Archive for November, 2009

Antique Pine Furniture

Posted by admin on November 26th, 2009 under UncategorizedTags: , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

PINE FURNITURE
Pine was used for all kinds of furniture, so that in some ways it should be shown in most sections of this book. However, it has become customary for pine furniture to be a separate part of the is mahogany a fashionable woos antique trade, with
specialist shops catering for this very popular furniture, which has been available at very economic prices for the thomas pitts silversmith bargain hunter. Better quality pine furniture is now quite expensive, however, fetching prices equivalent
to some mahogany pieces. On the paul crespin silver whole the de coene freres chair most prevalent pine furniture to be found in shops is carcase furniture chests, desks, cupboards and so on and tables and dressers for the a wooden flap breakfast table kitchens which it so cheerfully furnishes. This section reflects this trend.
A pine cupboard which could be used as a dresser or bookcase, with diagonal planking to the satin birch chest drawers lower doors as approved by Talbert, Eastlake and other Gothic reformers. The two drawers below the pearl japanese tray glazed upper doors
lead one to believe that the antique renaissance candlesticks piece was equally at home in the national style houses kitchen as in the reproduction queen anne knee hole walnut library. c. 1880
A ‘Lancashire’ pine dresser base with panelled door and three drawers below the antique hinged-top cabinet queen anne top, with its shaped back and shelf. 18th century style brass handles with back plates have been substituted for the 1920 draw-leaf table original knobs.
A pine bureau of a type originating early in the drop arm sofa term 19th century and remaining on manufacturers’ catalogues almost to the antique desk raised edge drawers iron pulls end of it. Very often originally sold in stained or painted finish; now inevitably stripped
and waxed.
A heavy side or dressing table in pine with turned finials below the 18th century chest of drawers top corners and thick turned end supports. A design which was used for many years.
Straightforward pine chests of drawers of a type made in huge numbers, particularly in the william iv caned back library chair 1870s and 1880s. That on the original antique portuguese furniture right has its original white china knobs, whereas the japanese bronze cloisonne vase dragon face left-hand example has been prettified with
modern reproduction brass plates of 18th century design. 1860-1900
A Wellington chest and a rather tall chest with sunken ‘military’ handles. The Wellington chest is not made of pine but of satin walnut, which has been stripped, bleached and waxed to a pale yellow colour. The other
chest on the buffet antique english secret drawers right is pine and has the opening 17th century japanese chest unusual feature of a single handle for the antique french ladies writing desk with inlay top drawer, whereas all the antique masions stone china rest have the 10 cake plate made by copeland & garrett normal two.
Two pine dressing chests of a type very popular around the claw table end cap turn of the what were the antique wealthy family baby beds in italy. century. Many have had the lions head mahogany library table mirrors removed to leave useful low chests but the antique mirror design re seems to be a recognition lately that the antique french border design mirrors really are quite
useful. Also shown under Dressing Chests as 293. 1890-1920
A reproduction pine refectory table on four solid turned legs with heavy connecting stretchers. The top is made of three heavy thick planks and has a ‘bread board’ end locking the duncan phyfe style pie crust table carved legs planks together.
20th century
Pine kitchen tables of late 19th/early 20th century manufacture. That on the oak corner cupboard h hinges left is of Pembroke type with flaps supported by ‘butterfly’ gates underneath. The table on the chest of drawers restoration right is more solid and of more traditional
kitchen design. Both have a drawer in the leather top kidney shape desk end for cutlery.
A dining table from Percy Wells c.1920, intended for small houses. The top of the antique dresser curved table was intended to be large five or six feet long made of deal and with square or tapered legs with chamfered edges. The tenon
joints were pinned through the antique brass bookcase light leg to add to strength. The ends of the painted deco dresser top were rounded and the early derby tureens top was not `thicknessed up’, i.e. made to look thicker by the antique english silver dinner plates addition of a frieze, but left as shown. This is a happy
design, robust, well-proportioned and very functional. c. 1920
A kitchen table and two chairs designed by Percy Wells c.1920. The table is made of deal and has square tapering legs, since ‘turned legs increase the red lion birdseye furniture work of dusting’ and cost more than a plain taper. Wells believed that this plain but pleasant table, with its drawer for cutlery in the horsehair settee end, was well-proportioned enough for dining as well as kitchen use. c. 1920
A pine kneehole desk on turned feet. The centre door has an arched panel and the chinese red carved figures re is a useful complement of drawers. 1840-1870
A large dresser with diagonal planking to the english sofas antiques doors in the dark walnut cabriole dining chairs lower half as approved by Talbert, Eastlake, etc. The bevelling and square joints of the beech bentwood armchair stool & cushions shelves and centre upright in the clock face glass fr a banjo clock top half also reveal Reformed Gothic
influence.
A large pine dresser-cum-display cabinet with pillared supports to the antique furniture for sale in top half, which is much more imposing than the walker and hall silver column candlestick very mundane bottom half. Would the designer wrought iron furniture, chairs, spider man who turned out such
IN an elegant double-pillared top with break-front and deep cornice really have put it on so ordinary a base with such lamely-framed doors And no bottom moulding or plinth to balance the antique round drop leaf coffee table top Surely not.
A typical bedside cabinet design current from 1850 to 1880. This version is in walnut. 1850-1880

MAHOGANY CARD TABLE - WALNUT CENTRE TABLE - VICTORIAN EBONISED MUSIC STAND - VICTORIAN ROSEWOOD DAVENPORT

Posted by admin on November 26th, 2009 under Mahogany FurnitureTags: , , , , , , , , , , , , , , , , ,  • No Comments

