed by three or four splat-backs joined in a row; card tables with fine inlay or marquetry; Pembroke tables, rococo england chippendale s-curve with rectilinear flaps with rounded ends or serpentine edged flaps, george 11 carved mahogany side table inlaid or banded in satinwood. Not one piece of furniture, 2 pedestal antique 1800 century however, antique furniture book exists that can be ascribed definitely tc Hepplewhite as the maker, mahogeny wood drop leaf dining room table and in his own time he enjoyed no fame. And yet, myott son & co shakespeare if comparisons are permissible, antique dresser / carved leaf handles Hepplewhite furniture is finer and more graceful than Chippendale.
The last of the giants was Thomas Sheraton, bronze archer figure a man of violent opinions and with little tolerance of other mortals, small box hasps who lost his reason in the last years of his life. He was born at Stockton-on-Tees in 1751. He studied as a draughtsman-designer and journeyman cabinet-maker. For a while he made a precarious living, maghogany pie crust shelf two-tier claw supplying designs to other cabinet-makers. He does not appear to have had either shop or workshop in London, curly maple antique chest of drawers nor is there any furniture that can be attributed to him.
Between 1791 and 1794 Sheraton published a book of furniture designs, period furniture company italian chest in sections. It was full of advice and also of criticism. He considered that Chippendale styles were antiquated and that Hepplewhite styles had
‘caught the decline.’ There is no doubt, early oak coffer 1725 however, antique game tables from 1930s about the very high quality of his own designs, english walnut stool which were in many respects more original. This is abundantly evident from the many pieces of furniture that were made
according to his designs in his time and afterwards. Sheraton preferred delicate furniture, tambour desk for sale which was light in colour, old victorian 8 drawer mahogany dresser including painted pieces, antique french renaissance style trunk for linens and valuables-oak late 1700 and he specified that many items were best made in satinwood or other light tropical woods. His designs are straighter than Hepplewhite’s
and so closer to Adam. They had a strong influence on furniture at the end of the century, silver toilet set not only in England but also abroad.
Sheraton designed a number of intricate pieces, antique german blue white pitcher 1700’s some of them for women, small antique half table such as small graceful cylinder-top desks, louis xiv style dining room 1880 oak dressing tables, south carolina stoneware jug decorated work tables and games tables. The mahogany used was often brought into relief by light inlay or banding in satinwood. In particular, antique cedar chest value july 25th 1929 his chairs were favoured in most large houses. The backs were straight rather than curved, antique curule chair square rather than oval, large modern dining tables from france and often in-filled with classical motifs. A series of six designs illustrates this theme.
One piece of furniture with which Sheraton is associated, kashan trefoil but which he did not invent, splayed reeded leg was the Carlton House table. It is an unusual and very fine article, blue cut glass pair lustres especially if made in satinwood.
Sheraton spent the last years of his life writing about furniture, oak dining room chairs 1800 not overlooking opportunities of criticizing both predecessors and contemporaries alike, small chest made from ivory with sustained impatience. The increasing instability of mind which in the end rendered him insane is reflected in his last works. Despite his very great skill and originality and his high reputation he died impoverished in 1806. And with him died the last major individual influence in English furniture history.
Serpentine-fronted Hepplewhite style sideboard of the late 18th century

English Regency Style Furniture
The principal characteristic of Regency furniture in England was a revival not only of the classical forms of Greece and Rome but also of the styles of the ancient world generally. In this the designers and
furniture-makers were not original; they were interpreters of older styles which in themselves had been classical. The furniture of the Regency period can in fact be divided into Greek and Roman, antique rockingham china ancient Egyptian, bergere rococo
Chinese, the last in bed to put out the lightantique Gothic and even French schools of design.
The Regency period, silver tankards antique with medallions like that of the Regence of France (see page 46), roccocco standard lamps covers a number of years in excess of the actual duration of the Prince Regent’s official term, antique dining chair windsor came bottom nine spindle and extends in the case of England from about 1795
to about 1830. Ironically, antique marquetry chair types too, 18th-century french louis xvi-style armchair machine made the majority of the aspects of Regency furniture were not in line at all with the Regent’s own preference for Chinese fashions with brilliant lacquer and ornate gilding.
