18th Century Italian Furniture
Italian Furniture
Italy was not only the arrow mirror top smokers stand’ birthplace of the four continents antique -maps European Renaissance, it was also the antique louis xv, kingwood writing table source of the tiffany silver sewing kit Baroque style of architecture and the identifying antique chairs with horsehair padding furniture that evolved with it. As early as 1600 the antique child chair tapestry seat back restraint of the antique chairs sabre leg classical lines of
Renaissance furniture was disappearing behind exuberant ornamentation. Cabinets and tables, for example, were supported by painted and gilded understructures, with ostentatious carved naked figures such as naiads or negroes, or eagles and lions, jumbled up with scrolls, shells, cartouches, etc. Table tops were often surfaced with brilliantly coloured marble slab, or marble mosaic, or pietre dure. Chairs were richly carved and gilded, with greatly exaggerated motifs, and were upholstered in large-patterned velvet.
Some of the antique kidney shaped table best examples of this Baroque furniture were executed under the m l antique castle bear jug inspiration of Domenico da Cortona, who supervised the reproduction adam style writing table decoration of the louis sideboard with dresser design Palazzo Pitti in Florence and the antique bed turn of the century Palazzo Barberini in Rome during the bookcase 6in deep years 1630 to 1660. In the round mahogany antique dining table middle of the antique drop leaf table 1700 price century the reproduction mother of pearl chest of drawers Baroque style began to be extensively interpreted in walnut, characterized by splendid veneered surfaces, with contrasting raised panelling or moulding.
Pediments tops, sides and fronts of pieces such as cupboards were embellished with gay carved plastic ornamentation. In Venice, a leading home of fine furniture-making, the how much is a fruitwood table from 1900 worth walnut was often part-gilded for
contrast.
Venice was also the german cabinet 18 century principal home of Italian lacquered furniture, which was among the antique mirrow 1720 best in Europe. In the built in shaped dressing tables period 1650 to 1700 this lacquer was usually black and vermilion, and the french furniture sale most general decorative patterns were chinoiserie. After 1700 the japanned cabinet on stand lacquer craftsmen began to use dark green and gold panels as well, and the antique davenport burr walnut desk total effect was very fine. Commode fronts and sides were gay and irresponsible. Lacquer decoration was later extended to a host of other household items, such as small boxes, trays, ornaments, hand
Three examples of furniture styles carried to excess (top) German Rococo commode of about 1760 by Bauer, (centre) Italian Rococo gilt throne of about 1730, and (bottom) Italian Baroque chair with heavy upholstery.
The carving is over-elaborate, with negroes incorporated in the antique winged lambing chairs arm supports
This splendid example of Italian mid 18th-century lacquer-work amply illustrates the early georgian windsor chairs great skill of the 1815 : english \dressing table Venetian lacquerers looking-glasses, finger-plates for doors and even walking sticks.
Italian furniture-makers of the spoon back velvet covered victorian armchairs late seventeenth and early eighteenth centuries also specialized in various kinds of inlay work. Panels made up of semi-precious stones, known as pietre dure, and imitation marble mosaic known as scagliola work were used for table tops and fronts to cabinets. Consoles, always a popular item of furniture in Italian houses, were topped with huge slabs of indigenous marble, especially from Carrara, and supported by human or mythological figures or huge shells, often heavily gesso-gilded. They were over ornate, but in a large room the vignette, antique, neoclassical style y must have looked splendid.
French influence infiltrated into Italy in the george iii mahogany square legs long stool early eighteenth century and remained a dominating feature for nearly a hundred years. Rococo fashions replaced the william and mary style antique dining sets Baroque, and, as in Germany, the galle lamps made in england style was more
frivolous and more Piffetti of Turin carried the antique u-shaped chair Rococo style to eccentric lengths in this Italian bureau of 1730, inlaid with ivory and rare woods
When Empire styles reached Italy at the figurine in austria 1751 beginning of the break arch with lead glass grandfather clock 19th century the antique boston mahogany sideboard y were quickly absorbed, to the chinese lacquer bookcases detriment of Italian 18th-century furniture traditions. This desk by Socchi of Florence has little to recommend it nounced than in France, especially in furniture from Venice and Turin. The inlaid ivory and rare wood bureau by Piffetti of Turin in the biedermeier wings armchairs Quirinale Palace in Rome is a good example.
Further south in the french art deco vitrine curved glass peninsula the display imperial desks antique more restrained Neoclassicism of Louis XVI styles began to be reflected in pieces made after 1770. There were also distinct characteristics deriving from English furniture styles,
particularly of Adam. By the paris gustavian early nineteenth century much Italian furniture had become simple and straight-lined. A writing table by Socchi of Florence is a considerable departure from earlier styles. It is in the napoleon french furniture classic Empire
style and not very attractive at that. Marquetry-work continued to feature in Italian furniture, but not always to the desks from antique sewing table best effect in rectilinear designs.
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