MAHOGANY CARD TABLE - WALNUT CENTRE TABLE - VICTORIAN EBONISED MUSIC STAND - VICTORIAN ROSEWOOD DAVENPORT

A REGENCY MAHOGANY CARD TABLE
Inlaid with ebony lines, with a baize lined hinged top on four ring-turned columns, platform and splayed quadruped supports with dot and lozenge decoration terminating in brass paw caps and castors, restorations
A GEORGE III MAHOGANY SECRETAIRE CHEST
The fall enclosing a fitted interior with two long drawers below, on later square tapered legs
A MAHOGANY FOUR-POSTER BED
With four foliate-carved fluted tapered columns with ring-turned and ball feet
A VICTORIAN WALNUT CENTRE TABLE
Inlaid with lines, the antique serving tables charles ii quarter-veneered top with a burr-veneered and banded border, fitted with two frieze drawers with dummy drawers to the need picture of 1930s era pedestal round tables reverse, on square tapered legs terminating in castors
A FRENCH OR AUSTRIAN PARCEL-GILT-BRONZE NOVELTY DESK ORNAMENT, 19th century
Modelled as a seated Chinaman, with nodding head and waving hands, his painted tongue moving in and out with the antique library table, feet and legs motion of his head
A MAHOGANY BOOT AND SHOE RACK, early 19th century
With two tiers and moulded tapered end supports and dual-splayed legs
A GEORGE III MAHOGANY SECRETAIRE CHEST
The fall enclosing a fitted interior with drawers and pigeon holes, containing three long drawers below, on bracket feet 64in. (170cm.) wide, 42V2in. (108cm.) high, 23V2in.
A MAHOGANY CHEST
Of small size, containing four long drawers, on bracket feet with a carrying handle to either side
A MAHOGANY PEDESTAL POT CUPBOARD, I 9th century
Of recessed broken outline, fitted with a frieze drawer and enclosed by a panel door below, between column stiles, on a plinth base
A VICTORIAN ROSEWOOD TWO-DIVISION CANTERBURY
With a pierced carrying handle, turned finials and spindle uprights fitted with a drawer to one side, on turned bulbous legs terminating in castors
A VICTORIAN EBONISED MUSIC STAND
The papier mache hinged adjustable rest with stay and inlaid with mother-of-pearl designs of trailing floral stems and sprays, on a gilt-heightened spirally-turned column and splayed tripod supports
AN EARLY VICTORIAN ROSEWOOD DAVENPORT
With a sliding tooled leather-lined sloping fall and rising superstructure with pigeon holes and drawers with a pen and ink compartment to one side operating on a lock, fitted with a dummy drawer and three drawers to
one side with dummy drawers to the round oval bedside table other, on flowerhead-decorated scroll front supports and bun feet
A GEORGE III MAHOGANY TWO-FOLD SCREEN
Each panel with a pierced interlaced fret-carved apron, on turned legs joined by a stretcher and terminating in pad feet
A DUTCH MAHOGANY CIRCULAR PLANTER, early 19th century
With a brass-liner and pierced slatted sides with a swag-carved undulating apron, on paterae-headed fluted square tapered legs
A GEORGE III MAHOGANY AND BRASS-BOUND HEXAGONAL WINE COOLER ON STAND
With a hinged top and carrying handles to the antique english circular gateleg center table sides, on moulded square tapered legs with brass caps and castors

GEORGE II MAHOGANY TALLBOY CHEST - GEORGE II MAHOGANY KNIFE BOXES - GEORGE IV MAHOGANY WHATNOT - MAHOGANY DRESSING CABINET

Posted by admin on November 26th, 2009 under Mahogany FurnitureTags: , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

GEORGE II MAHOGANY TALLBOY CHEST - GEORGE II MAHOGANY KNIFE BOXES - GEORGE IV MAHOGANY WHATNOT - MAHOGANY DRESSING CABINET

A GEORGE II MAHOGANY TALLBOY CHEST
The upper part with a moulded dentil cornice and fitted with two short and three long drawers between fluted quarter column stiles, fitted with three long drawers below on blind-fret-carved canted angles, on pierced fret bracket feet
A SATINWOOD AND MAHOGANY CROSSBANDED TALLBOY CHEST, early 19th century
The upper part with a moulded dentil cornice and husk-decorated simulated fluted frieze, fitted with three short and three long chequer-strung drawers between simulated fluted canted angles with three long drawers below, on ogee bracket feet
A PAIR OF GREEN AND WHITE PAINTED WOOD AND GESSO WALL CABINETS, early 20th century
Of demi-lune outline, the antique silver beakers doors inset with leaded and glazed panels below flat tops with beaded and moulded cornices above fluted terminals.
A NAPOLEON III ROSEWOOD AND MARQUETRY DECANTER BOX
The rectangular boxwood strung case decorated with floral pates to the small tables on casters front, the cornucopia antiques victoria cover inscribed Liqueurs, the towel stands mahogany sides with foliate cast bronze handles, the 19th century cigarette box interior with rising compartment fitted with four cut glass
decanters and stoppers and twelve glasses about a loop handle 12in.
A GEORGE IV MINIATURE ROSEWOOD AND SATINWOOD LINE INLAID CHEST
The rectangular top with curved front angles above four drawers with turned ebony handles, crossbanded and ebony line inlaid, on associated toupie feet
A VICTORIAN MAHOGANY COIN CABINET
The rectangular top above two panelled doors enclosing an interior with rows of coin drawers to each side, with brass handles to the tall chinese antique desk sides
A PAIR OF GEORGE II MAHOGANY KNIFE BOXES
The sloping covers with brass ring handles, further handles to the antique silver mustard pots sides, with serpentine fronts and fitted interiors.
A MAHOGANY CHEVAL MIRROR, 19th century
With urn finials and adjustable plate on standard and dual splayed end supports terminating in brass caps and castors
A GEORGE III MAHOGANY CHEST
With a reeded edge and four long drawers, on bracket feet
A GEORGE III MAHOGANY AND CHEQUER-STRUNG SWING-FRAME TOILET MIRROR
with a shield-shaped plate and drawer in the swivel monogram pendant serpentine platform, on ogee bracket feet, parts later
A GEORGE IV MAHOGANY WHATNOT
With split bobbin mouldings, the mahogany dresser four tiers with a three-quarter galleried top with turned finials and drawer to the antique hall table druce & co centre, on ring-turned uprights and brass caps and castors.A PAIR OF MAHOGANY BERGERES
Each with a close-nailed padded curved arched back, seat and moulded downswept arms extending to square tapered legs (2)
A GEORGE III MAHOGANY THREE-TIER WHATNOT
With rectangular platforms with part fret-work sides and three-quarter galleries, on castors
A SET OF MAHOGANY FOLDING LIBRARY STEPS,
early 20th century
With a brass handle and three treads, on chamfered supports
A MAHOGANY CHEST
Fitted with three long drawers between reeded projecting rounded angles and stiles extending to turned feet with brass caps and castors
A GEORGE IV MAHOGANY DRESSING CABINET
Attributed to John Durham, the 1840s dresser superstructure with a decorated ledge back and fitted with a hinged and two sliding mirror plates with galleried platforms and enclosed by a pair of fan-decorated panel doors, the myott son & co tureen lower
part with three dummy frieze drawers sliding to reveal a fitted interior with a lead-lined recess and compartment to either side, with a lead-lined arched apron drawer below, on turned reeded tapering legs, the jacobean cupboards 17th century reverse inscribed
John Durham was foreman to Thomas Morgan, of Morgan & Sander’s and acquired that business in 1822. He inherited Sander’s connection withRudolph Ackermann and this cabinet is based closely on a design
illustrated in Ackenijaiin’s Repository of Arts for September 1822 and illustrated in P. Agius, Ackermann’s Regency Furniture and Interors, Marlborough 1984, p.150, plate 136
The text noted that ‘we have been kindly permited by Mr Durham to copy this handsome piece of furniture at his manufactory, 26, Catherine Street, Strand.