A prime mover of the Regency style was the architect Henry Holland who redecorated Carlton House for the Regent and Woburn for the then Duke of Bedford. He adopted French Directoire styles, makers of military chests 1800’s and employed some
French craftsmen who had left their country during the Revolution, antique chairs with queen ann leg but he merged the Directoire influence with his own interpretation of classical styles and the result was a great improvement. Bronze and stone pieces of furniture, antique georgian corner cabinet bowed or remains of these, captain’s desk with turned columns such as couches, oak barley twist leather top game table stools, victorian button back library chair by gillow tripod tables, tall back inlayed antique chairs etc., turn of the century oak side by side china/ buffet which had been found in Pompeii, fobbar 1,0 skin were now interpreted in wood by the cabinetmakers, thonet poland bentwood rocking chair and the popularity of these revivals soon spread. The principal woods used were rosewood and dark mahogany, roberts and belk toastrack and these rich colours were accentuated by bronze or brass mounts or brass inlay. Pieces made were severe and rectilinear. Couches and sofas were commonly made, us government writing table walnut oak and so were sabre-legged chairs in the manner of the ancient Greek klismos (see page 11). Round-top tables on single stalks, 19th century antique empire-style sideboards known as monopodial, 1907 silver salt cellar with huge areas of plain surface, roll top bureau edged with brass inlay, guilloche urn clock were in demand. Unbroken lines, 17th century oak enclosed chest of drawers reeding and fluting where accentuation of structure was important, queen anne hotel brussels and details such as lions’ feet were major features.
An interest in Egyptian motifs derived largely from fascination with reports of Napoleon’s campaigns in that country, 18th century dutch stoneware and Nelson’s great victory over the French fleet at the Battle
of the Nile in 1798. Furniture began to display sphinxes in all sorts of places; at the tops of legs on desks and tables, used mahogany shield back dining chairs as capitals to pilasters on mirrors and cabinets, oak drum table and Egyptian carvings and hieroglyphics were
reproduced along friezes under cornices. Some chairs were adorned with Egyptian heads forming complete vertical pieces from the arm to the leg top.
The Carlton House writing table was not invented by Sheraton but he produced designs for it in his books. This one is of satinwood Very fine Regency rosewood circular table, small antique table turned top and legs about 1816, oak clawfoot table and chair set with brass inlay. The large undecorated area illustrates the splendid figure of this wood.
The English never lost their enthusiasm for things Chinese, antique celestial globe and in the Regency period the Chinese taste flourished, sideboard tapestry antique largely through its popularity with the Regent. It has been said that the Chinese style provided an
escape from the five orders of Western architecture. Whatever the reason for its success, longwy primavera certainly the Regent had the Royal Pavilion at Brighton remodelled with strong emphasis on Chinese styles. The black and gold
lacquered bed there is a good example of the happy mixture of Chinese and Western styles.
There was also a revival of interest in the Gothic style, dynasty heritage green rug particularly following the publication of George Smith’s book Household Furniture and Interior Decoration in 1808, antique table folds up to desk size which contained a great variety of Gothic designs for chairs, antique long slender table with medallion columns and claw feet sofa tables, william and mary dresser black pear drop pull canterburies and bedroom furniture.
It should, antique card tables value however, silk karpets tabriz be stressed that most of the Regency years were lean ones, claw foot 4 drawer desks not least because of the heavy expenditure on the Napoleonic wars. As a result such luxuries as carving on wood, gilt bronze plaster bust marquetry, antique silver basket shapes or high
quality gilding were rare. More emphasis was put on the woods themselves and their fine graining.
Despite the shortages, chateau des tuileries porcelain there was little limit to the range of Regency sofa table in rosewood, adam style chaiselonge made in about 1810, english neoclassic interiors and now in the Royal Pavilion, oak clawfoot pedestal table Brighton pieces made, antique italian small round table such as sofa tables, bookcases with paw feet a great speciality, how to remove gesso from old picture frame dining tables with or without extension pieces, bow fronted corner cabinet Pembroke tables, restoring mahogany veneer nests of tables, red upholstered louis iv chair card tables, 1920 william and mary antiques library steps, trafalgar copenhagen antique furniture sideboards, empire stlyle slant top desk dumb waiters, buffet w/ table & chairs 1850’s what-nots, scarlet japanned chinoiserie furniture canterburies, carved lions head english dining firescreens and music stands. Chairs showed a variety of leg styles : sham bamboo, jacobean settle history lion’s leg, nancy ashtray plain and turned, moorse bros ceramics with no mark scimitar, antique clawfoot occasional table feathered eagle claw, mahogany pembroke table cabriole with acanthus knee. None was so popular as the Trafalgar sabre-leg chair, classic oak table 6 chairs italy so called because it reached its first general favour in the year of the great naval victory, dutch silver basket when the back sometimes incorporated a rope design to signify the sea. Usually made of beechwood and often painted, doucai ming these chairs were copied in one form or another for generations afterwards, kidney desk antique and still are today.
Regency gave way to English versions of Empire, leather button back wood armes settee 1820 1890 then Gothic and Victorian, antique watches and chains which are not part of this work.
One of a set of six rope-back beechwood Regency Trafalgar upright chairs, antique chair with high arm one side of about 1810. This style of chair, myott son mark with variations in the back design, wood table with brass feet enjoyed popularity for some time, bohemian china czechoslovakia and has been successfully reproduced ever since.