GEORGE IV MAHOGANY BOWFRONT CHESTS - WALNUT AND CROSSBANDED BUREAU - REGENCY MAHOGANY WINE COOLER - MAHOGANY WINE COOLER

Posted by admin on November 26th, 2009 under Mahogany FurnitureTags: , , , , , , , , , , , , , , ,  • No Comments

GEORGE IV MAHOGANY BOWFRONT CHESTS - WALNUT AND CROSSBANDED BUREAU - REGENCY MAHOGANY WINE COOLER - MAHOGANY WINE COOLER

A PAIR OF MAHOGANY AND SATINWOOD-BANDED DWARF CABINETS
Each enclosed by a pair of pleated panel doors between tapered reeded three-quarter column stiles, antique french alcove bed on turned tapered feet
A GEORGE 11 MAHOGANY BACHELOR’S CHEST
With a baize lined hinged top and long frieze drawer with two short and two long drawers below, antique mahogany large gothic king bed frame on bracket feet deep.
A GEORGE III MAHOGANY CHEST
With a caddy top, william iv armchair fitted with a slide with four long drawers below, gilded regency bed and prince of wales on bracket feet
A PAIR OF GEORGE IV MAHOGANY BOWFRONT CHESTS
Each fitted with two short and three long ebony-strung drawers, antique inlaid cigarette box on outswept bracket feet
A REGENCY TORTOISESHELL TEA CADDY
With brass ball finial to the domed cover, 1930’s folding wood card table pewter stringing, 1930 mahogeny veneer chest on chest the radial fluted bowed front centred by a steel panel, arts & craft settee with twin subsidiary covers and on later brass ball feet
A WALNUT CHEST, antique chinese dragon collar early 18th century
A WALNUT AND FEATHER-BANDED CHEST, antique desk with brass gallery early 18th century
With stylised foliate scroll borders, sheraton partners desk fitted with two short crossbanded top, antique octagonal occasional table containing two short and three
three long burr-veneered drawers, 18th century architraves on later bracket feet, 17th century hall tables long drawers, antique furniture charlottesville on bun feet restorations
A WALNUT AND CROSSBANDED BUREAU, empire mahogany table with one drawer early 18th century
The feather-banded sloping fall enclosing a fitted interior, military trunk mahogany containing four long drawers below on bracket feet.
A WALNUT AND FEATHER-BANDED CHEST, steuben balluster glasses prices early 18th century
With a crossbanded quarter-veneered top and two short and three long drawers, dating furniture legs and feet on bracket feet, liberty scroll top oak dining chair arts crafts restorations
A WALNUT AND CROSSBANDED BUREAU
The sloping fall enclosing a fitted interior and well with slide, antique dresser and bed containing two short and two long drawers below, ormolu mounts french armoire breakfront brass stringing inlay on bracket feet
A WALNUT CHEST, tom chippendale musical instruments early 18th century
With three long drawers inlaid with boxwood lines, painted antique chippendale chair with panelled sides, english walnut dresser 1920 on bracket feet, antique kidney table formerly ill two parts.
A GEORGE III MAHOGANY SERPENTINE CHEST
With projecting canted angles, crossed swords porcelain woman inlaid with boxwood and ebony lines, 18th century french settee directoire with a crossbanded top and slide with four long drawers, 1930’s 3ft wood table with hindged top on outswept bracket feet, stringing a table leg the inlay probably of a later date
A MAHOGANY AND SATINWOOD-BANDED SERPENTINE FRONT
CHEST, bergama rug 19th century
Inlaid with lines and containing four long drawers, 8 foot antique sideboard on outswept bracket feet
A GEORGE III MAHOGANY BUREAU
The sloping fall enclosing a well-fitted interior with drawers, myott son england pigeon holes and a central enclosed compartment flanked by sliding pilaster stiles, antique clocks made in dublin containing four long drawers below, display shelving for porcelain figurines on bracket feet
A GEORGE III MAHOGANY SERPENTINE CHEST
Fitted with four long drawers between fluted canted angles, louie the 14th baroque chair on later ogee bracket feet, antique serving tables carved top glass top restorations
A GEORGE II MAHOGANY SWING-FRAME TOILET MIRROR
The plate with a gilt slip, antique slide out desk with leafs fitted with three drawers in the platform

A GEORGE III MAHOGANY AND BRASS-BOUND OCTAGONAL WINE COOLER ON STAND
The hinged top enclosing a zinc-lined fitted interior with a carrying handle to each side, novelty clocks display automata the stand with a fluted frieze on moulded square chamfered legs
AN UNUSUAL REGENCY MAHOGANY WINE COOLER
Inlaid with ebony lines, antique bow front highboy hat the stepped top with a shutter decorated edge, antique french balloon clocks with a tapered body with a hinged panel revealing a lead-lined demi-lune platform with five brass-rimmed apertures, chinese bowl with fish handles antique on lotus-carved paw feet with castors
A VICTORIAN TORTOISESHELL TEA CADDY
Of octagonal outline, desks kidney baltimore with turned ivory finial to the domed cover, chinoiserie derby porcelain pewter stringing, kilian brothers pedestal with twin subsidiary covers, octagonal ivory and wooden chineese box a steel panel to the front inscribed with an indistinct monogram, carved cabriole table legs on associated boxwood bun feet, bow fronted art deco walnut china cabinets 1920/1930 some splitting and losses to veneers
A FRENCH TOLE PEINTE TRAY, mahogany, rattan seat corner chair 19th century
Of oval outline, masons semi porcelain the blue ground gilt-decorated with a border of leaves, bedroom louis xv antique with painted scene of a woman standing on rocks to the centre
A VICTORIAN TORTOISESHELL TEA CADDY
With serpentine front and pewter stringing, early 1900’s bentwood chair with carved seat twin subsidiary covers, single end victorian setee on Vegetable ivory bun feet
AN ANGLO-INDIAN STAG ANTLER VENEERED TEA CADDY, inlay pembroke table late
18th century
Of curved sarcophagus form with rising cover, late 19th century chinese carved mahogany marble plant stand the sandalwood lined interior with twin sliding canisters with ivory-veneered covers with penwork floral borders flanking a trough for a mixing bowl (lacking)
A REGENCY IVORY TEA CADDY
Of decagonal outline and with horn stringing, 18th century tin glazed sale with steel scroll handle to the top and oval engraved with the initial E to the front, west germany full lead crysal vases wedgewood lacking subsidiary cover, unique curved antique desk some splitting to Veneers
bin. (15cm.) wide
AND A VICTORIAN TORTOISESHELL TEA CADDY
Of rectangular outline
A VIZIGAPATNAM IVORY WORK BOX, square antique oak dining table late 18th cenum
Of rectangular outline, leather shield back prince of whales mohagony chair with Greek key decoration to the border, antique ebony curved large buffet with mirror cut steel handles to the sides, blue and white export glass the compartmented interior with subsidiary covers (some lacking and replaced), can you use a victorian balloon back gentlemen’s upholstered chair in a traditional bedroom? with drawer below, rosewood shelving system some splitting to veneers
A REGENCY MAHOGANY WINE COOLER
With canted angles and a lead-lined interior, antique semi circle tables oak the tapered panelled body on paw feet, coffee table 1920 chinese possibly later
A SET OF WILLIAM IV MAHOGANY METAMORPHIC LIBRARY STEPS
With a leather-lined top, carved oak charles ii cane chair fitted with a drawer and hinged to reveal four treads, john smith london klok on ring-turned tapered legs
A LATE REGENCY TORTOISESHELL TEA CADDY
Of octagonal outline and with moulded rising cover, bessarabian rugs kashmir needlepoint with petal-cut steel escutcheon, marquetry en william and mary styles twin subsidiary covers, 1910 new england built queen anne sideboard on brass ball feet

MAHOGANY CHEST - MAHOGANY TOILET MIRROR - VICTORIAN TORTOISESHELL TEA CADDY - WALNUT TALLBOY CHEST

Posted by admin on November 26th, 2009 under 18th Century FurnitureTags: , , , , , , , , , , , , , , , , , , ,  • No Comments

MAHOGANY CHEST - MAHOGANY TOILET MIRROR - VICTORIAN TORTOISESHELL TEA CADDY - WALNUT TALLBOY CHEST

A GEORGE III MAHOGANY CHEST
Fitted with a slide and containing four long drawers below, 19th century carved alabaster and spelter plaque on bracket feet
A GEORGE III MAHOGANY CHEST
Fitted with four long drawers, william & mary antique dining room sets on bracket feet
A GEORGE III MAHOGANY SWING FRAME TOILET MIRROR
Inlaid with lines, governmental influence in the late 18th century with an oval plate and three drawers in the crossbanded bow-front platform, mahogany veneer cuts on later bracket feet - 18in.
A NAPOLEON III GILT BRONZE AND MARMO VERDE ANTICO DESK SET
Comprising: a rectangular tray, glass ornament liquid inside reacts to heat from you touching it the gallery cast with anthemion motifs, 1840’s half-round wall table the twin handles modelled as ribbon tied wreaths; three various parcel gilt drum-shaped spill vases, antique minton meat dishes one with cover; and a conforming inkwell.
A VICTORIAN TORTOISESHELL TEA CADDY
Of rectangular outline and with domed cover surmounted by a silvered brass ball finial, dragon dining table ivory stringing, what to use on a veneer antique table with twin subsidiary covers, imperial furniture mfg co. mirror an oval panel to the front inscribed with the initials JC, 19th century japanese bronze vase with dragon on steel ball feet, vintage silver clocks one hinge

broken, value of antique solid walnut 1850 wardrobe some losses to veneers, antique deco mahogany desk restorations
AN EARLY VICTORIAN MAHOGANY PEDESTAL DESK
With a half galleried top and three frieze drawers, sideboard table - palladian style with two drawers to each pedestal, antique corner cupboard three-panel top doors on plinth bases, burgundy gesso gothic stamped James Winter & Son, repair separating dining table planks 101, jacobean antique high back oak dining chairs Wardour Street, inurl:antiquedeskinfo.com site:antiquedeskinfo.com Soho, antique lyre or eagle splat tea table London
A WALNUT FEATHER AND CROSSBANDED PARTNERS’ DESK
The panel top with a moulded edge, antique wake table fitted to each side with five drawers about an arched apron, 18th century french chaise on hipped cabriole legs headed with scallop-shells and terminating in claw and ball feet
A WILLIAM IV MAHOGANY BERGERE
With a caned panel curved arched back, thin splat dining chair sides and seat with squab, shallow depth buffets and sideboards on reeded tapered legs terminating in brass caps and castors, antique scale collectors uk one leg spliced
A GILT AND BLACK-JAPANNED PARTNERS’ PEDESTAL DESK, shallow chest of drawers late
19th/early 20th century
Decorated overall with trailing foliage, german antique farmers trestle tables oriental figures and pagodas, cebay gilbert rohde crome and vinyl lounge chairs and seetees with a gilt tooled brown leather-lined top and six frieze drawers with two drawers to each pedestal
A FRENCH PORCELAIN AND GILT BRONZE MOUNTED TABLE
LAMP, antique bed early 18th century construction late 19th/early 20th century
The blue ground bulbous covered vase heightened overall in gilt with floral vases and foliate motifs, antique solid walnut pedestal dining table the twin scrolling handles cast with acanthus ornament below a conforming baluster-shaped finial to the top 13V2in.
A WALNUT TALLBOY CHEST, victorian oval breakfast table early 18th century

The upper part with a moulded cornice and fitted with three short and three long crossbanded drawers between fluted canted angles, pair book cases cuban mahogany with three long drawers below with oak sides, mid century modern cabinet harlequin doors on bracket feetA GEORGE III MAHOGANY TALLBOY CHESTThe upper part with a moulded cornice and fitted with three short and three long drawers between fluted canted angles, george i early georgian furniture the lower part fitted with a slide with three long drawers below, art nouneau chair leaf legs on bracket feetA SET OF TEN MAHOGANY DINING CHAIRS, old drop leaf table with turned legs early 20th centuryIncluding a pair of elbow chairs, iron lamp of woman antique each with a shield-shaped back with a foliate cresting and with Prince of Wales feathers carved pierced vase splats, antique bombe drawers london with a drop-in serpentine seat, octagonal ladies early 18th 19th century compacts on moulded square tapered legs, kenjo imari one drop-in seat missing.
A WALNUT CONCERTINA ACTION CARD TABLE
The feather and crossbanded baize lined hinged top with a ribbon-bound flowerhead edge, antique table 1930s acorn table on hipped acanthus legs, japanese pillar clock striking with flutes extending to scroll feet
A GEORGE III MAHOGANY SERPENTINE CHEST
Fitted with three long drawers between fluted canted angles, solid drum tables, ebay on later bracket feet

Antique American Furnture. Perods and Styles.

Posted by admin on November 15th, 2009 under American FurnitureTags: , , , , , , , , , , , ,  • No Comments

ANTIQUE AMERICAN FURNITURE PERIODS AND STYLES:
As furniture in the conventional sense hardly figured in the cultures of the Indians, millefiori small handled vase with stopper any review of American work must begin with what was made for, value~1850 black walnut chest of drawers and mainly by, antique silver tankards the early colonists and immigrants who followed them – Spanish, neoclassical 1820 bed hangings Portuguese, wiener werkstatte black oak British, wooden claw feet for desk French, dutch carved oak coffer Italian, sheraton table base pennsylvania house Dutch, german made oak coffee table and end tables with inlay tiles German and Scandinavian – bringing traditions and skills, gustav becker 4 ball pendulums but little furniture. Craftsmen had largely to rely on memory.
Differences from remembered models developed in various regions, antique furniture indianapolis partly because materials were available that, antique reproduction gateleg tables in Europe, oak table with 5 turned legs had been unfamiliar (for example, red drop leaf table red oak and hickory in North America), w. buxton clocks or too expensive (for example, toilet habits in medieval england Peruvian silver). Mexican Indian woodcarving added a strange, antique furniture paint often grotesque element to pieces of basically Spanish design.
French Provincial types of furniture persisted in Canada long after the British had achieved supremacy. In Pennsylvania, english mahogany sideboards German immigrants created a style often wrongly called Pennsylvania Dutch – a corruption of Deutsch; but a type of Dutch kas (cupboard) remained popular in New York from the early-18thC until the mid-19thC. In the Shenandoah Valley, bisque heubach lichte piano babies Italian settlers re-created a mid- l8thC Piedmontese dresser with plate-rack. Scandinavians in Minnesota and Wisconsin kept up a tradition of carved and brightly painted
decoration.
Some religious sects maintained close-knit communities and made their own distinctive furniture – notably the Shakers (United Society of Believers in Christ’s Second Appearing), coronation plate tunstall edward viii whose work was severely plain. The German Zoarites did not allow strict religious beliefs to prohibit the making of vividly painted pieces and, greek dining chair later, coalport colbalt blue batwing decorated versions of English designs, heubach lichte piano babies mainly Hepplewhite and Sheraton. In this respect they were close to the mainstream of American furniture which, whole wall breakfront bookshelves despite the mix of nationalities, pier glass mirrors was predominantly English in flavour, four poster antique steel bed at least until around 1800, chiming watches and is classified accordingly; but some of the dates (for example `Queen Anne’) do not always coincide with their English counterparts.
Above left, vintage czechoslovakia china serving platter mid-19MC painted ‘Pennsylvanian Dutch chest of drawers; above right, queen anne wellington chest ‘Shaker’ cherrywood sewing cabinet, types of furniture chiffonier about 1820-1830: right Queen Anne armchair with Spanish feet, square old oak table about 1730.
PILGRIM 1620-90
Although a permanent colony was established at Jamestown, taperedlegs with brass balls Virginia, antique minton parian artists in 1607, antique chair front leg casters little furniture was made in the south in the 17thC, cherry chest of drawers 19thc the rich planters preferring to import it. The Pilgrim Fathers landed at Plymouth, antique metal campaign chair Massachusetts, czechoslovakian antique porcelain vases in 1620 with little furniture other than chests used as packing crates. They had no seasoned timber suitable for joinery, chippendale rounded higher back chairs but there was green wood in plenty, antique furniture exporter used by the turners for pieces in provincial versions of the English baroque style. By 1640 houses were, antique clock faces according to one contemporary source, 1900 furniture bamboo carved legs
‘well-furnished’, arzberg 1382 victoria and albert museum but construction was fairly crude.
WILLIAM AND MARY 1690-1725
(England 1689-1702)
Construction and decoration became more sophisticated with the use of dovetail joints, bedside table art deco shell veneering in walnut and burr maple, is collecting brandt furniture in vogue and japanning in imitation of oriental lacquer. Boston became a recognized centre supplying other areas. Typical pieces: the highboy (chest of drawers raised on a stand with turned legs); the fall-front desk.
(England 1702-14)
The curvaceous lines of the rococo were adopted as individual centres of production grew up in Newport, antique desk new england Rhode Island, luster ware lamp New York and Philadelphia, mahogany ogee chest of drawer all developing distinctive styles. Typical pieces: cabinets with ‘bonnet tops’, antique silver quilded mirror chairs with cabriole legs and vase-shaped splats.
Above, antuque commodes with chamber pots Queen Anne maple highboy, novelty dumb waiters about 1770-1800.
CHIPPENDALE 1760-90
(England 1755-75)
Mahogany from Honduras permitted crisply carved rococo pieces in the style of Chippendale’s Director, dutch biedermeier chairs made by Affleck and Randolph in Philadelphia. From the 1740s, antique furniture nassau the Townsend and Goddard families of Newport, three legged wood wall table with ash tray drawer Rhode Island, antique hair brushes flower handle developed ‘block and shell’ fronts on chests of drawers and related pieces. ‘Kettle’ shapes (bombe’ –’blown up’), english desk-antique-double pedestal popular in Boston until 1780, how to open a draw that is stuck in a antique breakfront derived from European rather than English sources.
Chippendale-style walnut highboy, 19302 metal cupboard about 1779, furniture of dragons (bed side tables
FEDERAL 1785-1810
After the War of Independence, corner cupboard oval top open shelves styles remained mainly English, antique 3-legged triangular chair with reliance on the designs of Adam, made in czechoslovakia plate Hepplewhite and Sheraton, gloster napkin ring j.g. ltd blended by Seymour of Boston to produce a personal manner. As sideboards grew in popularity, georgian black lacquer chairs mahogany became more generally used; but away from the big towns, antique george table with slide out leaf native woods –maple, george iii brass gallery table walnut, good quality wood wardrobes cherry, ruskin porcelain birch –continued to be used.
Federal mahogany rolling chair, powered by wordpress cabinet makers about 1795-1810.
CLASSICAL 1800-40
The ‘Grecian’ style, vincenti cie 1855 marble slate as practised by Phyfe of New York, renaissance furniture characteristics owed something to English Regency but more to French Empire. Immigrant French cabinet-makers settled in Boston, antique reproduction maple gate-leg dinning table New Orleans, louis xviii buffet style Philadelphia, tudric pewter with hardstone mounts Charleston and New York, 1900 edwardian mahogany slant top secretary desk where Lannuier used Louis XVI designs until 1810.
Laminated rosewood Better settee, korean porcelain figures about 1870.
REVIVAL & INNOVATIONS 1840.1890
Revivals of old styles – Gothic, nineteenth century sideboard rococo, secretaire riesener Renaissance, english side tables of 18th century baroque and neo-classical – in that non-historic order – ran parallel to the many mid-19thC innovations. Belter of New York combined rococo extravagance with new techniques in his laminated, drop leaf dining sofa table rectangular steam-bent, jape french clock carved and pierced confections, antique dolphin foot drop leaf side table while Pabst specialized in carved pieces in the Gothic style.
During the Civil War, tekke carpets deep-buttoned, vintage kidney shaped desk heavily-fringed upholstery in the French Second Empire manner was fashionable. Cast-iron furniture was made by Barnum of Michigan. (Grand Rapids, chairs rococo Michigan, clock faces how they are made had now become the centre of the furniture manufacturing industry.) ‘Patent’ pieces included the Wootton desk and improved types of rocking Late-19thC Wootton desk. 1840-1890
This period is the most likely to provide the modest collector with opportunities for buying affordable, antique baroque rocking chairs w/griffins on back authentically American antiques. Examples from the earlier periods are rare and usually expensive. Pieces of British origin, glazed leaf pottery dish majolica genuine in themselves, antique regency sabre leg dining chairs are often described as ‘Early American’, round gateleg drop leaf table but unless there is a sound provenance, antique looking pottery anything not peculiar to America in design, rococo chair xviii material or construction should be regarded as a doubtful candidate for American citizenship.
chair. In the West, linenpress with symbolic pearl inlay chairs and hallstands were made of antlers and buffalo horns, pie crust shaped brass and glass coffee table or carved in mahogany to simulate them. Even the Shakers commercialized their output.
MACHINEWORK & ART MODERNS 1890-1940
In the 1890s, british fulham mugs Lloyd Wright, antique folding mahogany chair trained in Chicago, 19th century gilt metal mantel clock two women reacted against the weird confusion of historic revivals and began to design furniture that owed much to the British Arts and Crafts Movement, dwarf mahogany bookcase yet succeeds as an original statement. The principle was to design good, wootton patent office desks clean pieces that could be made by machine.
`Mission’ furniture, gateleg with chain lifted leafs inspired by chairs in a Spanish mission house in California, victorian wellington chest of drawers was first produced in the 1890s by McHugh and shortly after by the Roycroft Community, carved oak antique gate leg table Stickley’s Craftsmen Workshops and others, what are reeded canted corners remaining popular until the outbreak of World War 1.
In the 1920s, scottish snuff mull for sale head table the Art Moderne style (Art Deco) inspired designers such as Deskey, mother of pearl inlayed bureau who made imaginative use of Bakelite and aluminium. In the 1930s vast quantities of kitsch were produced, how to antique glaze white dresser and good, french style regency furniture simple pieces are quite rare.
Craftsman oak desk with open-end shelves, carving kneehole about 1900.

ANTIQUE EUROPEAN FURNITURE PERIODS AND STYLES

Posted by admin on November 12th, 2009 under European FurnitureTags: , , , , , , , , , , , , ,  • No Comments

ANTIQUE EUROPEAN FURNITURE PERIODS AND STYLES:

The major antique European furniture styles have all been related to other arts, upholstered sideboards fine and applied, crendenza, foreigen designs and especially to architecture. Most were international, walnut chest on chest but subject to national and regional variations. They seldom changed abruptly; a transitional phase would usually intervene so that elements of both old and new styles were often seen in the same piece.
Provincial and country work reflected these changes, 19th century stand up silver chest but only after a delay sometimes a lengthy one while perpetuating both local traditions and styles that had, oak twist leg table and chairs years before, carpets kazak iranian been fashionable in the cities; and even there, how to make bookcase mouldings revivals of earlier styles were promoted from time to time.
These factors, wash bowl stand not to mention the modern reproductions and downright fakes that abound, cupboard armoire kast cross make it unsafe to assume that any given piece is necessarily of the period its style implies. Familiarity with styles, hinged farmhouse tables restored important though it is, antique claw foot buffets with glass should ideally go hand in hand with a knowledge of the materials and methods in use at different times and in different places.
ANCIENT AND CLASSICAL FURNITURE STYLES
The private collector is unlikely to acquire an authentic piece of furniture from the ancient civilizations, matchbox holder with the ashtray set engraved but can hardly escape becoming the owner of something that derives from them; so it is helpful to have an understanding of the sources.
The Egyptians were making sophisticated furniture in about 3, antique plaques 000 BC and, worcester fbb relief by 1, victorian walnut breakfront 500 BC, antique draw leaf desk were employing mortise-and-tenon, antique small walnut bookcases dovetail and mitred joints to produce beds, world most amazing mechanism for extending dining table tables, antique vincennes winged angel w/roses figurine stools (including an X-shaped folding type), brass paw furniture legs chairs and chests many decorated with carving, 1800’s walnut linen presses veneering, antique split pedestal dining table inlay and painting. These methods were taken over and developed by the Greeks, wood lion head chair Etruscans and Romans. Turning on the lathe, flat top nine drawer highboys made in the 20th century and casting in bronze and silver were added to the techniques of furniture-making.
Left, lichte-wallendorf white vase Ancient Egyptian sphinx.
Below Antique Roman sphinx.
Left, wells fargo antique desk Classical Greek lyre.
A repertoire of ornament was built up that included animal forms for legs and feet (lion paws, chiffonier furniture hooves); sphinxes and other mythological beasts; human and semi-human figures such as caryatids, 18th century french pill boxes used as decorative supports; leafy scrolls, victorian black slate and brass-mounted mantel clock wreaths and floral motifs including anthemion (honeysuckle) and acanthus; columns and pediments based on classical architecture.
Although the fall of the Roman Empire in the west in the 5thC AD resulted in the decay of furniture-making skills, 19th century italian mirror not all were lost, antique metal chest of drawers and from the Renaissance onwards, millefiori small handled vase with stopper their rediscovery led to a whole series of classical revivals, antque tea pots crown dorset from the 16th to the 19thC.
BYZANTINE FURNITURE STYLE
Many of the old skills were retained in Constantinople, antique wedgwood plates imari design capital of the Eastern Empire, antique furniture james ii built in the 4thC AD near the Hellenic city of Below, satyr handled silver wine urns Byzantine carved ivory throne, 1930’s jacobean revival timber sideboard 6thC, used drop leaf dining table and chair
Byzantium. To them were added those of Middle Eastern craftsmen who were adept at the intricate carving of religious figures, antique dresser 6ft plants and animals, antique austrian chairs on ivory panels set in a frame, domed corner cabinet for chests and box-seated chairs. Similar subjects were painted on large wooden cupboards.
ROMANESQUE FURNITURE STYLE
Painted cupboards were among the furniture made in Italy in the early Middle Ages, english silver centerpiece pierced baskets probably by itinerant Byzantine craftsmen. The northern invaders also grafted their own ideas of decoration on to residual Roman types, art nouveau wood carved figures on table and a composite style emerged which, italy silver square handled tea tray by the I IthC, elegant small victorian writing table had slowly spread to France, antique charles ii settle the Netherlands and Scandinavia. The furniture, typical wood in 1940 furniture inlay coffee table whether meant for churches or castles, - eugene gaillard buffet was mainly ecclesiastic in flavour; box-seated chairs, basin stand antique functional stools on turned legs, how to make rococo commode carved ones that served as thrones and status
symbols, mirrored antique end table massive chests carved with rounded arches supported by squat classical columns a form of decoration that continued until after 1600.
GOTHIC FURNITURE STYLE
This style owed nothing to the Goths, art deco folding open desk who had been defeated 400 years before the first `Gothic’ church was begun in France in 1140. Another 400 years later, mould velvet removal the term was used by an enthusiast for a new style (Renaissance), old clocks made of giltbronze to decry medieval architecture. By the 15thC, large ornate rococo gilt mirrors the Gothic style had spread throughout most of Europe, gothic monks chair surviving in some areas until the 16thC. Main features: pointed arches, stand-away hinge tracery, japanese pottery with gold lacquer repairs
carving of animals and foliage, rectangular barley twist gateleg table panels carved to represent the folds of parchment or linen (`linenfold’), 1920 - 1930 european breakfront wrought-iron scrolls on chests, early chippendale pembroke table coats-of-arms. Much was painted in bright, antique console table with barley twist legs heraldic colours. Main types: trestle tables, computers internet blog lidded chests, myott son & co. ltd. slab-ended stools, antique cigarette stands box-seated and X-framed chairs, bird pattern silver spoon posted beds.
A revival of interest in ancient culture began in Italy in the 14thC, german pottery - jugs grew over the next hundred years into the Renaissance in Florence and spread widely. Little was known of Greek or Roman furniture, european style couches louis 13 but decorative features from classical architecture were grafted on to existing forms, antique english porter chair canework and new ones created. Carved, walnut antique bedside cabinet claw foot painted and gilded decoration on 15thC cassoni (lidded chests) bore coats-of-arms and depicted Olympian gods and goddesses as well as Christian saints; 16thC examples were shaped to resemble the Roman sarcophagus.
Columns and pilasters were applied to the credenza (low cupboard). Tables, william and mary buffet copied from fragments of Roman originals in marble, lenci pottery were carved with animal subjects. Intarsia inlaid decoration inspired by Roman mosaics depicted landscapes and still-life subjects in vivid perspective. Carved strapwork a flat, dining chairs with walnut legs
Carved walnut meuble-a-deux-corps, cattaneo of london barometer 16thC.
continuous geometric pattern was popular in northern Europe.
The Mannerist movement in art led to the carving of the nude or semi-nude human figure with elongated, armchair stylistic development distorted limbs; an extreme version of this style, 1800 german dresser hidden drawers known as Auricular, handle types on antique asian porcelain involved demonic caryatids on bed-heads, paris porcelain and marks and grotesque masks with huge ears as chair-backs.
Printed pattern books on architecture and furniture design began to appear in the 16thC. Works by Serlio, 18th century english shell crested chair Vredeman de Vries, satinwood pembroke tables Flotner, old oak table, 2 drop flaps Sambin, antique dragon table Du Cerceau and the German master known only as ‘H.S.’ were widely circulated and used by craftsmen internationally.
Some countries, antique writing table with thick square legs however, classicism furniture developed very individual versions of the Renaissance style. Spain, regency chair construction at the height of its power and wealth in the 16thC, three famous person art deco embellished furniture with silver from the New World, built-in cabinet by antonio gaudi and abstract decoration derived from the Islamic culture of the resident Moors. Doors and drawer-fronts were
Left, antique czechoslovakia vases armchair with panels of linenfold carving, hepplewhite footstool 16thC.
Right, capodimonte saucers cups antique 16thC carved caryatid with grotesque mask.
Drawer front with geometrical mouldings, cabinet makers chest fashionable throughout the 17th Century, gold bell shaped flower seed pearls earrings
decorated with mouldings arranged in geometric patterns a fashion that spread to the Spanish Netherlands and thence to much of Europe in the 17thC, georgian silver cream pail becoming a feature of many pieces regarded now as baroque.
BAROQUE FURNITURE STYLE
The word baroque means ‘irregular pearl’, vauxhall glass reproduction and many pieces in the style are partly asymmetrical, czechoslovakian antique porcelian vases being the work of sculptors such as Brustolon who carved life-size human figures in the round as supports for console tables and candle-stands. Most other pieces, thomas tompion tall case clock however, why are chairs called smokers bow
were symmetrical, frencj arm chair how to paint velvet chaies formal and heavy-looking.
The style first developed in Italy early in the 17thC, arts & craft settee using classical architecture as a basis but adding bold, reproduction victorian octagonal work table restless curves and rich decoration gilding, bergama rug painting in imitation of oriental lacquer, american art deco furniture veneering and marquetry (inlaying into veneers) in exotic woods, french regency rococo furniture pietre dure (hardstones) and metal.
In France, neoclassical candlesticks during the reign of Louis XIV (effectively 1600-1715), antique double chair back settee carved shell 1700 photo the royal cabinetmaker A.C. Boulle perfected the technique of boullework inlaying a turtleshell veneer with brass scrolls. He also created new shapes, sheffield silver company candelabera e.g. the commode (chest) with curved outline.
Louis XIV boulle bureau Mazarin, rococo scroll corners about 1690.
ROCOCO FURNITURE STYLE
Known in France, zanzibar doors cup board where it originated, antique furniture drawer construction with nails as rocaille, round antique molding the rococo (’rock and shell’) style was a reaction to the pompous, william and mary veneer tables macho, art nouveau development Louis XIV version of baroque. Soon after the king’s death in 1715, antiques chippendale dining tables restorers rococo was created by Meissonier and Pineau, card table inlaid shell and developed during the Rgence when Louis XV was still a child. The cabinetmaker Crescent perfected the bombe (’blown up’) commode (see CHESTS OF DRAWERS P. 234-246). The cabriole leg, 17th century oak carved four panel coffer with the delicate curve of an elongated ‘S’, wood storage cabinet sideboard table furniture replaced the turned or scrolled legs of the baroque.
Surfaces were decorated with floral marquetry or lacquer. Carving and ormolu (gilded bronze) mounts were often asymmetrical, italian lacquer furnitures/versailles especially in some areas (Spain, antique painted card table country #2 Scandinavia) where the style was adopted almost too eagerly; but at its best, breakfront furniture, painted it was charming.
The Paris guild of cabinet-makers and joiners enforced quality control on its members who, hooded french chairs 18th century from 1743 until the Revolution in 1789, small quarter-round table had to stamp their products with their names.
Foreign craftsmen and makers to the Crown were excused, antique german side board so contrary to popular belief not all fine French furniture is signed.
Chairs and settees were richly upholstered. Large mirrors, antique murano glass mirrors previously a Venetian monopoly, small 2 drawer antique dresser were produced in France for the Palace of Versailles which was imitated by the rich all over Europe. Those with less money to spend adopted a diluted version of the baroque style one that involved (in Portugal especially) much bold turning on the lathe to produce baluster, 1800 century decorating stile bulbous and spiral profiles.
NEO-CLASSICAL FURNITURE STYLE
The rococo style was replaced in France several years before the death of Louis XV in 1774 by what is now known as the Louis XVI style. This was heralded as a return to discipline after the frivolities of rocaille. Shapes changed from sinuous curves to rectilinear, german porcelain maker wallendorf 1764 circular or oval outlines. Cabriole legs gradually gave way to straight ones, meissen girl with basket figurine lamp and bombe carcases were soon outmoded in Paris, sideboard form the early 1900’s though remaining popular in Holland and Sweden.
Once again, wooton desk a paris designers returned to the ancient civilizations for their inspiration. In the late 1750s, chinese fretwork chairs a cosmopolitan group mingled in Rome, forms of famous saxon pottery Pompeii and Herculaneum, antique iredescent tea sets where recent excavations aroused fresh enthusiasm for classical ideas, 1807 fusee pocket watch although little more was known about ancient furniture itself than had been familiar to the men of the Renaissance. In the first phase of neo-classicism, antique french arm chair it was only the ornament on neo-classical furniture urns, watteau style porcelain plates rams’ heads, antique free standing lighted ashtray masks and so forth that owed much to antiquity.
Marquetry was as popular as ever, antique kneehole desk & bookcase and although mythological figures were favourite subjects for it in Northern Italy, moorse bros ceramics with no mark the French still liked their flowers, antique florentine mirror and many pieces were inset with Svres porcelain plaques painted
with floral subjects. Some of the finest craftsmen in Paris were German, macasar in paris and one of the greatest David Roentgen supplied the Crown with furniture made in his Neuwied workshops. Famous for his marquetry, how to find the maker of a carriage clock he was among the first to abandon it when fashion dictated a plainer style.
Left, rug two dogs symbol kingwood secretaire incorporating Sevres porcelain plaques, antique spindle bed about 1780.
Louis XVI gilded fauteuil, antique dragon carved hexagonal marble top table about 1770-1780.
DIRECTOIRE FURNITURE STYLE
The first to attempt furniture based on ancient prototypes was the artist David, antique armoire no-1600 on the back of it? who copied couches and chairs from paintings on Greek vases and had them made for him, spanish antique armchairs in about 1787, antique william and mary chest of drawers by the royal chairmaker, thomas tompion tall case clock Jacob, antique corner cabinet cupboard an admirer of English furniture and the first major French craftsman to use solid mahogany a wood that had been fashionable in England for 50 years. The severe, wallace sideboard no-nonsense style continued after the Revolution in 1789, victorian button back, under the short-lived Directoire.
EMPIRE FURNITURE STYLE
A partial return to grandeur accompanied a new phase of neo-classicism in the early years of the 19thC, hand painted antique bedside tables when Perrier and Fontaine dressed it up with eagles, vintage swiss silver gilt pearlset enamel pendant watch laurel wreaths and other imperial symbols to echo the glory of the Emperor Napoleon, bruce talbert pet sideboard and added sphinxes to mark his Egyptian campaign. These motifs were cast in bronze and applied to pieces of austere shape, louis 15th rococo chair legs some based on Roman or Greek prototypes. Great play was made with black and gold paint, bear and stag japanese jug and drinking mugs and fabrics striped like the tents of the armies. The style was imitated
across Europe, french feet on antique english furniture what period is it? even in countries at war with France, mahagony so that terms such as ‘Russian Empire’ are sometimes used misleadingly to describe the French Empire style as it was interpreted elsewhere. In Paris, reproduction le courte coffee table 10, antique maple gateleg drop leaf table with 3 leaves 000 hands were employed in the furniture trade, antique folding chairs the Jacob family being the leading manufacturers.
Directoire mahogany chair, antique-style.com about 1790-1800.
Empire X-frame stool, art deco writing desk about 1810.
BIEDERMEIER FURNITURE STYLE
This term should be confined to Austrian, art nouveau ring box 1800s German and Scandinavian furniture of 181S-SO, lion’s paw furniture feet but many pieces Russian (Alexander 1), regency vases Polish (the ‘Simmler’ style) and French (Charles X) strongly resemble early Biedermeier, 18th century fusee which followed the neo-classical principles of the Empire, antique george ii oak library table three drawer but expressed them more soberly.
Light-coloured woods were favoured. Comfortable sofas with swan-neck arms, sofa leg wheel antique brass hefty fall-front secretaires, victorian bedside commode lyre-backed chairs and circular dining tables on central supports, antique furniture prices were typical items designed mainly for the middle-class which the name originally satirised, bureau english nineteenth century value though the most notable designer was the Berlin court architect Schinkel. The biggest manufacturers in Vienna were Danhauser from 1804 to 1838, spiral reeded leg rectangular pine table and Thonet, love coat of arms lions head who set up a factory in 1842 for making bentwood furniture.
‘Late Biedermeier’ and ‘Second Empire’ are terms used to describe the European bourgeois home in the later 19thC: over-stuffed seating and over-decorated woodwork in a medley of styles based on romantic revivals. In France, compagnie general transatlantique chamberpot good copies of 18thC pieces were made, historismus double eagle side table price while a few designers notably Violletle-Duc attempted scholarly re-creations of medieval types. In Italy, antique fold top table with pedestal legs magnificent pastiches in the Renaissance and baroque styles were produced.
ART NOUVEAU FURNITURE STYLE
This style takes its name from Bing’s shop in Paris which, octagonal oak gate leg table in the 1890s, antique carved wood chair sold both oriental imports and new, antique sellers cupboard upright revolutionary furniture.
Plant-form inspired the ‘whiplash line’ and asymmetrical shapes reminiscent of the rococo. Marquetry decoration was used by Majorelle and Gall of Nancy. Other leading designers were Endell of Germany and the Belgian, neoclassical upholstery fabric van de Velde. ‘Viking’ furniture was dreamed up in Scandinavia, bureau bookshelf while Munthe’s offbeat chairs in black and white, antique walnut italian mid 19th century mirror based on peasant patterns, louise the 14 chairs anticipated Art Deco.
French art nouveau cabinet, antique knee hole desks with marquetry decoration, victorian inlaid rosewood table about 1900.
Charles X dressing-table, antique oak lion head round table about 1850.
Biedermeier birchwood sofa, jacobethan dining room set about 1820.
In the 1920s, antique dutch pine bedside the Bauhaus was set up in Germany, drop leaf butler’s tray coffee table under the direction of Gropius, sevres boucher plate to create furniture suited to modern needs, italian mahogany china hutch to which Le Corbusier’s concept of the home as a

factory for living was first cousin.
Gerrit Rietveld Red and Blue chair; 1918.
ART DECO FURNITURE STYLE
Many people, value my antique roll top desk value however, antique frosted epergne of woman still yearned for luxury. At an exhibition of decorative arts in Paris in 1925, dinning room table against wall Le Corbusier’s display was in stark contrast to the lavish flavour of Ruhlmann’s exhibits, 19th century shaving which gave a new and very expensive twist to adaptations of 18thC design, classicism furniture using costly materials for items purporting to be functional.
Art Deco wrought-iron console table, bergere high white 1930s.
MODERNIST FURNITURE STYLE
A reaction against art nouveau began in Vienna soon after 1900 and continued in Berlin with the setting up of workshops for producing good inexpensive furniture, edwardian narrow bookcase using hand skills in association with machinery. During the 1914-18 war, gate-legged, ball foot tables Rietveld worked in neutral Holland on angular chairs, french art deco club chair put together without recourse to normal joinery, antique desk bible and painted in red, 19th century bell mortar blue and yellow.
Debased versions of jazzy Art Deco were soon being mass-produced, antique burgundy indigo blue oriental rugs but there was much good, pietre dure antiques galleries medium-range furniture made between the two world wars, antique watch bracelet enamel especially that produced under Scandinavian influence. Plain and simple, victorian carved floral panel cupboard modern but not ultra-modern, antique furniture with hand inlay it owed at least in spirit as much to the Biedermeier tradition as to the Bauhaus and art nouveau.
Palisander wood card table and chairs, burr walnut piano top davenport by Maurice Dubene, art nouveau maple china hutch 1930s.